I am distracted by a wedding dress photoshoot on my way to Gyunel‘s show at The Savoy and veer in via the wrong entrance, barely making it in time for the show. When I do finally enter, out of breath, it’s to the sound of crackling flames. The Savoy is a fancy venue with a fresco feel (Sistine Chapel as opposed to al) and Gyunel‘s Demi-Couture show is at home in this opulent location, where the clothes are complimented by chandeliers and a luxurious egg-shell blue decor. Supermodel Jodie Kidd is one of the well-known faces in the front row and the circular catwalk makes for a refreshing change to the usual straight up, straight down.
The collection is kicked off with a feather-covered gown in dark blue modeled by Erin O’ Connor. There are some futuristic haircuts and revealing leather, which feel a little Fifth Element, although none of the models sport the giveaway tangerine mop. A Pantone style selection of blues, a dash of white, a dab of purple and some striking cream hoods make up some of the glorious colours in this show. I can’t help but think the dresses have the feel of another era, and the leather-bound models with their billowing train dresses gives me an aftertaste of steam-punk.
My street-side wedding-dress encounter must have been an omen as there’s a traditional, white, flowing matrimony dress in the collection too. This virginal piece is a strong contrast to the sexuality exuded by some of the other frocks, and some of the models are, what my boyfriend would (with a mischievous grin) call, ‘smuggling peanuts’.
The series of white hoods are unexpected and add an aura of mystique to the show. The make-up, provided by AOFM graduates gives the models dramatic, white, metallic eyes; right up to the brow, making them seem simultaneously as though they could be from Narnia and outer space.
Gyunel‘s collection is a well-used deployment of contrasts; leather mixed with chiffon makes for an interesting look, as does the presence of ready-to-wear garments alongside couture. With the strong underlying blue tones and a generous show of skin, the models remind me of Jason’s sirens effortlessly luring men to sea. Perhaps this influence is something I’ve imagined though, as sea salt hairspray is one of the goodie-bag freebies I managed to nab from an earlier show.
You can tell almost everything you need to know about someone from their walk. There is a world of difference between a prance and a skip, a mooch and a stride. I prefer those who amble, and I do a good mosey myself. Models tend to strut, but these catwalk beauties have a stride of their own; they glide. Combined with the make-up and the clothes, the effect is otherworldly. The braids that hold the hair back from their faces adds to the effect and has a trace of Princess Leia making the whole effect, not just of the clothes, but of the entire experience, pretty impressive. Whether it’s the surroundings or the dresses, I feel like I’m in a different universe for the duration of Gyunel’s fresh, varied and fantabulous show at The Savoy.
Gyunel A/W 2013 by Maya Beus
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