Amelia’s Magazine | An interview with Jonny Gordon-Farleigh, editor of STIR magazine

STIR to Action book cover by Bec Young
STIR Vol.1 cover by Bec Young.

New magazine STIR carries the strap line ANGER. ANALYSIS. ACTION. For anyone disillusioned with the current state of affairs it’s a must read collection of articles, interviews and radio shows which question the direction in which our supposedly ‘civilised’ world is going. This weekend they take part in the Stoke Newington Literary Festival, chairing a discussion about ethical fashion at 12.30 on Sunday 9th June at the Town Hall.

STIR to Action book illustration by German Gullon
STIR to Action book illustration by German Gullon.

Find STIR to Action online and now in print, as a volume of collected writings and interviews about co-operative and community-orientated alternatives, all accompanied by imaginative illustrations (many of which have been created by artists that will be familiar to Amelia’s Magazine readers). I spoke with founding editor Jonny Gordon-Farleigh.

Food Justice, illustration by Sarah Jayne-Morris.

Stir has made the leap from online to printed publication: first as the book, STIR Vol.1 and now as a print version of the magazine. What prompted the move and what has the journey to print been like? A steep learning curve?
I think all platforms – both online and offline – are really important and we are still publishing online but also as a quarterly print magazine. I think we need to use different platforms strategically and so I’m not going to say one is more important than the other. It’s obviously very difficult to publish time-sensitive articles in a quarterly magazine that only appears every three months. I like to think of our quarterly magazine as slow news – issues that need time to be properly analysed and understood and to also give space to develop potential alternatives. On the other hand, if a campaign group wants to publish a piece about an event or mobilisation next week then I will publish on the online blog and distribute via social media. We are also looking into publishing a small free paper with selected content from the online blog and print issue so it can reach places that don’t sell magazines, such as social enterprise co-working spaces. It has actually been a well-paced launch into print from building an online readership to building an offline community through events. I needed to know and felt we had the support before launching into print.

STIR to Action Book illustration by Alex Charnley
STIR illustration by Alex Charnley.

Was crowd funding easy to do? What have been the highs and lows of taking this route to publication? 
Crowdfunding was an interesting process for so many reasons. Firstly, crowdfunding allows us to fund projects without appealing to wealthly individuals – philanthropists – and also avoids the restrictions and conditions of grant-making bodies. Also, it creates an international community of co-creators and contributors for your project: Those who couldn’t contribute financially, offered their skills as graphic designers and artists. We even launched the book at The Firebox because a campaign group (Counterfire) couldn’t give us money as they were fundraising themselves, but did have an amazing event space in Kings Cross. Crowdfunding also allows you to self-publish and this gives you control over the creative process. The biggest problem with self-publishing is distribution and this is something we need to seriously address. The publishing industry had a monopoly on this before the emergence of the internet but anyone will tell you that it’s still really difficult to distribute your own work. (Hell yeah! – Amelia) So finding ways of distributing the funded book was certainly challenging.

STIR to Action book illustration Wizard of Oz by Edd Baldry
Wizard of Oz, STIR illustration by Edd Baldry.

How did you find the contributing illustrators, and what was the process of their contribution?
I had worked with a few of the contributing illustrators before – Edd Baldry and India Rose Harvey — and also knew a few from other publications like the Occupied Times (Alex Charnley). However, Twitter was very helpful in finding new illustrators (thanks for the tweet Amelia!!) and I would have to say most of them enthusiastically responded to a call-out on Twitter. The creative process was largely asking them to respond to the an article. We would then talk about the ideas and see what could work to represent the piece. Every artist is different and that’s what makes it so interesting.

STIR to Action Book illustration by India Rose Harvey
STIR illustration by India Rose Harvey.

How did you decide on the content of STIR Vol.1? Who contributed and what have they written about?
The content for STIR Vol.1 was selected from two years’ worth of online publishing at and we chose the articles and interviews that really showcased the emerging community-led and co-operative alternatives in our food and finance systems. We then invited 10 artists to contribute original pieces of art for the printed publication (see above).

We had a whole range of contributors including an economist, David Boyle, from the New Economics Foundation who wrote about the disconnect between wealth and money and how we need to design and scale-up alternative forms of exchange such as local currencies. The philosopher and Defend the Right to Protest activist Nina Power analysed the London Riots of 2011 with a review of a new book that was published on the events. I also published a piece by Guppi Bola and Bethan Graham about food justice, why the food system is broken and what creative communities around London are doing to change it for the better. We also featured the story of the Real Food store in Exeter that came out of Transition Exeter and was funded through a community share scheme, as a look at the rise of new social enterprises. The founders of Co-opoly – the boardgame of co-operatives – wrote about their new creation and how Monopoly was originally created during the New Deal era in America to teach tenants how to deal with bad landlords.

STIR to Action Book illustration by Alicja Falgowska
STIR illustration by Alicja Falgowska.

Anger is a cornerstone of your creation, which is somewhat at odds with the positivity of the Transition Network, of which you are part. Why do you think it’s important to find an outlet for anger?
It’s an interesting question and I definitely think there is a case for anger. There is something almost admirable about the Transition Network’s early decision not to engage with what might be called antagonistic campaigns, but there has definitely been a significant shift recently — the ‘No’ campaign to Costa Coffee in Totnes was fully supported by Transition Town Totnes. Also, I think it’s important to say that ‘No’ campaigns are far more effective and likely to succeed if they are part of a positive effort – like the initiatives that make up the Transition Network.

Also, insisting on always being positive is problematic as it can become as counterproductive as being the constant bearer of bad news, an argument that Smartmeme – a creative campaign agency – make in STIR Vol.1. So I think it’s philosophically shallow to see anger as a deformative emotion, if it’s part of a campaign for change it can have a reformative effect. Anger without new political options can be dangerous and that’s why the positive work of the Transition Network is really important. It’s worth saying that anger only transforms into cynicism when we accept the false political choices we are given and give up on alternatives.

STIR magazine issue 01 2013
STIR magazine issue 01 2013.

Another point to make is that as the Transition Network scales-up and mainstreams itself, it will have to challenge the current distribution of resources and space. It is not good enough to say that you won’t shop at a multinational supermarket, when they are draining resources and space from the communities, distorting business rates, and making it far more difficult for community-owned shops to establish themselves.

This can also be explained by an interview with George Monbiot about land inequality and how UK land prices have gone up 10-12% in the last few years. The land buyers, in this instance, are city bankers who are using their bonuses to invest in land. This has made it ten times more difficult to use the land for alternative purposes, such as land co-operatives and community farms. We need to be angry about this and find ways of challenging land inequality and access if we going to be able to do the positive work that the Transition Network promotes.

On top of this, while the aspiration to generate your own energy is something we all should be pursuing, we also need to insist – through protest, direct action and lobbying — that the fossil fuel industries keep it in the ground. All of that positivity will be irrelevant if these industries are not disrupted by public action. Lastly, I’m very suspicious of categorising activists. It suggests that there is one kind of person who will do the negative work, such as lying on airport runways or occupying power stations, and then on the other side you have the people who do all the positive activity like community gardens and upcycling workshops. I think we have the capacity to do both but should always remember to do it for the fun of it!

Will there be a STIR Vol.2? If so what can we expect from it?
As we’ve launched a quarterly magazine, the STIR volumes will most likely be bi-annual. We publish so many unpredictable stories I couldn’t really say!

Where can people get hold of the publication?
We sell STIR Vol.1 in our online shop here, and readers can sign up for a subscription for the quarterly magazine here. Our quarterly magazine – STIR – is being sold in 30 shops across the UK (find stockists here) and we have just started working with an ethical distributor – INK – so potentially lots more in the near future. You can buy the first issue of our new magazine with this Amelia’s Magazine Special Discount offer: click here for 25% off cover price and free P&P (£2.95).

What are your hopes for 2013?
It would have to be to continue to collaborate with more social enterprises and co-ops in working towards bringing the ideas in the magazine into our communities.

Categories ,Alex Charnley, ,Alicja Falgowska, ,Bec Young, ,Bethan Graham, ,Co-opoly, ,Counterfire, ,Crowdfunding, ,David Boyle, ,Defend the Right to Protest, ,Edd Baldry, ,George Monbiot, ,German Gullon, ,Guppi Bola, ,India Rose Harvey, ,INK, ,Jonny Gordon-Farleigh, ,Kings Cross, ,London Riots, ,New Economics Foundation, ,Nina Power, ,Occupied Times, ,Real Food, ,Sarah Jayne Morris, ,Smartmeme, ,STIR, ,STIR to Action, ,STIR Vol.1, ,Stoke Newington Literary Festival, ,The Firebox, ,Totnes, ,Town Hall, ,Transition Exeter, ,Transition network, ,Transition Town Totnes, ,twitter

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Amelia’s Magazine | Kingston University: RARE Illustration and Animation Ba Hons Graduate Show 2012 Review part one

Kingston Rare illustration 2012
My graduate reviews are now running legendarily late – sorry, that’s what adding a baby to the mix does. But never fear I haven’t given up – there’s a crop of students out there worth celebrating and I’ll finish these write ups if it kills me! (and typing with one hand whilst breast feeding if I have to). Kingston University always produces some wonderful work, with many students showing exceptional skills in both illustration and animation. They also excel at putting together a professional show; not for nothing did they win this year’s Best New Blood Stand. At Rare in the Rochelle School this is what I found: part one.

Kingston Rare illustration 2012 - india rose harvey
India Rose Harvey seabed sensory toy
India Rose Harvey‘s Sea Bed Sensory Toys are designed with the needs of young people with unusual sensory processing patterns or limited mobility in mind. Her octo balls can be rolled, hugged or thrown and a play mat can be folded into a tunnel which provides an exciting and mysterious space for exploration. I think most kids would love playing with these!

hannah simpson barbican
hannah simpson barbican
Hannah Simpson has contributed to Amelia’s Magazine and also won a prestigious award from the V&A last year. She specialises in reportage and I love her recent sketches of sunworshippers and shadow lurkers at the Barbican. It’s good to see a graduate actively working off their own back – so many take the summer off and forget all about the need to keep their fingers in and find some paid work once they leave college.

Alice Wright Jamaica Inn by Daphne Du Maurier
Subtle paintings were made by Alice Wright to accompany the novel Jamaica Inn by Daphne Du Maurier, worked in muted ink to reflect the dark tones of the story.

Kingston Rare illustration 2012 -Simon Cheadle
Kingston Rare illustration 2012 -Simon Cheadle
Kingston Rare illustration 2012 -Simon Cheadle
Kingston Rare illustration 2012 -Simon Cheadle
Simon Cheadle‘s display was a real attention grabber – a bright geometric arrangement of graphic objects in primary colours, accompanied by a take away sheet describing the art of How to Make Mistakes. These wobbly drawing tools were designed to encourage the embracing of errors in making art.

Kingston Rare illustration 2012 -Luke Overin
Kingston Rare illustration 2012 -Luke Overin
Kingston Rare illustration 2012 -Luke Overin
The Kings of Grey by Luke Overin was part of a visual exploration of the world of Pigeon Fancying. I love his photography too.

Kingston Rare illustration 2012 Rebecca Truscott-Elves
Kingston Rare illustration 2012 Rebecca Truscott-Elves
Rebecca Truscott-Elves has previously contributed some ace work to Amelia’s Magazine – her tiny but beautiful works of art were inspired by travels across the world.

Kingston Rare illustration 2012 -kerry coulson
kerry coulson
Kerry Coulson‘s graphic style was applied to the story of Coriolanus in a picture book for kids.

Kingston Rare illustration 2012 Sophie Traugut
Beautifully described birds were inspired by the theme of home, from Sophie Traugut.

Lorna Scobie Bradley
lorna scobie fox
Lorna Scobie Baboon
Lorna Scobie is a very familiar name to me because she has contributed numerous times to Amelia’s Magazine over the past few years and it comes as no surprise that she has also won lots of competitions for her animal characters drawn in an immediately recognisable style: both appealing and a little bit frightening. For her final piece she both wrote and illustrated a children’s book called Bradley, which explores the theme of concealed or unrecognised talents. I love that she considered how it might work as an app – cross disciplinary work that more graduating illustrators should be thinking about – for this she won the inaugural Macmillan Prize Digital Award.

Kingston Rare illustration 2012 -Danielle Louise Watt
Kingston Rare illustration 2012 -Danielle Louise Watt
Danielle Louise Watt‘s The Cult of the Only Child reminded me of why I want more than one. Here she presented a gold-leaf shrine for the ‘Divine Sibling.’

Kingston Rare illustration 2012 Suyeon Noh
Kingston Rare illustration 2012 Suyeon Noh
Wooly Way was one of the slightly bonkers stories by Suyeon Noh – she writes about giant sheep and a flying whale.

Kingston Rare illustration 2012 -Joe Mortimer
Joe Mortimer was Discreetly Continuous in his project exploring the transition from analogue to digital formats.

Kingston Rare illustration 2012 -Hannah Cullen
Now Here’s the Mystery! by Hannah Cullen explored science for children, so that they will be inspired before they even encounter it at school.

See more on the RARE website here, read my second illustration review here and my animation review here.

Categories ,2012, ,Alice Wright, ,Alphabet, ,Best New Blood Stand, ,Bradley, ,Coriolanus, ,Danielle Louise Watt, ,Daphne Du Maurier, ,Discreetly Continuous, ,Divine Sibling, ,Hannah Cullen, ,Hannah Simpson, ,How to Make Mistakes, ,illustration, ,India Rose Harvey, ,Jamaica Inn, ,Joe Mortimer, ,Kerry Coulson, ,Kingston University, ,Lorna Scobie, ,Luke Overin, ,Macmillan Prize Digital Award, ,New Blood, ,Now Here’s the Mystery!, ,Otto Shillingford, ,Pigeon Fancying, ,Rare, ,Rebecca Elves, ,Rebecca Truscott-Elves, ,review, ,Rochelle School, ,Sea Bed Sensory Toys, ,Simon Cheadle, ,Sophie Traugut, ,Suyeon Noh, ,The Cult of the Only Child, ,The Kings of Grey, ,Wooly Way

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