Amelia’s Magazine | Album Review: Get Well Soon – Sarabeth Tucek

SARABETH TUCEK BY CHANDRA VIOLA 1
Illustration by Chandra Viola

This morning I woke up sick – emotionally and physically sick. And upset with myself, cheap because I knew that partly it was my own fault. The early spring sun and the frizzy breeze that would invite everybody else to go out and enjoy the fresh air just didn’t work for me. And in this antithesis of moods between me and the environment outside my room, tadalafil I put on Sarabeth Tucek’s Get Well Soon. And for the first time (despite having listened to it for so long since I got the pre-release in the post) I appreciated it fully.

The second album of the Florida-born, buy information pills Brooklyn-based actress-turned-singer is a therapeutic album indeed. After the success of her self-titled debut two years ago, the fragile songstress got overwhelmed by the fame and things started to precipitate. And apparently the death of the father made her touch the bottom. But music came into help and rescued her from the dark abysses of depression. Music as self-therapy, then. But despite the introspectiveness of the album, the 12 tracks that form the narrative of Get Well Soon address to every soul that can empathise with them, and their message has a healing power for everybody who’s open to let it in. Easy comparisons come to mind when listening to Get Well Soon – Cat Power, Neil Young, Big Star and even The Breeders, just to name a few. But there’s something truly unique about Sarabeth Tucek, that may lie in the genuineness of her grief that transpires from the notes and shades of her voice and hits the heart.

SARABETH TUCEK BY CHANDRA VIOLA 3
Illustration by Chandra Viola (website under construction)

The opening track ‘The Wound and The Bow’ is a little prelude to the album while ‘Wooden’ truly sets the mood for the whole record, with its enchant of mournful games of chords gently plucked that intertwine with Sarabeth’s bittersweet voice until it opens in a warm old school rock anthem Pink Floyd would be proud of. ‘A View’ is another little gem of melanchonic sweetness. Voluptas dolendi, the Latins would say. ‘You and I, we share a view’ the lyrics go. And I look at the view through my window – a cheeky cloud attempts to cover the sun, but a ray pierces through and I wonder whether ‘he’ is enjoying the same spectacle from wherever he might be in this moment. When ‘The Fireman’ – a autobiographical ballad describing a dream Sarabeth had about her father –  kicks in with its more upbeat tempo, I start thinking about my own dad. And I suddenly realise I miss him and his funny grumpiness that has always got on my nerves causing one too many unnecessary arguments.

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State I Am In.

‘Things Left Behind’ is in my opinion one of the most heart-breaking songs of the entire album, a sadness that’s hard to bear – ‘you wished yourself right off the map into the air / and if I’m looking hard, you’re above me now / hanging on some little star’ – but Sarabeth’s voice gets so gentle and touching that it makes it impossible not to listen to it 3 times in a row. ‘State I Am In’ opens with languid droney guitars, another classic rock tribute. It’s one of the most upbeat tracks of the whole album, and seems to prelude to the songwriter’s personal resurrection from Hell, which is confirmed by the splendid ‘Rising’ – ‘through a break in the window I can see something is shining’. I can see it too.

SARABETH TUCEK BY CHANDRA VIOLA 2
Illustration by Chandra Viola

This morning I was sick, I said. And I knew that part of the blame for this was mine. Illness is all about inner pain. And the more you mourn about your pain, the worst it gets. Sometimes you only need to recognise your faults and absolve yourself to feel better. ‘I knew I was sad / I recognised it was bad / but now looking back / I see my mind, it was cracked’, the lyrics of the startling Get Well Soon go, accompanying me to the final redemption. The sun is caressing my cheeks through the window. I open it, and let the fresh air come in. The birds sing along the last notes of the eponymous closing track. I jump on my bicycle and go to join my friends at the park. I’m well now. Thank you, Sarabeth.

Get Well Soon music video
YouTube Preview Image

Sarabeth Tucek will play at Camden Crawl and will headline a show in London at the Slaughtered Lamb on May 19th. She’s also beein added to the bill of End Of The Road Festival in September and also Oxfordshire’s Wood Festival in May. Get Well Soon will be out on Sonic Cathedral on 11th April 2011. A gem not to be missed.

Categories ,album, ,Bob Dylan, ,Brian Jonestown Massacre, ,brooklyn, ,Camden Crawl, ,Chandra Viola, ,Death, ,End of the Road, ,Florida, ,Folk Rock, ,Forgiveness, ,Get Well Soon, ,guitars, ,Music as therapy, ,Pink Floyd, ,Redemption, ,Sarabeth Tucek, ,slaughtered lamb, ,Sonic Cathedral, ,Wood Festival

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Amelia’s Magazine | Album Review: The Magic Lantern – A World In A Grain Of Sand

Much of The Magic Lantern’s A World In A Grain Of Sand reminded me of the folk music coming out of London three of four years ago, sildenafil before the Mumfords came along and popularised the genre and made it synonymous with banjos, dosage harmonies and big anthemic choruses. I know this music still exists, here but it seems everyone has sort of forgotten about it. Brilliant artists like Johnny Flynn, Emmy The Great, and Lightspeed Champion – they are more about stripped back, folksy ditties, accompanied by traditional, acoustic instruments and usually, crucially, only one voice. It’s reminiscent of what we get here with The Magic Lantern’s latest offering and it’s really lovely to hear again.

The Magic Lantern by Steve Campion

Any fan of the bands I’ve already mentioned will love the albums two opening tracks Somebody Told Me and Cut From Stone, which are sweetly sung, largely guitar-led tracks. The rest of the album, however, is perhaps not quite so easy to listen to because this is quite an involved album, and it might even take a couple of listens before you understand how it fits together as whole. I almost wanted to turn all the lights off, sit down and simply listen.

The Magic Lantern by Claire Kearns

As the title of the album suggests there is something rather other worldly about The Magic Lantern and in particular Jamie Doe’s songwriting. These are ballads, in the very traditional sense of the word in that they are stories set to music and they require a bit more than just half your attention. The use of a whole myriad of instruments and some unusual and exotic sounding rhythms help add to the other worldly feel too, of course.

The Magic Lantern by Vanessa Lovegrove

Clearly this is a band with many many influences, like Doe sings in Shine A Light On, which is clearly, unbelievably, reggae-influenced, “don’t just believe me, write your own song”. Songs like Guilty Hearts, are moody, dark even – “It’s the quiet ones who tell the biggest lies”, Doe sings.

The Magic Lantern by Kiran Patel

But there are some moments when you wonder whether The Magic Lantern couldn’t have benefited from being a bit more concise with some of the tracks. Some of the solos that feature on this album are a little on the indulgent side, the two minute outro on The Ship That Washed Away, for example.

The Magic Lantern by Natalie Hughes

From the sounds of it The Magic Lantern are certainly a group of formidable musicians, which made me feel aware throughout the album that I would be much better off seeing them live.

The Magic Lantern by Emma Carlisle

Categories ,A World In A Grain Of Sand, ,acoustic, ,album, ,album review, ,Chameber music, ,Emmy the Great, ,folk, ,Folk Scene, ,guitars, ,Indie, ,Jamie Doe, ,Johnny Flynn, ,Johnny Flynn and the Sussex Wit, ,Lightspeed Champion, ,live music, ,london, ,Mumford and Sons, ,New music, ,Nu Folk, ,review, ,Songwriting, ,The Magic Lantern

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Amelia’s Magazine | Meet Nicholas Stevenson: the friendly songwriter and illustrator from the North Pole…

Gemma Milly_Nicholas Stevenson
Gemma Milly_Nicholas Stevenson
Illustration by Gemma Milly

Nicholas sent me his CD and tape, troche accompanied by a lovely letter about living and musing about in Bristol. One of my favourite pastimes – we may have been staring into the same middle distance…! Like a quill pen into my heart, stuff I am a sucker for a personal letter. Especially on such nice paper. After reading his scribe, treatment I listened to Nicholas’s album: Phantom Sweetheart, available now on Hilldrop Records.

phantom sweetheart cover by nicholas stevenson
Album Cover, Phantom Sweetheart, Illustration by Nicholas Stevenson

It’s a splendid listen. Thoughtful and wistful. It’s like a less brash Spectrals. It has a Californian, surf sound, mixed with a smattering of New York – and the mighty UK. This mixture of locations is perhaps a reflection of Nicholas’s various home locations from birth. Since my initial listen, I now enjoy playing the album when I’m in my own little zone, cleaning. Because you could be anywhere. And if you don’t overly want to be where you are right now, there’s your ride. This interesting, sentimental man will take you away. Or indeed in my present case, scrub that flat ‘til in shines like the summer sun reflecting in my – prematurely purchased, cat eyed – sunnies. I miss you sun. I’d like to meet him to discuss travel, home, love and art. Oh yes, he’s an illustrator too. As Nicholas was so eloquent in his letter, I thought an interview would be perfect. So here it follows:

Nicholas Stevenson with phantom

Could you introduce yourself for us Nicholas…?
Hi there, my name is Nicholas Stevenson and I’m a songwriter and illustrator.

Where are you from originally and where do you reside now?
I currently reside in Cambridgeshire, but I was born in Scotland, lived on an island in the Seychelles for a while, and then moved back to England. I’m also half American so I sometimes have a confusing accent; it’s all a bit confusing actually. I usually give people fake biographies about growing up in the North Pole or being found in the wilderness to avoid explaining the complicated truth…

The Aeroplane Darling cover by Nicholas Stevenson
EP Cover, The Aeroplane Darling, Illustration by Nicholas Stevenson

How long have you been playing music? Could you describe it?
It would be hard to say when I started making music, but I found a tape of myself shouting a song I made about giraffes aged four the other day. The music in the shape it is now probably started about three years ago when I moved away to go to Art College. I had a band in high school that made fuzzy alt rock like the Smashing Pumpkins, but when we went our separate ways I started recording songs on my own in my room. It’s a sort of alt folk sound, with lots of layers, and a big emphasis on melodies.

How long have you been illustrating? Could you describe your style?
I’ve been drawing a lot longer than I’ve been making music, but I don’t think I could ever have considered myself an illustrator up until the last couple of years. I try to make work that’s fun, mysterious and occasionally a bit unsettling where possible.

chase in a sketchbook by Nicholas Stevenson
Chase In A Sketchbook, Illustration by Nicholas Stevenson

Do you use your illustration and music to compliment/influence each other?
Most definitely. I think both of these activities really boil down to an urge for me to be story telling. Both my music and illustration usually revolves around some sort of implied narrative and it’s pretty common for a drawing to influence a lyric or vice versa.

What inspires your creativity, both re: music and illustration?
Cosmography, polar exploration, time travel, childhood, memory, feral children, miniature painting, amateurs and outsiders; a lot of things that I read about or places I visit. I try not to rule anything out as potential fodder for making stories and art about.

bayonets album sleeve
Bayonets Album Sleeve, Illustration by Nicholas Stevenson

Have you ever had a ‘phantom’ sweetheart?
Well not a sweetheart per-se, but in the Seychelles I had two childhood ghost friends called Coco and Silent. Coco lived in a palm tree, and Silent lived on an abandoned ship. They were both only a foot tall, and wore white sheets with eyeholes, although I think Silent wore a baseball cap. The name ‘Phantom Sweetheart’ came about partly because all of my records have had terms of endearment in the name (Dearest Monstrous, The Aeroplane Darling) and I wanted this album to be really ghostly and spectral. Phantom Sweetheart just seemed to be the perfect title.

And what do you think about love and ‘being in love’ ? 
I think it’s a really nice special thing, I’m probably a bit of a softy and a romantic. It might seem like I’ve written a few songs from an anti-love position, but as Harvey Danger once said: “Happiness writes white”.

Have you been in love?
Oh yes mam.

hilldrop business card blank small
Hilldrop Business Cards, Illustration by Nicholas Stevenson

Who else is in your band?
Dan Lewis plays the drums, Tom Harrington plays the bass guitar and glockenspiel whilst Oliver Wilde plays lead guitar.

When/how did you get together?
I met Dan and Tom in Hereford where I was studying at Art College. My manager Joe introduced us and we started arranging my songs and got performing almost straight away as a three piece. Oliver joined the band just last autumn. He not only signed me to his label Hilldrop Records, but he also produced and recorded the album with me in his house in Bristol. We worked really closely together on Phantom Sweetheart and Oliver had a big impact on the way those songs turned out. Of course by the end he knew how to play them all back to front and it seemed like a no-brainer that he should come out on tour with us.

And who is your record label, and how did you get signed?
Hilldrop Records are my label. I think they requested I send them some of my demos in the mail over a year ago. They liked what they heard and I played some gigs for them and we hit it off pretty fast, I started making posters for their shows too. We were all coming from a similar direction and they were interested in promoting art and building it in to the performances. We’d got to know each other reasonably well by the time we decided to sign a contract and make the album.

hilldrop cult 1300_1300
Illustration by Nicholas Stevenson

What was it like going on tour? Did you get inspired?
It was a blast, definitely not glamorous, but great fun. Our car broke down on the way to a sold out show in Bakewell and we had to jettison half the gear and get a taxi. We arrived just in the nick of time with no drums or drummer, and played entirely unplugged to a wonderfully attentive packed room. We spent the night in a big old house; there were teddy bears in the beds. Bakewell is such an old fashioned and charming town (home to the bakewell tart) everyone was so kind and interesting there, it sort of inspired us to play more small places on tour. It doesn’t seem fair that the big cities get all the tour dates, where people can sometimes be so jaded towards the barrage of live music anyway.

Nick25

Where do you see yourself in ten years?
Hopefully doing the same things I’m doing now, but more masterfully. I’m fully aware I have a long way to go and lots of room to grow before I’m satisfied… I just hope I’m fortunate enough to find time for it all.

What about now, what is coming up for you?
At the moment I’m working on a sort of audio zine project called ‘Dead Arm’. It’s going to be a series of cassette tapes, each with a different set of new songs and sounds. Its quite fun telling myself to sit down and make a continuous twenty-minute tape, rather than getting too hung up on individual songs; it makes me less precious and hopefully more inventive. I’m quite excited to see where it goes… 
You can buy Phantom Sweetheart, on Hilldrop Records, here.

Categories ,adventure, ,Anti-Love, ,Art College, ,Bakewell, ,Bakewell Tart, ,Bayonets, ,bristol, ,california, ,Cambridgeshire, ,city, ,Cosmology, ,Dan Lewis, ,Gemma Milly, ,Ghost, ,guitars, ,Harvey Danger, ,Helen Martin, ,Hereford, ,High School, ,Hilldrop Records, ,illustration, ,implied narrative, ,Love, ,miniature painting, ,new york, ,Nicholas Stevenson, ,Phantom Sweetheart, ,Romantic, ,scotland, ,Seychelles, ,singer, ,songwriter, ,Spectrals, ,story, ,surf, ,Tom Harrington

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