Amelia’s Magazine | Album Review – The Travelling Band: Screaming Is Something

The Travelling Band album front cover

The brand new album from The Travelling Band features all the trademarks of a good folk pop album, site including introspective lyrics, fantastic harmonies and, as no self-respecting nu-folk band would be without, banjos a-plenty.

Natasha-Thompson-Travelling-Band
The Travelling Band by Natasha Thompson.

The Travelling Band hail from Manchester, so the group are joining the ranks of some pretty impressive acts including Oasis, Elbow and Doves – although they much more closely resemble the latter two of that particular group. The first single from the record, Fairweather Friends could well have been inspired by their fellow Mancunians, the layering of instruments, shimmering guitars and affecting harmonies create a ‘big’ sound a la Elbow, perhaps even X&Y era Coldplay.

Screaming is Something by Sarah Douglas
Screaming is Something by Sarah Douglas.

You’re reminded of their heritage every now and then too, when a Manc accent sneaks in, such as on Horizon Me And You. This is a fantastic folk pop song and shows real promise in their ability to create a catchy tune and yet make it their own.

It’s Sundial that claims the prize for best track on the album though, and it’s a real highlight – anthemic but all the while remaining sweet, “If I had a home to call my own/ then I wouldn’t need a sun dial/ to stop me roaming around” – it’s calling out for a sunny afternoon at a music festival one day this summer, and it stayed on repeat for a long while before my housemates and neighbours tired of it. Just give it a listen and see how long you can go without humming the chorus.

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Indeed the band are no strangers to music festivals and actually got their break by winning the Glastonbury Emerging Talent Competition in 2008 where they then performed – I for one, am sorry to have missed them. A homemade video shows the boys hanging out, enjoying the sunshine, and performing Horizon Me and You at The Park at Glastonbury last year. And what an idyllic scene, boys performing their pretty music in the pretty countryside, makes you proud to be British.

Fairweather Friends by Libby Grace Freshwater
Fairweather Friends by Libby Grace Freshwater.

Tracks Under the Pavement and Hindsight are perhaps a bit confused – the folksier sound definitely suits this band more than rocking out to guitars, but perhaps live this would actually work better. All-in-all this album passes in a hazy stream of sunny guitars and lilting harmonies, the slower songs are perhaps slightly less successful than the more upbeat tunes, which is where the band appear to really flourish, but if you’re looking for a soundtrack to kick off your summer then The Travelling Band’s new album Screaming Is Something could very well be the record you’re looking for.

Traveling_Band_by_Melissa_Dow
Traveling Band by Melissa Dow.

The album is released on the 30th May 2011 on Cooking Vinyl. The band kicked off a UK wide tour this summer with a gig last night at The Nest in London. Details of further dates can be found here.

Categories ,album review, ,Coldplay, ,Cooking Vinyl, ,doves, ,Elbow, ,Emerging Talent, ,folk, ,glastonbury, ,Indie, ,Libby Grace Freshwater, ,manchester, ,Melissa Dow, ,Natasha Thompson, ,Oasis, ,pop, ,Sarah Douglas, ,Screaming is Something, ,The Nest, ,The Travelling Band

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Amelia’s Magazine | Album Review – The Travelling Band: Screaming Is Something

The Travelling Band album front cover

The brand new album from The Travelling Band features all the trademarks of a good folk pop album, including introspective lyrics, fantastic harmonies and, as no self-respecting nu-folk band would be without, banjos a-plenty.

Natasha-Thompson-Travelling-Band
The Travelling Band by Natasha Thompson.

The Travelling Band hail from Manchester, so the group are joining the ranks of some pretty impressive acts including Oasis, Elbow and Doves – although they much more closely resemble the latter two of that particular group. The first single from the record, Fairweather Friends could well have been inspired by their fellow Mancunians, the layering of instruments, shimmering guitars and affecting harmonies create a ‘big’ sound a la Elbow, perhaps even X&Y era Coldplay.

Screaming is Something by Sarah Douglas
Screaming is Something by Sarah Douglas.

You’re reminded of their heritage every now and then too, when a Manc accent sneaks in, such as on Horizon Me And You. This is a fantastic folk pop song and shows real promise in their ability to create a catchy tune and yet make it their own.

It’s Sundial that claims the prize for best track on the album though, and it’s a real highlight – anthemic but all the while remaining sweet, “If I had a home to call my own/ then I wouldn’t need a sun dial/ to stop me roaming around” – it’s calling out for a sunny afternoon at a music festival one day this summer, and it stayed on repeat for a long while before my housemates and neighbours tired of it. Just give it a listen and see how long you can go without humming the chorus.

YouTube Preview Image

Indeed the band are no strangers to music festivals and actually got their break by winning the Glastonbury Emerging Talent Competition in 2008 where they then performed – I for one, am sorry to have missed them. A homemade video shows the boys hanging out, enjoying the sunshine, and performing Horizon Me and You at The Park at Glastonbury last year. And what an idyllic scene, boys performing their pretty music in the pretty countryside, makes you proud to be British.

Fairweather Friends by Libby Grace Freshwater
Fairweather Friends by Libby Grace Freshwater.

Tracks Under the Pavement and Hindsight are perhaps a bit confused – the folksier sound definitely suits this band more than rocking out to guitars, but perhaps live this would actually work better. All-in-all this album passes in a hazy stream of sunny guitars and lilting harmonies, the slower songs are perhaps slightly less successful than the more upbeat tunes, which is where the band appear to really flourish, but if you’re looking for a soundtrack to kick off your summer then The Travelling Band’s new album Screaming Is Something could very well be the record you’re looking for.

Traveling_Band_by_Melissa_Dow
Traveling Band by Melissa Dow.

The album is released on the 30th May 2011 on Cooking Vinyl. The band kicked off a UK wide tour this summer with a gig last night at The Nest in London. Details of further dates can be found here.

Categories ,album review, ,Coldplay, ,Cooking Vinyl, ,doves, ,Elbow, ,Emerging Talent, ,folk, ,glastonbury, ,Indie, ,Libby Grace Freshwater, ,manchester, ,Melissa Dow, ,Natasha Thompson, ,Oasis, ,pop, ,Sarah Douglas, ,Screaming is Something, ,The Nest, ,The Travelling Band

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Amelia’s Magazine | Album Review – Crystal Stilts: In Love With Oblivion

crystal-stilts In Love With Oblivion cover

I was hoping to be able to stay away from the Joy Division comparisons while writing this review of New York band Crystal Stilt’s new album In Love With Oblivion, visit this site but like many before me I’ve found it basically impossible – the influence of Ian Curtis flows through the band’s second album like a vein of precious metal. It’s singer Brad Hargett’s drone-like vocal that does it, strongly recalling Curtis as well as the similarly enigmatic Jim Reid of The Jesus and Mary Chain. (And now I won’t mention the J D words ever again…promise.)

Crystal Stilts by Stephanie Thieullent
Illustration by Stephanie Thieullent.

In fact quite a lot has been written about Hargett’s singing style, sometimes scathingly, and his vocals are a little monotonous. There are points on this record when I really wanted him to surprise me by stepping out of the echo chamber to give some these songs a bit of extra punch. On Silver Sun for instance, the whole band are doing some pretty great stuff – the guitars and the organs and the jangle of the tambourine but Hargett maintains his monotonal drawl. There are few upbeat tracks on this record and if Hargett switched his style up a bit on some of them, it would lift the whole album.

In Love With Oblivion by Nick Bellhouse
In Love With Oblivion by Nick Bellhouse.

But perhaps I’m missing the point, this appears to be an album that is more concerned with creating atmospheres or feelings than totally nailing each individual track. Hargett’s obvious attachment to the echo effect and the whole lo-fi approach towards recording and production makes this album sound dreamlike, almost as if you could be listening to it underwater, and to over-produce or clean up the sound would mean losing some of this otherworldly charm.

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Departure by Crystal Stilts. From first album Alight of Night.

There’s also a kind of filmic side to the album, thanks to the murky sound and doom-laden lyrics, not forgetting the use of sound effects. Songs open and end with gusts of wind, car crashes, and crickets – it’s totally atmospheric and a big hint that Crystal Stilts aren’t your average Brooklyn-based hipster garage band.

Crystal Stilts by Libby Grace Freshwater
Crystal Stilts by Libby Grace Freshwater.

The band clearly includes some skilful musicians, the Johnny Cash-inspired guitar licks of opening track Sycamore Tree provides as good an introduction as any – this is a track that sounds like it’s been around for the last 50 years. In fact there are clear 1960s influences throughout and pretty convincing in places, like the band went to sleep in 1964 and woke up in 2011 and continued making music like nothing had changed, which for someone like me, who happens to love the music of the 1960s, makes this album a really interesting prospect.

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Through the Floor from In Love With Oblivion.

There are peaks and troughs with this record though, the seven minute Alien Rivers is a needless addition but those that follow like stand-out track Flying Into the Sun is a fantastic listen and includes the inspired lyrics “There’s a black hole/ behind these eyes/ takes everything with it/ when it dies.” Like the album title suggests there is a bit of an emo vibe running through much of Hargett’s songwriting.

Crystal Stilts by Hanako Clulow
Illustration by Hanako Clulow.

This is the kind of album then, that may well find itself providing the soundtrack to a whole host of late night gatherings and post-party hangouts, and I suspect could sound even better when you’re burnt out but not ready to go to bed just yet.

Crystal Stilts are playing in XOYO in London on June 21 – their only UK date and by the sounds of it, well worth getting down to. There will be support from The 1990s and the excellent Still Corners (whom we have an interview with here.)

In Love With Oblivion is out now on Fortuna POP!

Categories ,album review, ,Brad Hargett, ,brooklyn, ,Crystal Stilts, ,Fortuna Pop, ,Gararge Band, ,Hanako Clulow, ,Ian Curtis, ,In Love With Oblivion, ,Jim Reid, ,Johnny Cash, ,joy division, ,Libby Grace Freshwater, ,new york, ,pop, ,psychedelic, ,rock, ,Stéphanie Thieullent, ,Still Corners, ,The 1990s, ,The Jesus and Mary Chain, ,XOYO

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