Amelia’s Magazine | Re-Edition Project from Yoox and Altaroma

Max Kibardin Shoes by Claire Kearns

Reinventing the wheel is no mean feat, advice but together with Altaroma, information pills Yoox have given it a go with both inspiring and beautiful results. Not a new concept, tadalafil but one which is hard to get right, the two have worked together to create a desirable collection of eight classic designs from eight legendary maisons. With Altaroma’s Silvia Venturini Fendi, they have selected key fashion houses and contemporary designers to work together on producing must-have one-off collectors pieces and from this selection, eight stand outs were chosen to be sold exclusively on Yoox.

Sara Lanzi by Michelle Pegrume

From shoes to dresses, eight emerging talents have reworked heritage designs from the houses including Albanese, Simonetta, Fabiani and Alberto Fabiani. A shining example of a new direction in Italian high fashion, the Limited/Unlimited project has been working for the last few years to showcase a new generation of avant garde design and innovation. On the 8th July in the appropriately impressive Palazzo della Civiltà Italiana, the launch party for the collections drew in the likes of fashions finest: Suzy Menkes, Franca Sozzani, Silvia Venturini Fendi and Delfina Delettrez Fendi.

Sergio Zambon by Amy Rogers

Results of these pairings are one-off pieces that really create a link between the iconic maisons of the past and relevant 21st century style. Plenty more examples are available on the Yoox website.

Categories ,Altaroma, ,Amy Rogers, ,art, ,Claire Kearns, ,Design Maisons, ,Fashion Collaboration, ,Limited/Unlimited, ,Max Kibardin, ,Michelle Pegrume, ,Rome, ,Sara Lanzi, ,Sergio Zambon, ,Silvia Venturini Fendi

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Amelia’s Magazine | London Fashion Week S/S 2012 Catwalk Review: FAD Awards


Sabine Bindere by Maria Papadimitriou aka Slowly the Eggs

Last week, salve the best young design talents in the UK topped off London Fashion Week at the Fashion Awareness Direct awards, shop held at Freemason’s Hall. Packed full of family and friends, the atmosphere (as well as being stifling hot – sort it out!) was as relaxed as it was enjoyable – an emotional end to the long journey that the 25 finalists had been on, there were tears!


Gemma Halliwell: winner of Commercial Awareness category

For a bit more background information, read the reviews from Amelia and Matt that they wrote after the 2010 awards last year, with both commenting on the heartwarming nature of the show. Less fraught with the usual Fashion Week pushing and shoving, the FAD show is really about the emerging talents of the upcoming design generation. Just like Matt, I was almost reduced into a blubbering mess by the sheer skills and inspiration of all who were taking part – I defy anyone to go to this show and not feel a bit weepy!

I should explain: basically FAD is a charitable endeavour that aims to give young people the confidence to succeed in fashion – if the enthusiasm and energy of last years winner Karmen Marie Parker is anything to go by, they have definitely suceeded. Over a series of intensive workshops held by the University of East London for 16-19 year old budding designers, the 25 showcasing on the catwalk on the evening were selected from an initial 100 entrants. Out of this final 25, the judges select and agree on an overall winner and several runner ups.

Without further ado…to the winners! 17 year old Sabine Bindere, from Barking and Dagenham College was awarded the top prize of a placement at George at Asda. Her design was one of my clear favourites during the show, as despite being put together from start to finish in just five days, showed originality and technical skill. Her double hooded dress featured a gorgeous graffiti print in red and black that Sabine created herself and would not look out of place on the high street today.



Among the designs that walked the catwalk, there were many that showed clear talent and promise that I really admired. One of these was Yasemin Cakli from City and Islington College. Her so-bright-you-need-sunglasses orange jumpsuit paired with a flared see through plastic cape was absolutely stunning. Worn by one of the best models in the show, the show-stopper of a look was a rip roaring success with the crowd as it strutted past us towards the photographers. Unsurprisingly, Calkli was awarded the runner up prize of a placement with River Island.



Yasemin Cakli by Michelle Pegrume

The beginning and end of the night was started and finished with some words from last year’s winner, Karmen Marie Parker, who gave giddy but very mature and honest advice to everyone who had taken part – the whole night I had to keep pinching myself to remind me just how young these designers were – and so there you have it. I for one, cannot wait for next year.

All photography by Florence Massey

Categories ,A/W 2011, ,Barking and Dagenham College, ,City and Islington College, ,FAD, ,FAD Awards, ,Florence Massey, ,Freemasons’ Hall, ,Gemma Halliwell, ,George at Asda, ,Karmen-Marie Parker, ,London Fashion Week, ,Maria Papadimitriou, ,Michelle Pegrume, ,River Island, ,Sabine Bindere, ,Slowly the Eggs, ,University of East London, ,Vauxhall Fashion Scout, ,Yasemin Cakli

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Amelia’s Magazine | London Fashion Week S/S 2012 Exhibition Review: Headonism


Charlie Le Mindu by Claire Kearns

The exhibitions around Somerset House are one of my favourite London Fashion Week pleasures – I enjoy wandering the stands in between shows as it gives you a chance to see all of the clothes close up and even talk to some of the designers about their new collections. One such exhibition that I always make sure I catch, view is Headonsim. Curated by legendary milliner Stephen Jones, information pills who has designed for everyone from Marilyn Manson to Beyonce, medications 2011 marks its third year of existence. Read my S/S 2011 review here.


Charlie Le Mindu by Michelle Pegrume

Four milliners participated – Charlie Le Mindu, Piers Atkinson, Noel Stewart and J Smith Esquire. Situated next to the press lounge in Somerset House this time around, each designer exhibited their best talents on stands placed at different levels in quite a small room on the ground floor (rather than on the lower level as in previous years).

As expected, Charlie Le Mindu offered up some weird yet totally wonderful pieces, including this blue haired creation with amazing top headpiece and veil – the inky blue shades that used for his new pieces are a dramatically cool, dark approach to the lighter summer colours that we have seen on the catwalks so far this season. Le Mindu is well known for his hair couture creations – owing to regular nudity and his creative use of hair, his catwalk shows are always a media, blogger, fashion frenzy. For a background on some of the amazing hair couture collections he has created in the past, read Amelia’s review on his AW11 collection here.

His Headonism collection of blue wigs featured crystals, dip dyed ends and flowing curls given an edge with spiked headbands. Unlike his more avant garde creations, the ones on show at Headonism were a good flavour of what the designer is capable of in a more wearable capacity (if you are so inclined to wear a blue wig, that is!).


Piers Atkinson by Dee Andrews

Piers Atkinson has long been a favourite designer of mine. I love the way that he manages to be fun, quirky and different with his designs but still create pieces with enduring appeal. I reviewed his collection last year when the Hollywood hat stood out for me, he has since designed the cult-status Paris hat, which spawned further ‘Anna’ (but which Anna did he mean?!) and ‘London’ hats (worn by all those working behind the scenes at Somerset House). With his iconic cherry designs and loyal celebrity following (Anna Dello Russo, Kate Moss, Lady Gaga, Rihanna, Kelis, Cate Blanchett and Paloma Faith), his credentials are faultless. As part of the ‘Hot Voodoo’ S/S 2012 collection, this feather boa-esque blue snood is the ‘Ashlie’ and features a banana leaf print by Zandra Rhodes and printed blue silk chiffon Macaw.


Noel Stewart by Claire Kearns

Noel Stewart showed a beautiful collection of bright hats and headpieces, with multi-coloured cactus shapes, day-glo orange and wide rimmed sun hats, his S/S 2012 collection is bursting with the in-your-face shades that dominated many of the catwalks this season. The London based milliner has enjoyed large degrees of success since leaving the Royal College of Arts – the roll call of designers he has worked with is impressive to say the least and includes Hussein Chalayan, Oscar De La Renta and Roland Mouret. Perfectly crystallised in the illustration above, this fashion week he designed the hats for the Ready to Wear Erdem S/S 2012 catwalk show – a floral fantasy in pale blue hues played out in pretty dresses, trench coats and flowing skirts. Delicate in their execution, the small hats complimented the detailed floral prints of the collection wonderfully.


J Smith Esquire by Dee Andrews

J Smith Esquire presented a dreamy collection of Magritte inspired cloud bowler hats, sun hats and intricate leather headpieces. The sky blue and deep blue straw hats pattered with white fluffy clouds were a simple way to skip forward to thoughts of summer. Made from patent leather, his other headpieces have been cut to resemble feathers curling around the head in hues of sky blue, red and pale grey.

All in all, some exquisite design and now I can’t wait for summer.

Categories ,A/W 2011, ,Anna Dello Russo, ,Cate Blanchett, ,Charlie le Mindu, ,Claire Kearns, ,Dee Andrews, ,Erdem, ,Erdem S/S12, ,Florence Massey, ,Headonism, ,Hot Voodoo, ,Hussein Chalayan, ,J Smith Esquire, ,Kate Moss, ,Kelis, ,Lady Gaga, ,London Fashion Week, ,London Fashion Week Exhibition, ,London milliners, ,Magritte, ,Michelle Pegrume, ,Noel Stewart, ,Oscar De La Renta, ,paloma faith, ,piers atkinson, ,Rihanna, ,Roland Mouret, ,Somerset House, ,Stephen Jones, ,Zandra Rhodes

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Amelia’s Magazine | Central Saint Martins: Ba Fashion Graduate Show 2011 review, the winners

Flaminia Saccucci by Laura Warecki
Flaminia Saccucci by Laura Warecki.

Central Saint Martins showed for the last time at York Hall on Tuesday 31st May. I sat next to someone from L’Oreal – the principle course sponsors who fund the yearly awards show. There’s no wonder that Central Saint Martins fashion students are able to put on a professional standard graduate show, case what with the huge amount of monetary help that the course attracts. But there’s a reason why Central Saint Martins attracts the cash – the standard of design on show for 2011 was unremittingly high and in the next few blog posts I’ll pick out my favourites from an extremely talented bunch. First up, malady though – the winners.

Momo Wang by Karolina Burdon
Momo Wang by Karolina Burdon.

Momo Wang was the very deserving joint second runner up in an awards ceremony presented by Hilary Alexander and delivered by Meadham Kirchhoff and Sarah Burton. Or as Hilary put it: “You know Sarah; wedding dress, Pippa Middleton’s bum, need I say more?

Central Saint Martins Ba Show 2011-Momo Wang. Photography by Amelia GregoryCentral Saint Martins Ba Show 2011-Momo Wang. Photography by Amelia GregoryCentral Saint Martins Ba Show 2011-Momo Wang. Photography by Amelia GregoryCentral Saint Martins Ba Show 2011-Momo Wang. Photography by Amelia GregoryCentral Saint Martins Ba Show 2011-Momo Wang. Photography by Amelia GregoryCentral Saint Martins Ba Show 2011-Momo Wang. Photography by Amelia GregoryCentral Saint Martins Ba Show 2011-Momo Wang. Photography by Amelia GregoryCentral Saint Martins Ba Show 2011-Momo Wang. Photography by Amelia GregoryCentral Saint Martins Ba Show 2011-Momo Wang. Photography by Amelia GregoryCentral Saint Martins Ba Show 2011-Momo Wang. Photography by Amelia GregoryCentral Saint Martins Ba Show 2011-Momo Wang. Photography by Amelia Gregory
Momo Wang. All photography by Amelia Gregory

Her playful print presentation featured smiling girls with pigtails and balloons, bubble machines, dragon headgear and a mish mash of tribal influences thrown together in a unique and inspiring way. Super talented and with a refreshing take on the typical catwalk show.

Ivan Curia Nunes by Gareth A Hopkins
Ivan Curia Nunes by Gareth A Hopkins.

Central Saint Martins Ba Show 2011-Ivan Curia Nunes. Photography by Amelia GregoryCentral Saint Martins Ba Show 2011-Ivan Curia Nunes. Photography by Amelia GregoryCentral Saint Martins Ba Show 2011-Ivan Curia Nunes. Photography by Amelia GregoryCentral Saint Martins Ba Show 2011-Ivan Curia Nunes. Photography by Amelia GregoryCentral Saint Martins Ba Show 2011-Ivan Curia Nunes. Photography by Amelia Gregory
Ivan Curia Nunes.

Ivan Curia Nunes also came joint second, with his stylish sandy menswear, definitely one of the most instantly wearable collections on the catwalk.

Central Saint Martins Ba Show 2011-Nicholas Aburn. Photography by Amelia GregoryCentral Saint Martins Ba Show 2011-Nicholas Aburn. Photography by Amelia GregoryCentral Saint Martins Ba Show 2011-Nicholas Aburn. Photography by Amelia GregoryNicholas-Aburn-by-Victoria-Haynes
Nicholas Aburn by Victoria Haynes.

I hadn’t been so impressed with the cutting in Nicholas Aburn‘s collection, but maybe the first runner up was just unlucky enough to have been lumbered with the most gargantuan models in the show.

Central Saint Martins Ba Show 2011-Nicholas Aburn. Photography by Amelia GregoryCentral Saint Martins Ba Show 2011-Nicholas Aburn. Photography by Amelia Gregory
Nicholas Aburn.

He completely won me over by the time he had walked to the end of the catwalk, smiling like a little imp as the models towered over him in their 80s influenced tailored striping and printed outfits, topped off with some eye-catching wide rimmed hats.

Central Saint Martins Ba Show 2011-Flaminia Saccucci. Photography by Amelia GregoryFlaminia-Saccucci-by-Rebecca-Elves
Flaminia Saccucci by Rebecca Elves.

First prize went to Flaminia Saccucci, who showed an extremely confident and unusual latex printed floral collection in shades of pink, green and yellow featuring tyre printed legs that continued racing over waistlines and across bosoms.

Central Saint Martins Ba Show 2011-Flaminia Saccucci. Photography by Amelia GregoryCentral Saint Martins Ba Show 2011-Flaminia Saccucci. Photography by Amelia GregoryCentral Saint Martins Ba Show 2011-Flaminia Saccucci. Photography by Amelia GregoryCentral Saint Martins Ba Show 2011-Flaminia Saccucci. Photography by Amelia GregoryCentral Saint Martins Ba Show 2011-Flaminia Saccucci. Photography by Amelia GregoryCentral Saint Martins Ba Show 2011-Flaminia Saccucci. Photography by Amelia Gregory
Flaminia Saccucci.

Sadly none of these students appears to have a website. Since this is a gripe that I fear I may have to repeat far too often over the next few weeks I’ll say it just this once during my reports from the Central Saint Martins show. Pffffff.

My next blog will be online soon because there was plenty more to get excited about from 40 graduating students.

Categories ,80s, ,Awards, ,Central Saint Martins, ,CSM, ,Flaminia Saccucci, ,florals, ,Gareth A Hopkins, ,Gareth Hopkins, ,Graduate Shows, ,Hilary Alexander, ,Ivan Curia Nunes, ,Karolina Burdon, ,L’Oreal, ,Laura Warecki, ,Meadham Kirchhoff, ,Meadham Kirchoff, ,menswear, ,Momo Wang, ,Pippa Middleton, ,print, ,Rebecca Elves, ,Sarah Burton, ,Tribal, ,Victoria Haynes, ,York Hall

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Amelia’s Magazine | Interview with Laki Mera and review of new album The Proximity Effect

Laki Mera by Abi Lewis
Laki Mera by Abi Lewis.

The Proximity Effect is the second album from Glasgow based Laki Mera, order a band who excel in the creation of their own unique trip hop influenced sound. Focused around the luscious vocals of singer songwriter Laura Donnelly, the album moves sleekly between ambient textures and big folk inspired melodies, plucking the best from the electronic and acoustic worlds to create something utterly new. I caught up with the talented foursome: Laura Donnelly, Andrea Gobbi, Keir Long and Tim Harbinson.

laki-mera-The-proximity-packshot
How do you work together to create music as a foursome?
We write in a few, different ways… Some tunes start more as acoustic tunes written by Laura which are then arranged by the band as a whole – introducing beats and electronic feel. Some tunes start off as electronic ideas, from jams or individually from Andrea or Keir. At any stage of the process though, the collaboration between all of us is what creates the Laki Mera sound.

Laki Mera by Michelle Pegrume
Laki Mera by Michelle Pegrume.

Do you all bring different musical inspirations to the table – and if so what are they?
We have a really wide and varied bank of influences ranging from folk and acoustic music to minimal electronica. To list a few… Beck, Kraftwerk, Aphex Twin, Bjork, Radiohead, Datasette, Zombie Zombie, Bat for Lashes, Portishead, Massive Attack, Advisory Circle, Benny Greb… there is a lot of good music coming out of Scandinavia at the moment – Little Dragon, Efterklang, Lykke Li, Fever Ray

Laki Mera by Evan Smith
Laki Mera by Evan Smith.

What brought Italian Andrea Gobbi to Scotland and what keeps you there? 
I travelled up from London in 2001 and instantly felt attracted by the Glasgow music scene… collaborations were born and I got deeper and deeper into both the indie and folk music scene, both as a musician and a producer engineer.

YouTube Preview ImageFool

Is there anything that you miss about Italy? 
I obviously miss my family and friends, but as far as music is concerned not very much at all, I’m afraid… I’m very happy in Scotland! 

Laki Mera night
What’s best about living in Scotland?
Definitely not the food!

Laki Mera by Dan Lester
Laki Mera by Dan Lester.

The Proximity Effect is named for a studio technique – what does it mean and how was it used in the making of the album?
Our album The Proximity Effect was named after the interesting combination of the audio technical term ‘proximity effect‘ and the philosophical meaning behind how people react when in the proximity of other people, how people interact in the proximity of each other and how important these connections are. The actual meaning of the technical term proximity effect… well, it is simply a way to describe how microphones react to the relative closeness of the sound source you are recording… say for instance how a softly spoken lyric would come through when spoken directly into a microphone (i.e. with your lips touching it). 

Laki Mera by Sarah Jayne Morris
Laki Mera by Sarah Jayne Morris.

I haven’t heard the first album, how does the new one differ? 
The first album was a production which took several years, during which studio electronic music experiment and song-writing took their time to develop! The outcome was a very deep-layered production with a much calmer and reflective feel about it. The Proximity Effect still has moments of pause and reflection but it’s a much more direct record, based around tracks that were born playing live rather than in the studio… Most of the electronic music production on this album was inspired by the tracks and not vice versa. 

Laki Mera
How do you ensure that you retain an organic feel to the music when applying so many electronic textures?
Retaining an organic feel to the music is very important to us as we are well aware that electronic music can become too sterile and repetitive if not handled properly. We have a good mix of acoustic and electronic elements to the band and when working on the electronic arrangement we use many analog synths such as Korg Sigma, Korg MS10, Roland Juno 106. We also create our own sounds from samples of real sounds. Also, when playing live we ‘play’ everything rather than relying on pre-recorded loops as so many electronic acts do. This is more fun (if a little tricky sometimes) for us and more interesting for an audience to watch.

Laki Mera by Joana Faria
Laki Mera by Joana Faria.

You recorded some of the new album’s songs in turf house in a small Highland village – what lay behind the decision to decamp? 
We recognised that there was a bit of a difference between the tunes on the album and we wanted to embrace this. We made the decision to spend a week in a remote part of the Highlands to concentrate on the more acoustic, song-like tunes on the album. We felt that the hustle and bustle of our city studio did not provide the right kind of environment to properly capture the more sensitive feel of tunes such as Reverberation, Double Back and Solstice. We needed somewhere with a more quiet feel and a slower pace. 

YouTube Preview ImagePollok Park

Does living in Glasgow influence the sound of the music?
Glasgow has always been a very musical city and I think that’s partly why we have all been drawn there. With its long, dark winters and brooding, grey skies it definitely lends itself well to writing dark, introverted tunes!

Laki Mera laura donnelly
What else does everyone do when you’re not involved in Laki Mera?
Andrea & Keir are both sound engineers, Keir is also a piano teacher. Laura works on graphic design and art projects and Tim has recently completed a masters in Social Ecology.

Have you got any collaborations in the pipeline? 
We’re working on it, so watch this space…

YouTube Preview ImageOnion Machine

The Proximity Effect is out now on Just Music.

Categories ,Abi Lewis, ,acoustic, ,Advisory Circle, ,Andrea Gobbi, ,Aphex Twin, ,Bat for Lashes, ,Beck, ,Benny Greb, ,bjork, ,Dan Lester, ,Datasette, ,Double Back, ,efterklang, ,Electonica, ,Evan Smith, ,Fever Ray, ,folk, ,Fool, ,glasgow, ,Highlands, ,Joana Faria, ,Just Music, ,Keir Long, ,Korg MS10, ,Korg Sigma, ,Kraftwerk, ,Laki Mera, ,Laura Donnelly, ,Little Dragon, ,Lykke Li, ,Massive Attack, ,Michelle Pegrume, ,Onion Machine, ,Pollok Park, ,Portishead, ,radiohead, ,Reverberation, ,Roland Juno 106, ,Sarah Jayne Morris, ,Sarah-Jayne, ,Scottish, ,Social Ecology, ,Solstice, ,Tim Harbinson, ,Trip-Hop, ,Zombie Zombie

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Amelia’s Magazine | Ladytron at the HMV Forum: Live Review

Ladytron by Claire Kearns
Ladytron by Claire Kearns.

Has it really been this long? This long since I first caught the subtly seductive beats of Playgirl on Radio 1’s Evening Session? Hearing Helen Marnie’s coy yet devastating vocals for the first time? And what was the band’s name? Ah, cialis 40mg taken from an Eno-period Roxy Music song. Cool! And how long since I first saw them live, on the South Bank (Queen Elizabeth Hall, I think)? Daniel Hunt drolly announcing that dancing was allowed. Then the one and a half gigs at the late, not necessarily lamented Astoria (the first attempt was abandoned when the mixing desk packed up half way through the set). And now here we are, with a decade-spanning greatest-hits-that-should-have-been in the shops, a new album in the offing and a date to keep in Kentish Town.

Ladytron by Robert Tirado
Ladytron by Robert Tirado.

YouTube Preview ImagePlaygirl

Two single green beams of light cut through the Forum’s darkened auditorium as a curious synthwave re-working of the old jazz standard You Go To My Head played over the PA. Then Ladytron (all dressed in black, as ever) appeared – Helen Marnie and Mira Aroyo centre stage, flanked by Daniel Hunt and Reuben Wu –and launched into Runaway, with those pounding drum beats bouncing round the room. Backed by pulses of blue, green and red light, we then got a blistering High Rise, which gave way to a typically immense-sounding Ghosts.

YouTube Preview ImageRunaway

There seemed to be a kind of back to basics approach tonight – recent flirtations with stringed instruments seem to have been put to one side (though from my vantage point I couldn’t make out whether Hunt did tinker with a guitar at all), and it was a return to the straightforward analogue synth sound of old, save for the presence of a drummer behind the quartet.

Ladytron by Michelle Pegrume
Ladytron by Michelle Pegrume.

Marnie’s ice queen vocals belie a commanding stage presence (in between vocal and keyboard duties, she was even seen perched on the drum riser!). Her voice really comes into its own, though, on the darkly pulsing Soft Power and the forbidding International Dateline (both from 2005’s acclaimed Witching Hour album). Aroyo also got in on the act, with her stern Bulgarian intonations giving the dark dance beats of Fighting In Built Up Areas an extra edge.

YouTube Preview ImageSeventeen

The delicate White Elephant provided a taster for the forthcoming album, Gravity The Seducer, and marks how far the band have travelled since the likes of Discotraxx (from debut album 604, and which also got an airing tonight). Near-hit Seventeen, with its perceptive pop culture mantra (“they only want you when you’re seventeen, when you’re twenty one you’re no fun”) received a rousing reception as we headed, inevitably, towards Playgirl and the traditional set closer, the massive Destroy Everything You Touch.

YouTube Preview ImageDestroy Everything You Touch

And so, the lights come up and Ladytron depart for their remaining few shows – apparently our last sighting of the foursome on these shores for the rest of the year. Still, we got what we wanted, a glimpse through a synth-pop past darkly, mixed with a teaser of what is still to come. And it really has been this long, a decade of remarkable music that still sets the standard for the latest wave of synthwave bands to aim for.

Categories ,astoria, ,brian eno, ,Claire Kearns, ,Daniel Hunt, ,Destroy Everything You Touch, ,electronic, ,forum, ,Gravity The Seducer, ,Helen Marnie, ,jazz, ,Ladytron, ,Michelle Pegrume, ,Mira Aroyo, ,Reuben Wu, ,Robert Tirado, ,Roxy Music, ,south bank, ,Synth-Pop, ,synthwave, ,Witching Hour

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Amelia’s Magazine | Interview with Laki Mera and review of new album The Proximity Effect

Laki Mera by Abi Lewis
Laki Mera by Abi Lewis.

The Proximity Effect is the second album from Glasgow based Laki Mera, order a band who excel in the creation of their own unique trip hop influenced sound. Focused around the luscious vocals of singer songwriter Laura Donnelly, the album moves sleekly between ambient textures and big folk inspired melodies, plucking the best from the electronic and acoustic worlds to create something utterly new. I caught up with the talented foursome: Laura Donnelly, Andrea Gobbi, Keir Long and Tim Harbinson.

laki-mera-The-proximity-packshot
How do you work together to create music as a foursome?
We write in a few, different ways… Some tunes start more as acoustic tunes written by Laura which are then arranged by the band as a whole – introducing beats and electronic feel. Some tunes start off as electronic ideas, from jams or individually from Andrea or Keir. At any stage of the process though, the collaboration between all of us is what creates the Laki Mera sound.

Laki Mera by Michelle Pegrume
Laki Mera by Michelle Pegrume.

Do you all bring different musical inspirations to the table – and if so what are they?
We have a really wide and varied bank of influences ranging from folk and acoustic music to minimal electronica. To list a few… Beck, Kraftwerk, Aphex Twin, Bjork, Radiohead, Datasette, Zombie Zombie, Bat for Lashes, Portishead, Massive Attack, Advisory Circle, Benny Greb… there is a lot of good music coming out of Scandinavia at the moment – Little Dragon, Efterklang, Lykke Li, Fever Ray

Laki Mera by Evan Smith
Laki Mera by Evan Smith.

What brought Italian Andrea Gobbi to Scotland and what keeps you there? 
I travelled up from London in 2001 and instantly felt attracted by the Glasgow music scene… collaborations were born and I got deeper and deeper into both the indie and folk music scene, both as a musician and a producer engineer.

YouTube Preview ImageFool

Is there anything that you miss about Italy? 
I obviously miss my family and friends, but as far as music is concerned not very much at all, I’m afraid… I’m very happy in Scotland! 

Laki Mera night
What’s best about living in Scotland?
Definitely not the food!

Laki Mera by Dan Lester
Laki Mera by Dan Lester.

The Proximity Effect is named for a studio technique – what does it mean and how was it used in the making of the album?
Our album The Proximity Effect was named after the interesting combination of the audio technical term ‘proximity effect‘ and the philosophical meaning behind how people react when in the proximity of other people, how people interact in the proximity of each other and how important these connections are. The actual meaning of the technical term proximity effect… well, it is simply a way to describe how microphones react to the relative closeness of the sound source you are recording… say for instance how a softly spoken lyric would come through when spoken directly into a microphone (i.e. with your lips touching it). 

Laki Mera by Sarah Jayne Morris
Laki Mera by Sarah Jayne Morris.

I haven’t heard the first album, how does the new one differ? 
The first album was a production which took several years, during which studio electronic music experiment and song-writing took their time to develop! The outcome was a very deep-layered production with a much calmer and reflective feel about it. The Proximity Effect still has moments of pause and reflection but it’s a much more direct record, based around tracks that were born playing live rather than in the studio… Most of the electronic music production on this album was inspired by the tracks and not vice versa. 

Laki Mera
How do you ensure that you retain an organic feel to the music when applying so many electronic textures?
Retaining an organic feel to the music is very important to us as we are well aware that electronic music can become too sterile and repetitive if not handled properly. We have a good mix of acoustic and electronic elements to the band and when working on the electronic arrangement we use many analog synths such as Korg Sigma, Korg MS10, Roland Juno 106. We also create our own sounds from samples of real sounds. Also, when playing live we ‘play’ everything rather than relying on pre-recorded loops as so many electronic acts do. This is more fun (if a little tricky sometimes) for us and more interesting for an audience to watch.

Laki Mera by Joana Faria
Laki Mera by Joana Faria.

You recorded some of the new album’s songs in turf house in a small Highland village – what lay behind the decision to decamp? 
We recognised that there was a bit of a difference between the tunes on the album and we wanted to embrace this. We made the decision to spend a week in a remote part of the Highlands to concentrate on the more acoustic, song-like tunes on the album. We felt that the hustle and bustle of our city studio did not provide the right kind of environment to properly capture the more sensitive feel of tunes such as Reverberation, Double Back and Solstice. We needed somewhere with a more quiet feel and a slower pace. 

YouTube Preview ImagePollok Park

Does living in Glasgow influence the sound of the music?
Glasgow has always been a very musical city and I think that’s partly why we have all been drawn there. With its long, dark winters and brooding, grey skies it definitely lends itself well to writing dark, introverted tunes!

Laki Mera laura donnelly
What else does everyone do when you’re not involved in Laki Mera?
Andrea & Keir are both sound engineers, Keir is also a piano teacher. Laura works on graphic design and art projects and Tim has recently completed a masters in Social Ecology.

Have you got any collaborations in the pipeline? 
We’re working on it, so watch this space…

YouTube Preview ImageOnion Machine

The Proximity Effect is out now on Just Music.

Categories ,Abi Lewis, ,acoustic, ,Advisory Circle, ,Andrea Gobbi, ,Aphex Twin, ,Bat for Lashes, ,Beck, ,Benny Greb, ,bjork, ,Dan Lester, ,Datasette, ,Double Back, ,efterklang, ,Electonica, ,Evan Smith, ,Fever Ray, ,folk, ,Fool, ,glasgow, ,Highlands, ,Joana Faria, ,Just Music, ,Keir Long, ,Korg MS10, ,Korg Sigma, ,Kraftwerk, ,Laki Mera, ,Laura Donnelly, ,Little Dragon, ,Lykke Li, ,Massive Attack, ,Michelle Pegrume, ,Onion Machine, ,Pollok Park, ,Portishead, ,radiohead, ,Reverberation, ,Roland Juno 106, ,Sarah Jayne Morris, ,Sarah-Jayne, ,Scottish, ,Social Ecology, ,Solstice, ,Tim Harbinson, ,Trip-Hop, ,Zombie Zombie

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