Amelia’s Magazine | The H&M Garden Collection

Hello mother nature, visit web H&M calling…. 

Answering to the needs of so many already environmentally conscious shoppers, and those of mother nature, H&M are making their attempt to join the eco-friendly race and making sure we all know about it. A multitude of high street brands have approached the environmentally-friendly route but some with little success. What the average High Street consumer normally gets are increased prices, due to the new fabrics the brand has to source, and the design lacking in quality and variety compared with it’s non eco-friendly competitors. Sometimes the obstacle of incorporating unharmful dyeing techniques isn’t always cost effective enough.  

Luckily none of this is evident in H&M’s new The Garden Collection available from the 25th March 2010. Exhilarating Summer brights boost the collection with everything you could want from a high street Spring/Summer collection. This is an exciting step for one of the most predominate and successful brands on our High Streets, and those around the world. For H&M the beginning of eco-friendly clothing didn’t start here – they’ve been using organic cotton in some of their clothing since 2004 and have invested much time and money into finding and developing fabrics which are sustainable. It’s only now that they’re shouting about it, and for good reason.

The amount of attention inputted in style, texture and colour seems to be delicately balanced between every piece in the collection. There’s also a good varied range of clothing styles, making it accessible to a variety of ages and body shapes. It’s safe to say the collection has a very floral, feminine theme, running from bright and extravagant, to subtle and elegant; draping, flowing and layering create a variety of textures and shapes on the body, complimenting the female form. Best of all – the price points for this collection are no different to those of the rest of H&M – cost effective and guilt free, exactly how fashion should be!

One of the most noticeable pieces in the collection has to be a red strapless dress, sold out in most stores already, beautifully adorned with recycled polyester chiffon roses, with a fitted elegant bodice, romantic and playful in design. 

Excitingly to see is the use of the new fabric Tencel, hyped up by the press to be the next best thing in the development of mother nature friendly fabrics. It is beautiful to the touch and I predict it will be a favourite addition to many wardrobes from now on; it blends the gaps nicely between the recycled polyester, organic cotton, and linen in the collection. 

It’s always great to hear of a brand continuing to mould themselves into the eco-friendly world of fashion, and hopefully this is the start of something continuous and an idea which will be planted in the minds of the suits of the fashion world. So lets start showing these brands that what we want is fashion with a conscience, all of the time, and that if they want our hard-earned pennies then they need to earn them by working hard to make our home a better place to live.

Categories ,eco, ,H&M, ,High Street, ,Recycled Fabrics, ,The Garden Collection

Similar Posts:






Amelia’s Magazine | The H&M Garden Collection

Hello mother nature, H&M calling…. 

Answering to the needs of so many already environmentally conscious shoppers, and those of mother nature, H&M are making their attempt to join the eco-friendly race and making sure we all know about it. A multitude of high street brands have approached the environmentally-friendly route but some with little success. What the average High Street consumer normally gets are increased prices, due to the new fabrics the brand has to source, and the design lacking in quality and variety compared with it’s non eco-friendly competitors. Sometimes the obstacle of incorporating unharmful dyeing techniques isn’t always cost effective enough.  

Luckily none of this is evident in H&M’s new The Garden Collection available from the 25th March 2010. Exhilarating Summer brights boost the collection with everything you could want from a high street Spring/Summer collection. This is an exciting step for one of the most predominate and successful brands on our High Streets, and those around the world. For H&M the beginning of eco-friendly clothing didn’t start here – they’ve been using organic cotton in some of their clothing since 2004 and have invested much time and money into finding and developing fabrics which are sustainable. It’s only now that they’re shouting about it, and for good reason.

The amount of attention inputted in style, texture and colour seems to be delicately balanced between every piece in the collection. There’s also a good varied range of clothing styles, making it accessible to a variety of ages and body shapes. It’s safe to say the collection has a very floral, feminine theme, running from bright and extravagant, to subtle and elegant; draping, flowing and layering create a variety of textures and shapes on the body, complimenting the female form. Best of all – the price points for this collection are no different to those of the rest of H&M – cost effective and guilt free, exactly how fashion should be!

One of the most noticeable pieces in the collection has to be a red strapless dress, sold out in most stores already, beautifully adorned with recycled polyester chiffon roses, with a fitted elegant bodice, romantic and playful in design. 

Excitingly to see is the use of the new fabric Tencel, hyped up by the press to be the next best thing in the development of mother nature friendly fabrics. It is beautiful to the touch and I predict it will be a favourite addition to many wardrobes from now on; it blends the gaps nicely between the recycled polyester, organic cotton, and linen in the collection. 

It’s always great to hear of a brand continuing to mould themselves into the eco-friendly world of fashion, and hopefully this is the start of something continuous and an idea which will be planted in the minds of the suits of the fashion world. So lets start showing these brands that what we want is fashion with a conscience, all of the time, and that if they want our hard-earned pennies then they need to earn them by working hard to make our home a better place to live.



Categories ,eco, ,H&M, ,High Street, ,Recycled Fabrics, ,The Garden Collection

Similar Posts:

Bookmark this:
  • Facebook
  • Twitter
  • MySpace
  • del.icio.us
  • StumbleUpon
  • Digg
  • E-mail this story to a friend!
  • Technorati
  • LinkedIn

Amelia’s Magazine | Future Human Lectures: Fashion’s Microchic Shake-Up

The latest in a series of events from Bad Idea Magazine, doctor approved ‘Future Human’ explores a new topic each month and hosts an evening of discussion and debate at The Book Club in Shoreditch.

This month’s topic ‘Fashion’s Microchic Shake-Up’ pondered on the impact of the internet on the global fashion market we see today. Prior to the invention of the internet, this origins of fashion trends could be pinpointed to say, a specific youth culture, a political movement, or a new music trend. Times have changed; the way we see fashion has changed. The serge of information made accessible to us via the internet has created a new breed of consumer, a fashionista in his or her own right. Hello Microchic. 

The term Microchic is used to describe fashion today – fashion derived from a variety of new, and inspirational sources. A style influenced by social networking sites, trend blogs and small cult labels adopted by highstreet clothing lines. A Microchic consumer knows about fashion and demands individuality, quality, innovation and fashion-forward appeal. 
Ben Beaumont-Thomas began the evening with ‘The Great Microchic Shake-Up: A Primer’, in which he defined microchic as a ‘hyper-personal multi-faceted look’. The internet allows us to cherry pick fashions, it’s no longer about subcultures showcasing specific looks but about a consumer being able to choose a look for that day without the commitment. London’s fashion-forward hubs like Shoreditch accommodate many a microchic fashionista and, it seems what used to be ironic now just ‘is’. In order to track cult fashion movements on the streets of London, Paris, Milan, New York and Tokyo big brands subscribe to online global think tanks and trend forecasting services such as WGSN. These think tanks track fashion movements all over the world. Data is collected to give information on a global scale. Sales figures, market research, on-the-street trend spotters, and research into new manufacturing techniques all form a hub of information essential to any brand that wants to survive. It seems clear; the Internet has played a huge part in turning the way we think about fashion around.

So began the evenings debate; “Can the British High Street compete with Microchic?” The audience were able to upload thoughts in real-time via a live twitter feed which was displayed on stage for debate interaction. Guests Iris Ben David, CEO of Styleshake, Helen Brown, founder of Catwalk Genius and Ruth Marshall-Johnson, senior editor of WGSN Think Tank also shared their thoughts, prompting further debate. A particularly interesting point made by @cushefootwear via twitter was “Internet is to clothes what microwaves are to food”, prompting us to question the importance of ‘experience’ and ‘sensation’ when buying fashion. 
Alterations in consumer shopping patterns have led to many interesting technological developments. Innovative systems are being designed to meet new sets of consumer demands. 


www.styleshake.com

Styleshake allows a user to build a look within an online interface. The idea is, the user can create the garment they have in their head (you know, that absolutely perfect dress you wonder if you’ll ever find) through the selection of various characteristics, such as fabrics, necklines, and detailing. After you’ve designed the garment you can have it made at very reasonable prices.

Catwalk Genius is an innovative creative platform in which unestablished and up-and-coming fashion designers can sell their ranges. It’s a great resource for those looking for something ‘not on the High Street’. Users can also invest in emerging talent by buying shares in a designer’s next collection.

Perhaps a more extreme example of innovation is Augmented-Reality Shopping in which tools such as 3D scanners are used to replicate the body shape and look of a user, allowing him or her to see what they would look like in any chosen garment. 
Emerging trends are all about the involvement of the consumer. The consumer is part of the process. Innovative systems like these are designed to combat consumer frustrations such as differentiation in sizing between brands or inability to find a specific item or size, while offering an alternative consumer experience. Many consumers would be happy to do away with the days of long queues, sweaty changing rooms, rude salespeople and traipsing round shops all afternoon. By adopting an online shopping sphere, however, we lose out on the interactivity, the social nature and the tactility of shopping the High Street. Retail brands will need to facilitate technical developments such as 3D scanners (eliminating the need for changing rooms) to compete. 


H&M Garden Collection

The competitive nature of the High Street has resulted in a cycle of mass production of fast-fashion garments and large amounts of waste. In contributing to our throw-away society the highstreet fails to represent the ethical edge that can be found in Microchic. However the High Street favourites H&M’s Garden Collection made up of organic cotton and recycled polyester represents a change in attitudes from big brands.

So what does the future hold for the British High Street? Join the Debate!

Categories ,Bad Idea Magazine, ,Catwalk Genius, ,fashion, ,Garden Collection, ,H&M, ,High Street, ,internet, ,shoreditch, ,Styleshake, ,The Book Club, ,WGSN

Similar Posts:






Amelia’s Magazine | Dispatches: Fashion’s Dirty Secret


Illustration by Antonia Parker

Saying you work in fashion normally garners one of two reactions: awe with a smidgen of jealousy on the presumption all you do is swan around with fabrics and making swishy type movements before dashing off to an exotic shoot/party/event of the year, or utter contempt.

On arriving at a friend’s boyfriend’s drinks it was the second reaction I received. He and his friends were doing a masters degree in ethical business, and had I arrived dressed as Cruella DeVil with a baby’s head on a silver platter I possible would have got a warmer reception. As allegedly glamorous as fashion is, it is also many people’s favourite whipping boy. Neither picture is entirely true.

Channel 4’s Dispatches programme exposed the vile, undeniably horrific and illegal working conditions of UK based sweatshops. Showing the secret film to a sweatshop surveyor, he stated these compared to some of the worst conditions he’s seen in the Far East. The conditions in the sweatshop should never be allowed to happen regardless of where it is in the world: Leicester or Laos it really doesn’t matter.


Illustration by Karolina Burdon

The UK High Street actually has some very high standards when it comes to treatment of labourers. The retailers featured, including New Look, Peacocks and Jane Norman stated their supply chains were SEDEX approved. SEDEX allows retailers to independently demonstrate their commitment to ethics. Obviously this self regulation had failed. Each retailer appeared to take on board the facts and launch appropriate investigations into sub-contracting. If only they had been more proactive in the first place.

One retailer leading the way in the UK is ASOS. In the last few months they have built on the successes of Fashion Enter, a not-for-profit enterprise, specialising in garment sampling and helped them open a dedicated ASOS factory. Having a UK based factory will not only cut transport costs, carbon footprints, and lower turnaround times for ASOS but also boost the local economy.

It’s thanks to programmes like Dispatches that public awareness of poor working conditions is being raised. This is undeniably a good thing. Sweatshops like this should not be allowed to exist.

Let’s look at the facts for a moment. The story doesn’t end there and Dispatches, to their credit, touched on it. The existence of fast fashion and super cheap clothes has a huge role to play in the existence of sweatshops. In yesteryear clothes were luxury items, to be worn over and over; to be mended and repaired, to be recycled into new garments. Not so anymore.  Some of the responsibility must inevitably fall on the heads of all of us. How often have you bought a cheap top, or bargain basement jeans, or a £15 dress that was such a steal it’d be rude not to buy it? I know I have (not the dress, but you get the picture). How often do you really think about where that has come from? The Dispatches vox pop revealed that few people actually do.


Illustration by Willa Gebbie

The fact is until UK consumers begin to demand better working conditions and simultaneously agree to pay for them little will change. When asked why UK retailers rarely manufacture in the UK anymore, the answer is simple. The UK consumer won’t pay the necessary price. Why do these sweatshops exist? Because on ever dwindling profit margins short cuts will happen. Blind eyes will be turned – a feeling echoed by both Mary Portas and Melanie Rickey in their tweets after the show. Such things are, again, totally unacceptable.

I used to get asked to make outfits for people. When I gave honest rock bottom quotes, I found most of these requests vanished. Why pay £100 for a shirt when you can go down town and get one for a tenner? Scales of economy and an essentially bespoke service aside, it’s the same thing. Regardless of who does it, every piece has to be cut, every seam sewn, and every feature, rhinestone, embellishment and sequin attached. A suit has over 140 separate pieces, a zipper five, a shirt cuff six or more including buttons and buttonholes.

A lot of work goes into the shirt on your back. Those making it deserve to get paid a living wage, and work in safe conditions. Those manufacturing deserve to make a profit. The consumer deserves quality goods at the right price. At some point someone is going to lose out. Nine times out of ten this will be the person we can’t directly see.


Illustration by Karolina Burdon

So what do we do? A little bit of research goes a long way. Check out responsible manufacturers, check out your local boutiques (a small designer is often more likely to be ethical and more importantly the chance of bumping into someone in the same outfit is greatly reduced), check out eco-fashion labels (for instance in Amelia’s new book) or places like Traid, and check out ASOS’ own brand.Your t-shirt may cost £25 instead of £5, your jeans £40 instead of £15, but in each tiny way it’ll help stop sweatshops.

As one of the members of the public on the programme stated, ‘we each have to buy within our means, but that doesn’t mean buying irresponsibly.’

To watch the documentary on Channel 4’s 4oD, click here.

Categories ,Antonia Parker, ,ASOS, ,Channel 4, ,designers, ,Dispatches, ,ethical, ,Far East, ,fashion, ,Fashion Enter, ,High Street, ,Jane Norman, ,Laos, ,Leicester, ,Mary Portas, ,Melanie Rickey, ,New Look, ,Peacocks, ,SEDEX, ,Sweatshops, ,traid, ,Willa Gebbie

Similar Posts:





Amelia’s Magazine | Do Celebrities influence designer success?

glastonbury%20crowd.jpg

As I packed for my first ever Glastonbury, sildenafil information pills I thought PRACTICAL and WARM. My long time friend and side kick had relayed stories of the year before being a torrent of mud and rain. What dedication. She and 136, buy 999 others had traipsed through thigh high mud for 5 days all in the name of music.

So when I asked the veteran Glastonbury go-er what on earth should I pack? she could not stress enough how many thermals, fleecies, and things that can be destroyed, I should take. And don’t forget your wellies! Having just moved here from NZ and lacking all the essentials, I was pointed in the direction of the camping store and left to my own devices! I hit Katmandu for a completely uncool but practical fleece jumper and Primark to stock up on tights and cheapie things that can be thrashed – after all, you don’t go to Glastonbury to hide from the elements.

As I arrived and joined the queue for international ticket pick up I was instantly struck by gumboot envy! An array of colors and patterns strutted past and I rarely saw the same pair twice. Fortunately my own pair was black and decorated with cute pink flowers and pink soles so they made the cut.

my%20wellies.jpg
Check mine out on the right

We arrived 2 days early purely to get the best campsite in all of fair Glastonbury, and after setting up tent we ventured down to explore and make the most of the sunshine – after all it wasn’t going to last, right?! The market stalls were already bustling, and the scene was a feast for the eyes! Girls in vintage dresses, colored tights, floral patterns -everything high street and everything fashion was on display.

Thursday evening bought the rain and Friday saw drizzle turning the once dust bowl farm into a thick mud that threatened to steal your boots with each step. But this did not hinder efforts from the crowd to look every bit like the glossy photos we see each year of celebrities looking effortlessly cool.

girl%20with%20glasses%20at%20glatonburyjpg

The boldest looks seemed to appear directly from the onsite costume stalls in Shangri la. Super heroes, brides, cows, video game characters and even a banana competed on the muddy catwalk.

Of course when it comes down to it, after a couple of pear ciders you’re so excited to be jumping and shaking in front of your favorite band, you forget about your own mish mash of uncoordinated practical warm things and have just want to have a damn good time!

me_glastonbury4.jpg
Me attempting the effortlessly cool look

escalator-shop.jpg

Today we received great news that the issues we sent to Tokyo record shop Escalator Records three months ago have finally arrived. Why it took so long we have no idea, dosage perhaps the Royal Mail staff had a good read of them before they even got on the plane.

Escalator Records is a label based record store that was opened in 2002 in Harajuku Tokyo, and has stocked the most wonderful and limited records ever since. The store is very well respected and even has some famous fans. Haruka from the store told us, “Daft Punk, the people at Ed Banger, Modular People, Annie and CSS all give big love to the store”.

They also run an internet radio show, through which they aim to spread the word about as yet unknown Japanese bands.

Escalator%20Records.jpg
Haruka was nice enough to send us some photos to prove their arrival, as we had previously believed they had been lost forever.

port-o%27brien.jpg

With a hint of sea air, try this folksy group from the deep dark depths of Kodiak Island, remedy Alaska, have created a relaxing but catchy and almost addictive new album. It’s a move away from the acoustic sounds of their first but Port O’Brien has managed to retain a sense of their previous identity.

The album as a whole creates a brilliant relaxed nautical atmosphere, not surprisingly as most of it was written whilst the lead dude was out solo in the Gulf of Alaska fishing months of his life away. Their Arcade Fire type passion is quite mesmerising and each song did leave me wanting more.

A splash of The Go! Team style shouting/village singing on their first track draws you in with excitement although the remainder of the album is not quite so uplifting. There is a woody, dusty feel to each song, I couldn’t help but imagine sitting round a camp fire with a few old chums, a guitar and everyone singing until their heart’s were content. Maybe even a porch, a straw hat and that trusty guitar would do the trick.

Quite a good album over all, indeed, all I could do was sing along (to the first track anyway). It won’t be making history any time soon, but a nice little listen.
music-listings.gif

Monday 7th July

Jeremy Warmsley, sales Ox.Eagle.Lion.Man, sale So So Modern, Esser and Liam Finn – Plug, Sheffield
Mumford & Sons, Jessie Quinn And The Mets, Davie Fiddle And The Lucky Egg and Derek Meins – The Luminaire, London
White Denim – Bodega Social Club, Nottingham

It’s safe to say White Denim are one of the most talked about bands of 2008 so far. So catch them while they’re in the UK, they’re ace.

Tuesday 8th July

Band Of Horses – Shepherd’s Bush Empire, London
The National – Mandela Hall, Belfast
Interpol – Manchester Apollo, Manchester
Frightened Rabbit, Esau Mwamwaya/ Radioclit and Collapsing Cities @ White Heat – Madame Jo Jo’s, London

Esau Mwamwaya and Radioclit pretty much showcase a run down of the most interesting aspects of modern world music. Absolutely guaranteed to get you dancing.

Gnarls Barkley – Astoria 2, London

Wednesday 9th July

Howling Bells and Chief – Hoxton Bar and Kitchen, London
Jaguar Love – Cockpit, Leeds
Magnetic Fields – Cadogan Hall, London

Thursday 10th July

Annie, The Clik Clik and Heloise And The Savoir Faire @ The Wonky Pop Club – Cargo, London

Friday 11th July

These New Puritans, Nelson and Zombie Zombie – Institute of Contemporary Arts, London

I don’t know why I’ve never seen These New Puritans live, I really would like to catch them at this, mainly because it would give me a chance to see Zombie Zombie again as well.

My Morning Jacket – Rescue Rooms, Nottingham
Blindfold, Capitol K and Jo Harrop – The Roundhouse, London
Cocknbullkid – Proud Galleries, London
Justice – Somerset House, London

Saturday 12th July

Bearsuit, Paul Vickers And The Leg, What Would Jesus Drive and Speccy Ginger – Buffalo Bar, London
Ghost Frequency and KASMs – Astoria 2, London
Ipso Facto and Stricken City – Be at Proud Galleries, London
Pete Doherty – Royal Albert Hall London

Sunday 13th July

Gig Of The Week
Wooden Shjips and The Heads – Cargo, London

Both of these bands are awesome, and I can’t think of a better way to spend a Sunday evening than a little bit of a freak out to some psychedelic garage.

Ben Folds – Bristol Academy, Bristol

MONDAY 7th JULY:
Monika Bobinska, viagra ‘Ambivalent Landscape’: Adam King: 20th June-13thJuly.
Cambridge Heath Road, more about London E2 9DA (Thursday-Sunday 1-6pm, Sunday 2-5pm).
New two and three dimensional collages by Adam King explore the dreams and fears of urban consumer society and its relationship to the natural world. King’s kaleiderscopic collages are made from wallpaper, pipe cleaners and print images, creating a tidal wave of debris – flowers, anatomical imagery, consumer items, broken cars, images of war – which threatens to burst out, confusing your sense of dimensions.

normal_3Safe.as.Houses_Adam.King.jpg

Serpentine Gallery, Continuation’: Richard Prince: 26th June-7th September.
Painter, photographer, sculptor and collector, Richard Prince’s work explores American pop culture, literature and art in his follow up of Spiritual America. A direct dialogue with space, the exhibition includes an eclectic range of photography, sculptures, books, artworks to classic American ‘muscle cars’.

PRINCE-COWBOYS-418-365.jpg

TUESDAY 8th JULY:
Spacex Gallery, ‘Structures for the unseen’:Axel Antas: 12 May-12 July.
45 Preston Street?, Exeter?, EX1 1DF.
Film, large scale drawings and a series of photographs taken in the vast Catalan Pyrenees, shown alongside a selection of earlier works from Antas’ ‘Intervention’ series. ‘Catalan Pyrenees’ includes bird boxes placed amongst the landscape that stand alone on a mountain tops, whilst ‘Intervention’ series features landscapes covered in artificially created low lying mist.

spacex.jpg

Contemporary Art Projects, ‘Cut n shunt’: Craig Fisher, Debra Swann, J.A.Nicholls: 20th June-27th July.
20 Rivington Street, London, EC2A 3DU.
Urban life, history and nature are touched upon with an injected twist of the abnormal. Transcending material boundaries with desire, playfulness gives the exhibition a sense of new possibilities.

cut%20n%20shunt.jpg

WEDNESDAY 9th JULY:
Penny school Gallery,‘New Talents: Fashion & Photography’: 9th July-3rd October: tues-fri 11-4pm.
55 richmond rd, Kingston upon Thames, Surrey, KT2 5BP.
Dynamic & exciting collaboration between ND Fashion & HNC Photography students; to launch the New Degree in Fashion & textiles starting at Kingston College.

WHATIFTHEWORLD/GALLERY, ‘Hypocrite’s Lament & the drain of progress’: Zander Blom and Julia Rosa Clark: 9th -26th July.
Lower Ground Floor, 23 Charlotte Road, Shoreditch, EC2A 3P8.
The remnants of art, modernism and culture are explored as well as the influence of South African life where both artists originate. Coming from a country that is often seen as dismal, brutal and segregated, this informs their fractured work.

blom.jpg

THURSDAY 10th JULY:
ICA, ‘A recent history of writing and drawing’: Jurg Lehni & Alex Rich: 9th July-31st August.
ICA, The Mall, London SW1Y 5AH.
Features examples of machines that enable writing and drawing as well as mechanisms which create giant wall drawings, punch messages in paper and make images on screen. Based on the misuse and reuse of modern technology.

ica.jpg

FRIDAY 11th JULY:
The Old Truman Brewery, ‘Interiors’: Nottingham Trent University, Kingston University, Ravenbourne College, university of Brighton, Kingston University, University of Portsmouth, Cambridge School of Art and Design: 11th-14th July.
91 Brick Lane, London E1 6QL.
The 7th week focuses on interiors. Why not take a stroll in this huge open space and view some groovy graphics, haunting photos and model homes?

Brick Lane Gallery, ‘Free for Wall: Part 2′:artists to be confirmed:11th-28th July.
196 Brick Lane, London, E1 6SA.
Still compiling raw talent from the streets, The Brick Lane Gallery presents it’s second installment of some fresh ‘n funky art. If you’re a street artist eager to showcase your work, get your skates on and send some images to: brice@thebricklanegallery.com- who knows..maybe you’ll be viewing your own work in a few days!

INVITATION-IMAGE.jpg

Vice’s Pub, ‘Cup Rocking’: Andy Uprock: 11th July.
Old Blue Last, 38 Great Eastern St Storeditch EG2A 3ES
Using aroung 2,500 cups and mapping out large areas of cyclone fencing and sticking plastic cups into the existing diamond shaped holes, Andy transforms streets and public areas into places of interest. Cups are recycled and used for another project-now that’s what you call inspirational yet sustainable art!

6th_cuprocking_melbourne_thumb.jpg

SATURDAY 12th JULY:
The Museum for objects of Vertu, ‘Dust jacket…A cover for the voyage of the beagle’: Rosie Cooper, Richard Gray, Sonja Howick , Piers Jamson , Rachael Mathews , Fleur Oakes , Matthew Robins , Audrey Reynolds , Tim Spooner: 12-13th July, 12-6pm, by appointment thereafter until 27th July.
Fleur Oakes studio, 89 Park road, New Barnet.
(Piccadilly line , cockfosters station
The museum for objects, nestled in the cosy studio of Miss Fleur Oakes, presents objects that are described as ‘compelling ;the bits and bobs that get pushed to the back of a dressing table drawer, that then find their way to a flea market’. Expect obscure objects that contain lost tales, all set within a woody wonderland.

newbarnet.jpg

Copy%20of%20dust%20jacket%20invite.jpg

SUNDAY 13th JULY:
Faggionato Fine Arts, ‘National Geographic’: Maria Von Kohler, Alain Miller, John Summers, John Tiney 9th July- 21st August.
49 Albemarle Street W1S 4JR.
Four artists use source material and imagery that encapsulates a moment that bridges identity and location.

BullBig_1.jpg

pivot.jpg
Photos by Lucy Johnston

After hearing dribs and drabs about Pivot I was conscious of them, this site but not to the extent where I had actually checked them out. Then I heard their album, troche and I simply couldn’t fail to take notice any longer. It’s so fresh and marvelously creepy that I instantly found myself proclaiming it my album of the month. To who I have no idea, viagra order it’s not like I’m the presenter of ‘hit, miss or maybe’ on live and kicking (god I wish I was though), but I continued to proclaim none the less.

The venue was practically empty when I arrived and the support band (who i couldn’t find out the name of) received almost no love, with most people opting to bask in the sun outside. The crowd seemed to escalate nine fold in the 5 minutes before Pivot were due to appear, and the place was rammed by the time they moderately made their way on stage.

As they unleashed their barrage of musical experiments, I was intrigued by the undecided response most people seemed to adopt. Some began to dance, while most just watched intently. By the end of the first track though everyone was applauding.

Their tracks are made up of instrumentals that leap between timings, volumes and moods to create something that can’t be pigeonholed to any genre. Vocals are used, but lyrics and melodies are cast aside in favor of woops and other primal outbursts. They sound intelligent, but in a way that isn’t brash or confusing. It simply sounds good because so much thought has gone into each little section of every track.

They end their set with the ominous ‘O Soundtrack My Heart’, which sounds like it should be soundtracking some very confusing art house movie, and in many ways I think they make art house music. If such a term could exist. Half the time, you’ve no idea what’s going on, but you continue to watch anyway. You can’t help yourself, because songs become more and more intriguing as they go on.

Do you open up Grazia, this web see Alexa Chung in the ‘latest’ starry ensemble and think, “Oo! Where can I get me one of those?” Yeah, I thought not. That’s exactly what Hadley Freeman, Deputy Fashion Editor at The Guardian, thought too. However Bronwyn Cosgrave, author of Made for Each Other: Fashion & The Academy Awards, appeared to think us a more sheepish bunch at The Red Carpet: Fashion and Celebrity talk at the Barbican on Thursday 3rd July.

Andy Warhol foresaw the ‘famous for 15 minutes’ culture which we now find ourselves knee-deep in, and it was talk of reality TV that opened up this topical, lively and at times quite bitchy discussion about celebrities (French president’s wife Carla Bruni certainly won’t be getting a Christmas card from Cosgrave) and their hold over a designer’s success.

Forget being scouted as a model, fancy being scouted to be a designer’s new best friend? It would seem relationships between celebrity and stylist, stylist and designer and designer and celebrity (put in print in this months InStyle magazine) are as fickle as we thought. Marketing constructs? Really?

From Big Brother stars, to the mutual money making success of celeb/designer friendships, the conversation soon turned to the Oscars, where Cosgrave got rather too much into her stride. Resembling the host of an empowering self-help seminar, all very ‘breathe in the positive, release the negative’, Cosgrave lost my interest and it was left to Freeman to regain it with her belief that designers are today blinded by celebrity moments, and often forget that real people have to wear their clothes. It is after all ironically the customer who pays, and not the multi-million pound celebrity.

So do celebrities hold the key to designer success? Well, with the enticement of publicity and increased sales vying against the importance of brand image (Amy Winehouse and Karl Lagerfeld anyone?), it’s a tricky one to call. But with the recent credit crunch and the vast array of new, young design talent coming out of London, perhaps we are more inclined to buy what we like, what suits us and what we haven’t seen someone else wearing on Oxford Street that afternoon.

barbican%20viktor%20and%20rolf%20dolls.jpg

Similar Posts:






Amelia’s Magazine | Beautifully Green – a round up of ethical beauty brands for Christmas!


Andrea Garland, capsule illustrated by Cat Palairet

If you’re struggling for Christmas gift ideas, sales or just sick of giving and receiving those dreaded ‘smellies’ gift sets produced by high street chains (which are then consigned to live out their days in the ‘present drawer’) then check out several green beauty brands that are lovingly made with natural ingredients, are adept at soothing parched winter skin and – most importantly – care for the planet.

Andrea Garland
Handmade in her Hackney home, aromatherapist Andrea Garland’s organic beauty balms are presented in gorgeous vintage tins and compacts which she sources from all over the world (and are cleaned and sterilised before the balm is poured in.) Her Rosy Beauty Balm for the face contains shea butter, sweet almond oil, vitamin E and rose geranium – making it perfect to slap on during the winter months (expect many ‘oohs’ and ‘ahhs’ when the pretty compact emerges from your handbag!) All ingredients are ethically sourced and Garland even offers to re-fill the vintage compacts once they are emptied at a fraction of the price, resulting in no excess packaging and a pretty keepsake.
Rosy Beauty Balm is £32 for a medium-sized compact (refill £12) available from AndreaGarland.co.uk

Moa – The Green Balm

Illustration by Karolina Burdon

This gorgeous green gloop was created by Icelandic herbalist Thury Gudmundsdóttir from a recipe handed down by her grandmother, who used to concoct her beauty remedies by boiling herbs in a pan over her stove. Made with 100% natural and organic ingredients which include tea tree oil, beeswax, coconut and sweet almond oil, not only does it keep skin on both the face and body renewed and radiant but it can also be used as an aftershave balm, a baby massage and a barrier to protect the skin in extreme cold weather. A very little of this balm (which melts instantly on contact) goes a very long way, making it an essential winter handbag staple.
Available at £5 for 20ml at Lovelula.com

Balm Balm

Illustration by Darren Fletcher

With numerous endorsements from celebrities to The Soil Association, Balm Balm has gained somewhat of a cult following since its creation five years ago. Founded by aromatherapist and perfumer Glenda Taylor, the 100% organic balms come in recyclable packaging and target sensitive and irritated skin types. The shining star of the range has to be their much-hyped lip balm – which contains jojoba oil, beeswax and shea butter for super soft lips, and can be used on other dry areas too. They come in rose geranium, tea tree and fragrance free flavours (the last of which won a Green Beauty Bible award) and make perfect little stocking fillers.
Lip Balm is £2.99 for 7ml from Bath and Unwind

Burt’s Bees

Illustration by Leeay Aikawa

One of the more well-known brands, Burt’s Bees haven’t abandoned their environmental commitments despite their global success – their products contain on average 99% natural ingredients and all use recyclable packaging. Starting out in 1984 selling honey from his beehive and wondering what to do with the leftover wax, Burt Shavitz teamed up with Roxanne Quimby and began selling it in the form of candles at local craft fairs in Maine, USA. Through word of mouth, the brand grew and the now famous beauty range was born after Roxanne stumbled across a 19th century book on homemade beauty remedies. An ideal hand treat is their 100% natural Lemon Butter Cuticle Creme packed with lemon oil perfect for nourishing brittle fingernails, and with its kitsch little tin how could anyone resist?
Lemon Butter Cuticle Crème is £5.99 from burtsbees.co.uk

RMS Beauty

Illustration by Joana Faria

Created by celebrity make-up artist Rose- Marie Swift, this is the first make-up range made from natural raw ingredients that interact and ‘create a dialogue’ with the skin. Her reasoning behind the range is that unlike other ingredients contained in many ‘natural’ cosmetic brands, hers aren’t heated to high temperatures and therefore retain their beneficial nutrients which are so great for the skin. The Mineral Cream Eye Shadows contain natural mineral pigments and also double up as an eye-cream to nourish the delicate skin around the eyes. These cute little pots come in a variety of warm, earthy colours, and use recyclable glass and metal packaging. A perfect way to revamp your make-up bag for the New Year and treat your skin at the same time.
RMS Beauty Mineral Cream Eyeshadows are £18 each, available from CultBeauty.co.uk

Categories ,andrea garland, ,balm, ,balm balm, ,burt’s bees, ,Christmas, ,compacts, ,Cream, ,Darren Fletcher, ,Gift, ,hackney, ,High Street, ,Karolina Burdon, ,maine, ,miss ballantyne, ,moa green balm, ,Natural, ,organic, ,rose-marie swift, ,Skin, ,Soap, ,stocking, ,tins, ,usa, ,vintage

Similar Posts:






Amelia’s Magazine | Beautifully Green – a round up of ethical beauty brands for Christmas!


Andrea Garland, capsule illustrated by Cat Palairet

If you’re struggling for Christmas gift ideas, sales or just sick of giving and receiving those dreaded ‘smellies’ gift sets produced by high street chains (which are then consigned to live out their days in the ‘present drawer’) then check out several green beauty brands that are lovingly made with natural ingredients, are adept at soothing parched winter skin and – most importantly – care for the planet.

Andrea Garland
Handmade in her Hackney home, aromatherapist Andrea Garland’s organic beauty balms are presented in gorgeous vintage tins and compacts which she sources from all over the world (and are cleaned and sterilised before the balm is poured in.) Her Rosy Beauty Balm for the face contains shea butter, sweet almond oil, vitamin E and rose geranium – making it perfect to slap on during the winter months (expect many ‘oohs’ and ‘ahhs’ when the pretty compact emerges from your handbag!) All ingredients are ethically sourced and Garland even offers to re-fill the vintage compacts once they are emptied at a fraction of the price, resulting in no excess packaging and a pretty keepsake.
Rosy Beauty Balm is £32 for a medium-sized compact (refill £12) available from AndreaGarland.co.uk

Moa – The Green Balm

Illustration by Karolina Burdon

This gorgeous green gloop was created by Icelandic herbalist Thury Gudmundsdóttir from a recipe handed down by her grandmother, who used to concoct her beauty remedies by boiling herbs in a pan over her stove. Made with 100% natural and organic ingredients which include tea tree oil, beeswax, coconut and sweet almond oil, not only does it keep skin on both the face and body renewed and radiant but it can also be used as an aftershave balm, a baby massage and a barrier to protect the skin in extreme cold weather. A very little of this balm (which melts instantly on contact) goes a very long way, making it an essential winter handbag staple.
Available at £5 for 20ml at Lovelula.com

Balm Balm

Illustration by Darren Fletcher

With numerous endorsements from celebrities to The Soil Association, Balm Balm has gained somewhat of a cult following since its creation five years ago. Founded by aromatherapist and perfumer Glenda Taylor, the 100% organic balms come in recyclable packaging and target sensitive and irritated skin types. The shining star of the range has to be their much-hyped lip balm – which contains jojoba oil, beeswax and shea butter for super soft lips, and can be used on other dry areas too. They come in rose geranium, tea tree and fragrance free flavours (the last of which won a Green Beauty Bible award) and make perfect little stocking fillers.
Lip Balm is £2.99 for 7ml from Bath and Unwind

Burt’s Bees

Illustration by Leeay Aikawa

One of the more well-known brands, Burt’s Bees haven’t abandoned their environmental commitments despite their global success – their products contain on average 99% natural ingredients and all use recyclable packaging. Starting out in 1984 selling honey from his beehive and wondering what to do with the leftover wax, Burt Shavitz teamed up with Roxanne Quimby and began selling it in the form of candles at local craft fairs in Maine, USA. Through word of mouth, the brand grew and the now famous beauty range was born after Roxanne stumbled across a 19th century book on homemade beauty remedies. An ideal hand treat is their 100% natural Lemon Butter Cuticle Creme packed with lemon oil perfect for nourishing brittle fingernails, and with its kitsch little tin how could anyone resist?
Lemon Butter Cuticle Crème is £5.99 from burtsbees.co.uk

RMS Beauty

Illustration by Joana Faria

Created by celebrity make-up artist Rose- Marie Swift, this is the first make-up range made from natural raw ingredients that interact and ‘create a dialogue’ with the skin. Her reasoning behind the range is that unlike other ingredients contained in many ‘natural’ cosmetic brands, hers aren’t heated to high temperatures and therefore retain their beneficial nutrients which are so great for the skin. The Mineral Cream Eye Shadows contain natural mineral pigments and also double up as an eye-cream to nourish the delicate skin around the eyes. These cute little pots come in a variety of warm, earthy colours, and use recyclable glass and metal packaging. A perfect way to revamp your make-up bag for the New Year and treat your skin at the same time.
RMS Beauty Mineral Cream Eyeshadows are £18 each, available from CultBeauty.co.uk

Categories ,andrea garland, ,balm, ,balm balm, ,burt’s bees, ,Christmas, ,compacts, ,Cream, ,Darren Fletcher, ,Gift, ,hackney, ,High Street, ,Karolina Burdon, ,maine, ,miss ballantyne, ,moa green balm, ,Natural, ,organic, ,rose-marie swift, ,Skin, ,Soap, ,stocking, ,tins, ,usa, ,vintage

Similar Posts: