Amelia’s Magazine | New Designers 2013 Jewellery: The Best Graduate Designers

Annie Lucilla wearing her etched earrings
New Designers show 2013-Annabelle Lucilla
I always discover a huge number of brilliant new jewellery designers at the New Designers exhibition, and this year was no exception. Firstly, at the One Year On section I was blown away by a wonderful display from Annabelle Lucilla, who recognised me from twitter – always a strange but rather lovely thing when it happens! This multiple award winning jewellery designer is currently a resident of Cockpit Arts, thanks to a recent bursary. I love the way that she uses her own illustrations to create unique statement pieces; here she is wearing a pair of her beautiful etched dangly earrings in front of an illustration that features in one of her pieces.

Silicone jewels by Isabelle Busnell in oneyearon
I was also drawn to this beautiful display by Isabelle Busnell, who recreates traditional designs such as cameos in deceptively flexible silicone.

beaded knitted fringed necklaces by HannaBalloo
At Central Saint Martins Hannah Newell, who designs under the name Hanna Baloo, created these immensely cute beaded, knitted and fringed necklaces featuring ghostly letters.

Simona Kubertavivacuite - jewellery
New Designers show 2013-Simona Kubertaviciute
This year there were were loads of designs inspired by lifeforms found in the oceans, which seems to be an ongoing trend in jewellery. Simona Kubertaviciute from Bucks New University was inspired by sea creatures that overtake shipwrecks and other underwater manmade structures. She works with brass and Fimo to create peculiarly shaped gems that look oxidised and eroded, as if they have indeed just been hauled out of the ocean.

New Designers show 2013-clio may davies
I’m a sucker for a good dangly earring, and love these organic offerings from the Crustacean Collection by Clio May Davies, a graduate of UCA Rochester.

New Designers show 2013-alma sophia
Alma Sophia was inspired by the tactile feel of jewellery to create her Touch ring collection, which come with convex or concave fronts that are meant to be explored by the thumb.

New Designers show 2013-Kirsty Isla Nicholson oversized rings
Giant white chocolate pearls by Kirsty Isla Nicholson
At the University of Dundee Kirsty Isla Nicholson had created an extremely imaginative collection working in unorthodox materials and unexpected scales: giant white chocolate pearls and oversized rings inspired by the construction of earring backs and jewellery boxes were particularly clever. Her beautifully made 187 rings wall installation asked visitors to donate to the Cystic Fibrosis Trust in exchange for a ring.

New Designers show 2013 fay mcglashan
Fay McGlashan worked in porcelain and metal to create large pendants that mimic the carapaces of mottled and ridged insects.

New Designers show 2013-Mirka Janeckova
The deepwater inspiration continued with the White Collection from Mirka Janeckova, featuring rings that seemed to sprout like exotic corals in all directions.

Oversized gold flock ring by Nadia Deen
This oversized Alien gold and brass flock ring was made by Nadia Deen at The Cass.

Olivia Creber beard jewellery for men
Edinburgh College of Art graduate Olivia Creber‘s Veni, Veci beard jewellery for men was used to style an award winning catwalk show earlier this year. These certainly make an unusual and eye-catching accessory that push the traditional definition of jewellery, so it’s no surprise to discover that she begins an MA at the Royal College of Art this year.

New Designers show 2013-Caitlin Gregory-Thomas
New Designers show 2013-Caitlin Gregory-Thomas flock pins
At the well appointed stand for the Jewellery Futures course in Birmingham Caitlin Gregory-Thomas was inspired by the plight of dairy cows to create this highly unusual collection of pins and bracelets in metal and flock. The centrepiece is a jelly mould character with cow hooves, guaranteed to prompt questions of the wearer. Check out CVGT Jewellery here.

Rosalind Clara Bryan
Over in the stands supporting different disciplines I discovered Rosalind Clara Bryan‘s delicate geometric collection, which is supported by a super professional website.

Karl Robert Gundstrom
On a more conceptual front Karl Robert Gundstrom put together this beautiful display of jewellery made with expanding foam. He will be pursuing his fine art career in Berlin.

I’ve still got 3D wall art, ricrac madness, ceramics and crafts to cover… and that’s just from the first New Designers exhibition…

*Many of these images first appeared on my instagram feed, where you can view my pick of design graduates as I find them.*

Categories ,187 rings, ,2013, ,Alien, ,Alma Sophia, ,Annabelle Lucilla, ,Birmingham, ,Bucks New University, ,Caitlin Gregory-Thomas, ,Central Saint Martins, ,Clio May Davies, ,Cockpit Arts, ,Crustacean Collection, ,CVGT Jewellery, ,Cystic Fibrosis Trust, ,Edinburgh College of Art, ,Fay McGlashan, ,Fimo, ,Hanna Baloo, ,Hannah Newell, ,Isabelle Busnell, ,jewellery, ,Jewellery Futures, ,Karl Robert Gundstrom, ,Kirsty Isla Nicholson, ,Mirka Janeckova, ,Nadia Deen, ,New Designers, ,Olivia Creber, ,One Year On, ,review, ,Rosalind Clara Bryan, ,Royal College of Art, ,Simona Kubertaviciute, ,The Cass, ,Touch, ,UCA Rochester, ,University of Dundee, ,Veni Veci, ,White Collection

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Amelia’s Magazine | Review: An evening class at the London Jewellery School

London Jewellery School 2011 -photography by Amelia Gregory
All photography by Amelia Gregory.

A couple of weeks ago I went along to the London Jewellery School for a night of cupcakes and cocktail rings, otherwise known as a lesson in how to make wire wrap beaded jewellery.

London Jewellery School 2011 -photography by Amelia Gregory
At the work table each seat was laid with an individual jewellery kit but all attention was immediately drawn to the twinkling assortment of glass beads in the centre of the table. I am sure that anyone with a magpie mind can appreciate the lure…

London Jewellery School 2011 -photography by Amelia Gregory
We were soon dipping into the beads, pulling out our desired options to start the first project, a wire wrap bracelet made on bouncy pre-shaped wire. This was extremely simple, with the most taxing part choosing the right combination of beads, not too small and not too heavy, to produce the right look. Many of the others settled on tasteful monochrome pieces, but as usual I could not resist something a bit more colourful, a heathery palette of purples, blues, deep reds and greens.

London Jewellery School 2011 -photography by Amelia Gregory
Our tutor was Chu-Mei, who runs Grace & Firefly. She was super helpful and funny, immediately on hand to help with out any problems or advise on design decisions.

London Jewellery School 2011 -photography by Amelia Gregory
Once we had all managed to create a bracelet it was straight on to the next project, a blingy wire wrap ring. This required a more concentrated mind, as the rings were constructed from wire to fit our fingers perfectly and then clusters of beads were piled on top of each other to create the final cocktail ring. I managed to produce three different over the top creations that featured an assortment of brightly coloured, gold and pearlised beads.

London Jewellery School 2011 -photography by Amelia Gregory
London Jewellery School 2011 -photography by Amelia Gregory
London Jewellery School 2011 -photography by Amelia Gregory
Who needs Accessorise when you can create something utterly unique in under half an hour, and so much satisfaction comes from the creation process itself? I think that we were all quite pleased and pleasantly surprised with the amount of booty that we each managed to produce during the class. And one of the best things about the evening? The chance to meet other talented jewellers and find out a bit more about the London Jewellery School.

Afro deco upcycled watch pendant
Natasha Williams is Afro Deco, a jeweller who specialises in upcycling jewellery with added resin details – beautiful and unusual.

London Jewellery School 2011 -photography by Amelia Gregory
Another lady was an expert in polymer clay, the far classier descendent of Fimo. Remember Fimo? The new stuff is streets ahead, just check out the beautiful necklace above. Mary Ann of Zarafa Designs was also very helpful when I ran into trouble with my designs.

London Jewellery School 2011 -photography by Amelia Gregory
The London Jewellery School fits into a surprisingly compact room in Hatton Garden. Classes are incredibly diverse, in everything from perspex to gold – you an even make your own wedding bands (what a lovely idea!) I even learnt about the charms of Dichroic Glass, which can do all sorts of fabulous things (see below).

London Jewellery School 2011 -photography by Amelia Gregory
Coming up before Christmas the London Jewellery School is running a few classes where you can make bespoke Crimbo presents, and they have just announced news of a Set up your own Jewellery Business Distance Learning Course. In another life I quit this internet malarkey and concentrate on making things myself, so if you, like me, have always wondered whether you can make something you love into a career then this course could be just the ticket for you. The London Jewellery School was set up by young entrepreneur Jessica Rose who herself learnt the trade by doing short courses, so she is well equipped to talk about these kind of things.

Whether you have plans for a small pocket-money operation, a full time job or an even larger business employing others, the course is designed to guide you through all the basics of running a successful jewellery business. The course pack contains a 50-page glossy workbook, supporting case study booklet and more than 80 minutes of video footage with advice from jewellery business expert and course tutor Jessica Rose. ‘ If you pre-order this comprehensive course before the official release date on Friday 9th December then you can get the whole kit for just £99.

Categories ,Accessorise, ,Afro Deco, ,Beading, ,Bling, ,Bracelet, ,Christmas, ,Chu-Mei, ,Classes, ,Cocktail Rings, ,cupcakes, ,Dichroic Glass, ,Fimo, ,Gold, ,Grace & Firefly, ,Hatton Garden, ,Jessica Rose, ,London Jewellery School, ,Mary Ann, ,Natasha Williams, ,Perspex, ,Polymer Clay, ,Resin, ,review, ,Set up your own Jewellery Business Distance Learning Course, ,Short Courses, ,Silver, ,Upcyled, ,Wedding Rings, ,Wire Wrap, ,Zarafa Designs

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Amelia’s Magazine | Review: Silver Metal Clay Jewellery Class with Sima Vaziry at the London Jewellery School

Silver Metal Clay necklace small
Silver metal clay has intrigued me since I did silversmithing classes a few years ago, simply because it promises so much: all the gleam and precious feel of silver and… well… about a quarter of the work to achieve it. What’s not to intrigue? But my then teacher scared me off with stories of how difficult it is to work with, and its purported inferior quality.

Well, now I’ve worked with the stuff and I’m a convert. It’s a very different material to manipulate than sterling silver, which requires large amounts of heating and hammering. Working with silver metal clay is more like working with ceramic clay, in that you have to work fast or it dries out. It is also a lot like working with a polymer clay such as Fimo – you push it around with your fingers to achieve the effects you want.

Sima Vaziry London Jewellery School
At my London Jewellery School class we were taught by silver clay enthusiast and expert Sima Vaziry, whose upbringing has clearly influenced her love of all things Persian and Afghan. A trained graphic designer, she’s been silver smithing for years, etching her own calligraphy onto jewellery and increasingly struggling to achieve her desired finish. That is until she discovered silver metal clay – and this beguiling material is now used to create her bestselling collection, which is available to buy at the British Museum. Describing why she decided to make the move from graphic design to jewellery design she made the very good point that in the former you rarely get pure praise: no one ever says ‘wow, that’s beautiful’ which they do when they fall in love with a stunning piece of jewellery. The perfect advocate for the London Jewellery School, Sima turned her love of jewellery into a serious career by taking a number of short courses over two years. And there’s me dreaming of another career…

Our class was small, which was perfect since it turned out to be quite intensive – there’s a lot to fit in if you want to create a fully formed piece of jewellery in just two and a half hours. But it turns out that it is possible! And whilst I had some moments of frustration (damn, that stuff dries fast, you need to have your design ready planned and all the materials close at hand) by the end I was happy as a pig in muck. There’s nothing like holding that weighty bit of silver in your hand, and thinking – blimey, just a few moments ago that was no more than a slab of white clay. Whilst I might not have achieved a final design that was fully to my liking, for a quick process with eminently satisfying results you really can’t beat this medium – and I’d love to give it another go, only next time with better design preparation and planning.

Sima Vaziry Bloom gold necklace silver clay metal
Sima Vaziry‘s Bloom necklace made out of silver metal clay. She was wearing one at the class and I can testify that it was beautiful. I’d like to have these kind of skills, but I guess they take time (you can see my first efforts at the top of the blog)!

The London Jewellery School offers all sorts of interesting courses so their website is well worth checking out: how about a taster class for just £35 as a unique and thoughtful present? If you fancy learning more about how to work with silver metal clay then you can still join the second pre-christmas offering next week, listed here. You can find jewellery by Sima Vaziry at the Grenville Shop in the British Museum or online. She will be giving a talk about her designs to friends of the British Museum on March 19th, at 18.30 & 20.00 in the Lecture Theatre, titled ‘A journey into jewellery – Hajj range designer Sima Vaziry talks about her life and her story-telling pieces‘.

Categories ,Afghan, ,British Museum, ,Class, ,Fimo, ,Graphic Design, ,jewellery, ,London Jewellery School, ,Persian, ,Polymer Clay, ,Precious Metal Clay, ,review, ,Silver, ,Silver Metal Clay, ,Silversmithing, ,Sima Vaziry, ,Taster Classes

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Amelia’s Magazine | Royal Academy of Arts: Summer Exhibition

Thumbnail Kendal Calling

For a festival that is just five years old, rx Kendal Calling has already amassed a kudos rating that belies its youth; (Annie Nightingale remarked simply, “It’s how festivals should be”). Savvy enough to realise that it is all about keeping the punter happy; the organisers of Kendal have gone above and beyond the call of duty to provide an enjoyable and hassle free weekend for all attending 2010′s festivities. In a few aspects, they got lucky. Take the setting for example; situated in Lowther Deer Park inside the Lake District in Cumbria, Kendal gets to take advantage of the stunningly breathtaking and unspoilt location; nestled between the dramatic landscape of craggy mountains, Lowther Deer Park makes up 1,000 acres of lush greenery. But with everything else, Kendal has worked hard on its own volition to provide a sound weekend.

The eclectic and diverse line-up will mix up bigger acts such as Doves, The Coral, Calvin Harris and The Futureheads with indie darlings Wild Beasts (whom several of our contributors have professed undying love to recently), OKGo and Erland & the Carnival, while the Calling Out Stage – dedicated to cherry picking the most exciting new music – and the Kaylied Stage (featuring a blend of local and folk music) has the kind of line-up that makes our mouths water. Like some kind of Tom Robinson/BBC Radio 6 airplay fantasy, the buzz around First Aid Kit, The Parlotones, Goldheart Assembly, Good Shoes, These New Puritans and Kirsty Almeida will mean that anyone catching their sets will be a good six months ahead of the curve (which you all are anyway; but extra brownie points can never go amiss)

There are now only a few hundred tickets left for Kendal Calling. Tickets can be found on their website, along with details on additional Thursday night entertainment and camping.

Barry Flanagan’s Nijinski Hare, buy information pills illustrated by Naomi Law

I recently stepped out of London’s unusually baking sun to enjoy an afternoon visit to the Royal Academy Summer Exhibition. On reaching the courtyard, medical the whole place seemed to be in high spirits with Barry Flanagan’s bronze hares prancing around and the ordinarily stern permanent statue sporting a floral sash.


Photograph by Naomi Law

During the largest open exhibition in the UK, viagra the labyrinthine rooms of Burlington House play host to a swarm of artists, from the unknown to the infamous, waiting to surprise visitors around every corner. Everyone is welcome to submit work to the exhibition each year, resulting in a diverse collection ranging from painting to architecture, and sculpture to film. The majority of the works on display are for sale, and although the prices predictably reach the astronomical, there are several pieces accessible to those with more modest purse strings if you take a closer look.

This year’s theme is Raw, which according to David Chipperfield, co-ordinator of the architecture room, signifies ‘vitality, risk taking and a necessary sense of adventure.’ Stephen Chambers, the main co-ordinator of this year’s show, states that raw art is ‘fresh, new, visceral and affirmative. Some of it is fairly scary too’.

Perhaps one of the most talked about pieces in the show is David Mach’s Silver Streak, a ferocious larger-than-life gorilla made entirely from wire coat hangers. These are surprisingly effective in creating a sense of weight and movement – he’s an imposing figure!


David Mach’s Silver Streak, illustrated by Paul Shinn

Mach appears again just behind the gorilla with Babel Towers, a huge and complex collage of an outlandish seaside town with the mountainous ‘tower’ ascending into the clouds.

On entering many of the rooms, your eye is dutifully drawn to plenty of bold and large-scale works. Somehow the flamboyance of these pieces drew my attention to the smaller or less immediately-noticeable pieces, and this is what I have largely chosen to focus on.

My childhood fascination with anything miniature (and consequent hours spent creating minute little things from Fimo) was happily indulged by the collection of architects’ models and drawings in the Lecture Room.

Visitors are treated to views of buildings in their ‘raw’ forms, as seen through the eyes of the architect. The methods of construction and presentation of these models is as fascinating as the designs themselves.

It will come as no surprise that I spent the longest time in the Small Weston Room, which is filled with over two hundred smaller paintings, some no larger than a postcard.

Several otherwise everyday scenes are beautified in oils: Francis Matthews’ The Coombe depicts a Dublin street corner whilst Josephine Greenman uses the familiar blue and white of a traditional dinner service to render miniscule domestic settings in Silence I & II.

Amazing craftsmanship can also be seen in Claire Moynihan’s Moth Balls, 2010; dozens of moths are intricately embroidered onto their own Alpaca wool felt ball.

In the Large Weston Room, David Borrington predicts the state of the high street in 2020 if a certain supermarket is allowed to continue its invasion of our neighbourhoods. Globull Internashll Tescgoows 2020 is a stark reminder of the need to find an alternative.


David Borrington’s Globull Internashll Tescgoows, courtesy of the artist’s website

Just around the corner Oran O’Reilly’s beautifully comic Rizla, after Hokusai shows the famous Great Wave surging from a pack of cigarette papers. Maybe not such an odd pairing considering the prevalence of Hokusai’s wave in poster form in student accommodation up and down the country (admittedly including my own not so long ago).

Also currently on display at the Royal Academy, and well worth seeing, is a collection of work by academicians who have passed away over the last year. I was particularly taken with Michael Kidner’s painstakingly drawn geometric forms in No Thing Nothing.

If you can’t make it to the Royal Academy, you can see work from A-level students selected for the online exhibition here.

All photographs courtesy of the Royal Academy, unless otherwise stated.

Categories ,architecture, ,Babel Towers, ,Barry Flanagan, ,Bronze hares, ,Burlington House, ,Claire Moynihan, ,David Borrington, ,David Chipperfield, ,David Mach, ,Dublin, ,film, ,Fimo, ,Francis Matthews, ,Globull Internashll Tescgoows 2020, ,Great Wave, ,Josephine Greenman, ,Large Weston Room, ,Lecture Room, ,london, ,Michael Kidner, ,Moth Balls 2010, ,Naomi Law, ,No Thing Nothing, ,Oran O’Reilly, ,painting, ,Paul Shinn, ,Raw, ,Rizla after Hokusai, ,Royal Academy, ,sculpture, ,Silence I & II, ,Silver Streak, ,Small Weston Room, ,Stephen Chambers, ,Student Bedrooms, ,Summer Exhibition, ,The Coombe

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Amelia’s Magazine | Royal Academy of Arts: Summer Exhibition

Thumbnail Kendal Calling

For a festival that is just five years old, rx Kendal Calling has already amassed a kudos rating that belies its youth; (Annie Nightingale remarked simply, “It’s how festivals should be”). Savvy enough to realise that it is all about keeping the punter happy; the organisers of Kendal have gone above and beyond the call of duty to provide an enjoyable and hassle free weekend for all attending 2010′s festivities. In a few aspects, they got lucky. Take the setting for example; situated in Lowther Deer Park inside the Lake District in Cumbria, Kendal gets to take advantage of the stunningly breathtaking and unspoilt location; nestled between the dramatic landscape of craggy mountains, Lowther Deer Park makes up 1,000 acres of lush greenery. But with everything else, Kendal has worked hard on its own volition to provide a sound weekend.

The eclectic and diverse line-up will mix up bigger acts such as Doves, The Coral, Calvin Harris and The Futureheads with indie darlings Wild Beasts (whom several of our contributors have professed undying love to recently), OKGo and Erland & the Carnival, while the Calling Out Stage – dedicated to cherry picking the most exciting new music – and the Kaylied Stage (featuring a blend of local and folk music) has the kind of line-up that makes our mouths water. Like some kind of Tom Robinson/BBC Radio 6 airplay fantasy, the buzz around First Aid Kit, The Parlotones, Goldheart Assembly, Good Shoes, These New Puritans and Kirsty Almeida will mean that anyone catching their sets will be a good six months ahead of the curve (which you all are anyway; but extra brownie points can never go amiss)

There are now only a few hundred tickets left for Kendal Calling. Tickets can be found on their website, along with details on additional Thursday night entertainment and camping.

Barry Flanagan’s Nijinski Hare, buy information pills illustrated by Naomi Law

I recently stepped out of London’s unusually baking sun to enjoy an afternoon visit to the Royal Academy Summer Exhibition. On reaching the courtyard, medical the whole place seemed to be in high spirits with Barry Flanagan’s bronze hares prancing around and the ordinarily stern permanent statue sporting a floral sash.


Photograph by Naomi Law

During the largest open exhibition in the UK, viagra the labyrinthine rooms of Burlington House play host to a swarm of artists, from the unknown to the infamous, waiting to surprise visitors around every corner. Everyone is welcome to submit work to the exhibition each year, resulting in a diverse collection ranging from painting to architecture, and sculpture to film. The majority of the works on display are for sale, and although the prices predictably reach the astronomical, there are several pieces accessible to those with more modest purse strings if you take a closer look.

This year’s theme is Raw, which according to David Chipperfield, co-ordinator of the architecture room, signifies ‘vitality, risk taking and a necessary sense of adventure.’ Stephen Chambers, the main co-ordinator of this year’s show, states that raw art is ‘fresh, new, visceral and affirmative. Some of it is fairly scary too’.

Perhaps one of the most talked about pieces in the show is David Mach’s Silver Streak, a ferocious larger-than-life gorilla made entirely from wire coat hangers. These are surprisingly effective in creating a sense of weight and movement – he’s an imposing figure!


David Mach’s Silver Streak, illustrated by Paul Shinn

Mach appears again just behind the gorilla with Babel Towers, a huge and complex collage of an outlandish seaside town with the mountainous ‘tower’ ascending into the clouds.

On entering many of the rooms, your eye is dutifully drawn to plenty of bold and large-scale works. Somehow the flamboyance of these pieces drew my attention to the smaller or less immediately-noticeable pieces, and this is what I have largely chosen to focus on.

My childhood fascination with anything miniature (and consequent hours spent creating minute little things from Fimo) was happily indulged by the collection of architects’ models and drawings in the Lecture Room.

Visitors are treated to views of buildings in their ‘raw’ forms, as seen through the eyes of the architect. The methods of construction and presentation of these models is as fascinating as the designs themselves.

It will come as no surprise that I spent the longest time in the Small Weston Room, which is filled with over two hundred smaller paintings, some no larger than a postcard.

Several otherwise everyday scenes are beautified in oils: Francis Matthews’ The Coombe depicts a Dublin street corner whilst Josephine Greenman uses the familiar blue and white of a traditional dinner service to render miniscule domestic settings in Silence I & II.

Amazing craftsmanship can also be seen in Claire Moynihan’s Moth Balls, 2010; dozens of moths are intricately embroidered onto their own Alpaca wool felt ball.

In the Large Weston Room, David Borrington predicts the state of the high street in 2020 if a certain supermarket is allowed to continue its invasion of our neighbourhoods. Globull Internashll Tescgoows 2020 is a stark reminder of the need to find an alternative.


David Borrington’s Globull Internashll Tescgoows, courtesy of the artist’s website

Just around the corner Oran O’Reilly’s beautifully comic Rizla, after Hokusai shows the famous Great Wave surging from a pack of cigarette papers. Maybe not such an odd pairing considering the prevalence of Hokusai’s wave in poster form in student accommodation up and down the country (admittedly including my own not so long ago).

Also currently on display at the Royal Academy, and well worth seeing, is a collection of work by academicians who have passed away over the last year. I was particularly taken with Michael Kidner’s painstakingly drawn geometric forms in No Thing Nothing.

If you can’t make it to the Royal Academy, you can see work from A-level students selected for the online exhibition here.

All photographs courtesy of the Royal Academy, unless otherwise stated.

Categories ,architecture, ,Babel Towers, ,Barry Flanagan, ,Bronze hares, ,Burlington House, ,Claire Moynihan, ,David Borrington, ,David Chipperfield, ,David Mach, ,Dublin, ,film, ,Fimo, ,Francis Matthews, ,Globull Internashll Tescgoows 2020, ,Great Wave, ,Josephine Greenman, ,Large Weston Room, ,Lecture Room, ,london, ,Michael Kidner, ,Moth Balls 2010, ,Naomi Law, ,No Thing Nothing, ,Oran O’Reilly, ,painting, ,Paul Shinn, ,Raw, ,Rizla after Hokusai, ,Royal Academy, ,sculpture, ,Silence I & II, ,Silver Streak, ,Small Weston Room, ,Stephen Chambers, ,Student Bedrooms, ,Summer Exhibition, ,The Coombe

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Amelia’s Magazine | London Zine Symposium 2011: A Review

London Zine Symposium 2011 Photography by Amelia Gregory
London Zine Symposium 2011. All photography by Amelia Gregory.

At the London Zine Symposium art students and anarchists sit cheek by jowl, page sometimes sharing an overloaded trestle table. It can be a somewhat uncomfortable relationship – I picked up one zine that featured a page that cited all the reasons why art students’ zines are inferior to ‘real’ zines: not least their tendency to flog a whole table of handcrafted goodies alongside.

London Zine Symposium 2011 Photography by Amelia Gregory
London Zine Symposium 2011 Photography by Amelia Gregory
London Zine Symposium 2011 Photography by Amelia Gregory
London Zine Symposium 2011 Photography by Amelia Gregory
London Zine Symposium 2011 Photography by Amelia Gregory

I can see their point – zines began life as a way to express ideas that might not otherwise find an outlet, approved and have been adopted by artists as a way to showcase work with a view to commercial propagation. But that doesn’t stop me being a big advocate of up and coming artists’ zines – it’s a wonderfully cheap medium to showcase work when cost is a real issue for many artists and illustrators just starting out. Of course, if that work has something intelligent to say, then all the better, and who said that anarchism and artistry have to be mutually exclusive anyway? The London Zine Symposium proves that there is plenty of room for all comers – it’s become a great success because the sprawling DIY ethos of the zine network creates supportive communities.

London Zine Symposium 2011 Photography by Amelia Gregory
London Zine Symposium 2011 Photography by Amelia Gregory
London Zine Symposium 2011 Photography by Amelia Gregory
London Zine Symposium 2011 Photography by Amelia Gregory
London Zine Symposium 2011 Photography by Amelia Gregory
London Zine Symposium 2011 Photography by Amelia Gregory
London Zine Symposium 2011 Photography by Amelia Gregory
It was extremely hot and claustrophobic in the Rag Factory this weekend, so I whisked through as quickly as I could and probably missed loads of great stuff. Here’s my pick of what I found at this year’s London Zine Symposium.

I’ve long been a fan of Jess Wilson, who has been featured multiple times in Amelia’s Magazine and in Amelia’s Anthology of Illustration. One of her side projects is Duke Press, and here’s a selection of what she had on offer: lovely stuff all of it.

London Zine Symposium 2011 Photography by Amelia Gregory
London Zine Symposium 2011 Photography by Amelia Gregory
London Zine Symposium 2011 Photography by Amelia Gregory
London Zine Symposium 2011 Photography by Amelia Gregory

At the back people were tackling their own Zine projects, and it looked like they were having a lot of fun with cut up newspapers and Pritt sticks.

London Zine Symposium 2011 Photography by Amelia Gregory
London Zine Symposium 2011 Photography by Amelia Gregory

Nobrow were there with a table full of brightly coloured products – not entirely sure how they fit into the London Zine Symposium, but I’ll always be seduced by their wares. I particularly liked the bright new postcards, which I suspect are Risograph products.

London Zine Symposium 2011 Photography by Amelia Gregory
London Zine Symposium 2011 Photography by Amelia Gregory

I bumped into former Amelia’s Magazine intern Amy Knight, who is now working as an arts writer in Brighton. Her particular group of interns vanished in a puff of smoke a few years ago and I’ve heard very little from them since, so it was nice to hear what she is up to now. Very proud!

London Zine Symposium 2011 Photography by Amelia Gregory Amy Knight

Mark Pawson had pole position at the end, with his usual table full of fabulousness.

London Zine Symposium 2011 Photography by Amelia Gregory Mark Pawson

I was lured to Katie Green‘s table by the nicely matching palette of pea greens and rustic browns… then we both realised that she too is an Amelia’s Magazine contributor, one that I haven’t met before. She produced a beautiful image for my Everything is Connected theme in issue 10, and since then has been busy producing her own zine, The Green Bean, an ode to all things creative and sustainable.

London Zine Symposium 2011 Photography by Amelia Gregory Katie Green
Katie Green Green Bean
Katie Green Green Bean

She’s also been working on an Arts Council funded graphic novel and recently spent some time on a retreat where there was nothing but sheep…. inspiring a gorgeous sketch book of her “woolly friends”. I was easily seduced into buying one of her lovely fimo bean broaches.

Katie Green Sheep
Katie Green Sheep
London Zine Symposium 2011 Photography by Amelia Gregory Katie Green

Hugh of Landfill Editions makes the most amazing publications on his Risograph machine. He kindly gave me a copy of Mould Map #1… which features the work of a whole host of new and up and coming illustrators, all wonderfully rendered in florid neon orange and purple. It includes the inimitable abstract work of former Amelia’s Magazine contributor Colin Henderson and I have been hankering after it for awhile. Thankyou Hugh!

London Zine Symposium 2011 Photography by Amelia Gregory Landfill Editions
London Zine Symposium 2011 Photography by Amelia Gregory Landfill Editions
Mould Map-Landfill Editions
Mould Map-Landfill Editions
Mould Map-Landfill Editions

I must say that when it comes to my own purchases I tend to gravitate towards the more radical story zines, and so with my last pound coin I bought a copy of Out of the City and Into the Trees, a written zine that spans six years of diary entries written whilst living in trees on protest sites. I look forward to reading it.

Into the Trees-zine
London Zine Symposium 2011 Photography by Amelia Gregory

Check out our interview with London Zine Symposium organiser Edd Baldry. Enjoy the rest of my photos!

London Zine Symposium 2011 Photography by Amelia Gregory
London Zine Symposium 2011 Photography by Amelia Gregory
London Zine Symposium 2011 Photography by Amelia Gregory
London Zine Symposium 2011 Photography by Amelia Gregory
London Zine Symposium 2011 Photography by Amelia Gregory
London Zine Symposium 2011 Photography by Amelia Gregory
London Zine Symposium 2011 Photography by Amelia Gregory
London Zine Symposium 2011 Photography by Amelia Gregory
London Zine Symposium 2011 Photography by Amelia Gregory
London Zine Symposium 2011 Photography by Amelia Gregory
London Zine Symposium 2011 Photography by Amelia Gregory

Categories ,Amelia’s Anthology of, ,Amy Knight, ,Anarchism, ,Art Students, ,Arts Council, ,Ay Knight, ,Bean, ,Colin Henderson, ,cupcakes, ,diy, ,Duke Press, ,Fimo, ,Heneage Street, ,Jess Wilson, ,Katie Green, ,Landfill Editions, ,London Zine Symposium, ,Mark Pawson, ,Mould Map #1, ,rag factory, ,Risograph, ,The Green Bean, ,zines

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Amelia’s Magazine | London Zine Symposium 2011: A Review

London Zine Symposium 2011 Photography by Amelia Gregory
London Zine Symposium 2011. All photography by Amelia Gregory.

At the London Zine Symposium art students and anarchists sit cheek by jowl, sometimes sharing an overloaded trestle table. It can be a somewhat uncomfortable relationship – I picked up one zine that featured a page that cited all the reasons why art students’ zines are inferior to ‘real’ zines: not least their tendency to flog a whole table of handcrafted goodies alongside.

London Zine Symposium 2011 Photography by Amelia Gregory
London Zine Symposium 2011 Photography by Amelia Gregory
London Zine Symposium 2011 Photography by Amelia Gregory
London Zine Symposium 2011 Photography by Amelia Gregory
London Zine Symposium 2011 Photography by Amelia Gregory

I can see their point – zines began life as a way to express ideas that might not otherwise find an outlet, and have been adopted by artists as a way to showcase work with a view to commercial propagation. But that doesn’t stop me being a big advocate of up and coming artists’ zines – it’s a wonderfully cheap medium to showcase work when cost is a real issue for many artists and illustrators just starting out. Of course, if that work has something intelligent to say, then all the better, and who said that anarchism and artistry have to be mutually exclusive anyway? The London Zine Symposium proves that there is plenty of room for all comers – it’s become a great success because the sprawling DIY ethos of the zine network creates supportive communities.

London Zine Symposium 2011 Photography by Amelia Gregory
London Zine Symposium 2011 Photography by Amelia Gregory
London Zine Symposium 2011 Photography by Amelia Gregory
London Zine Symposium 2011 Photography by Amelia Gregory
London Zine Symposium 2011 Photography by Amelia Gregory
London Zine Symposium 2011 Photography by Amelia Gregory
London Zine Symposium 2011 Photography by Amelia Gregory
It was extremely hot and claustrophobic in the Rag Factory this weekend, so I whisked through as quickly as I could and probably missed loads of great stuff. Here’s my pick of what I found at this year’s London Zine Symposium.

I’ve long been a fan of Jess Wilson, who has been featured multiple times in Amelia’s Magazine and in Amelia’s Anthology of Illustration. One of her side projects is Duke Press, and here’s a selection of what she had on offer: lovely stuff all of it.

London Zine Symposium 2011 Photography by Amelia Gregory
London Zine Symposium 2011 Photography by Amelia Gregory
London Zine Symposium 2011 Photography by Amelia Gregory
London Zine Symposium 2011 Photography by Amelia Gregory

At the back people were tackling their own Zine projects, and it looked like they were having a lot of fun with cut up newspapers and Pritt sticks.

London Zine Symposium 2011 Photography by Amelia Gregory
London Zine Symposium 2011 Photography by Amelia Gregory

Nobrow were there with a table full of brightly coloured products – not entirely sure how they fit into the London Zine Symposium, but I’ll always be seduced by their wares. I particularly liked the bright new postcards, which I suspect are Risograph products.

London Zine Symposium 2011 Photography by Amelia Gregory
London Zine Symposium 2011 Photography by Amelia Gregory

I bumped into former Amelia’s Magazine intern Amy Knight, who is now working as an arts writer in Brighton. Her particular group of interns vanished in a puff of smoke a few years ago and I’ve heard very little from them since, so it was nice to hear what she is up to now. Very proud!

London Zine Symposium 2011 Photography by Amelia Gregory Amy Knight

Mark Pawson had pole position at the end, with his usual table full of fabulousness.

London Zine Symposium 2011 Photography by Amelia Gregory Mark Pawson

I was lured to Katie Green’s table by the nicely matching palette of pea greens and rustic browns… then we both realised that she too is an Amelia’s Magazine contributor, one that I haven’t met before. She produced a beautiful image for my Everything is Connected theme in issue 10, and since then has been busy producing her own zine, The Green Bean, an ode to all things creative and sustainable.

London Zine Symposium 2011 Photography by Amelia Gregory Katie Green
Katie Green Green Bean
Katie Green Green Bean

She’s also been working on an Arts Council funded graphic novel and recently spent some time on a retreat where there was nothing but sheep…. inspiring a gorgeous sketch book of her “woolly friends”. I was easily seduced into buying one of her lovely fimo bean broaches.

Katie Green Sheep
Katie Green Sheep
London Zine Symposium 2011 Photography by Amelia Gregory Katie Green

Hugh of Landfill Editions makes the most amazing publications on his Risograph machine. He kindly gave me a copy of Mould Map #1… which features the work of a whole host of new and up and coming illustrators, all wonderfully rendered in florid neon orange and purple. It includes the inimitable abstract work of former Amelia’s Magazine contributor Colin Henderson and I have been hankering after it for awhile. Thankyou Hugh!

London Zine Symposium 2011 Photography by Amelia Gregory Landfill Editions
London Zine Symposium 2011 Photography by Amelia Gregory Landfill Editions
Mould Map-Landfill Editions
Mould Map-Landfill Editions
Mould Map-Landfill Editions

I must say that when it comes to my own purchases I tend to gravitate towards the more radical story zines, and so with my last pound coin I bought a copy of Out of the City and Into the Trees, a written zine that spans six years of diary entries written whilst living in trees on protest sites. I look forward to reading it.

Into the Trees-zine
London Zine Symposium 2011 Photography by Amelia Gregory

Check out our interview with London Zine Symposium organiser Edd Baldry. Enjoy the rest of my photos!

London Zine Symposium 2011 Photography by Amelia Gregory
London Zine Symposium 2011 Photography by Amelia Gregory
London Zine Symposium 2011 Photography by Amelia Gregory
London Zine Symposium 2011 Photography by Amelia Gregory
London Zine Symposium 2011 Photography by Amelia Gregory
London Zine Symposium 2011 Photography by Amelia Gregory
London Zine Symposium 2011 Photography by Amelia Gregory
London Zine Symposium 2011 Photography by Amelia Gregory
London Zine Symposium 2011 Photography by Amelia Gregory
London Zine Symposium 2011 Photography by Amelia Gregory
London Zine Symposium 2011 Photography by Amelia Gregory

Categories ,Amelia’s Anthology of, ,Amy Knight, ,Anarchism, ,Art Students, ,Arts Council, ,Ay Knight, ,Bean, ,Colin Henderson, ,cupcakes, ,diy, ,Duke Press, ,Fimo, ,Heneage Street, ,Jess Wilson, ,Katie Green, ,Landfill Editions, ,London Zine Symposium, ,Mark Pawson, ,Mould Map #1, ,rag factory, ,Risograph, ,The Green Bean, ,zines

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Amelia’s Magazine | Great ideas for homemade Christmas Decorations for 2013

Christmas snowflake ornament polymer clay cane blue

I’ve been collecting Christmas decorations for as long as I can remember, so it’s not like there is a shortage of baubles and other pretty objects with which to decorate the house: in fact this year we’ve been quite minimal since we only have a small oriental fir tree in a pot (hopeful that it won’t drop, and that we can pot it out in my parent’s garden and use it again next year) and the house is full to bursting with colourful things against which decorations must compete. And yet, I would like to make some decorations: for in my mind nothing can beat that handmade touch in the home, and Christmas is the perfect time to make something frivolous and pretty for no reason other than it looks good.

Christmas tree

It is at this time of year especially that I really feel the lack of my own creativity, having spent the rest of the year discovering, marvelling over and writing about others who are busy designing and making. And all the time I mourn the lack of making in my own life, and determine to do something about it. I’ve always been more of a maker than a shopper (and having Snarfle makes me even less inclined to join the masses in a frenzy of consumerism) but this year I have had better intentions than usual to make my own Christmas decorations and gifts. Maybe it’s having a toddler with burgeoning creative talents to entertain and remembering that some of the best moments in my childhood were when I made things with my parents, which always seemed to reach a frenzied height at yuletide. Or maybe it’s my constant aspirational trawling of Pinterest. Like so many pinners, I spend an inordinate amount of time looking for ideas rather than actually getting on with anything: the act of pinning being so much more simple to organise than gathering crafty bits together in one place to embark on a project.

Spicy christmas biscuits

A lot of ideas on Pinterest are unbearably naff, but the gems really are worth stumbling upon. So far we have managed to make some snowflake decorations out of polymer clay (at the top of this post) and some spicy Christmas biscuits, both of which were inspired by things I found online, but actually made in my own style (the decorations) and to a recipe from a good old-fashioned book (the biscuits). And yes, Snarfle did ‘help’, though he’s probably still a bit young to be very involved. But I have plans to do much more in the next week, so here is my wish list of things to make for Christmas. And if I don’t manage them this year, one year, I hope, some of these will happen.

Woven Swedish Christmas Star Tutorial - House Revivals

Paper Stars
We lived in Sweden when I was a small child and my family retained many Swedish Christmas traditions as I grew up, so naturally I am drawn to Scandinavian style decorations, particularly those involving candles, paper stars, hearts and Dala horses. There are loads and loads of great paper star tutorials on the internet, so picking out the best is no easy trick. This woven star on House Revivals is very similar to the wooden one my parents hang in our window during the festive season: a bare bulb in the middle gives it a super cosy glow in the winter. I think you could adapt this tutorial to any foldable medium so I might just give it a go one year.

Paper lantern star tutorial by Whimsylane blog

Here is another version of a paper star: this one created in pretty decorated origami papers by Whimsy Lane.

danish-paperstar wreath

Another way to use folded origami stars would be in a wreath. I’ve never got into these, my mother having associated them with funerals and thus instilled in me a distance from their Christmas potential. But I think looking at this beauty (found on the Hello Lucky blog) I may just have to reconsider. There is a very comprehensive tutorial on how to make German paper stars here.

pompom garland in the trees

Christmas tree pom poms tutorial from Creativity and Chocolate

Pom Poms
Pom poms may be frivolous but they are mighty fun and bang on trend this year, especially if they are oversized, colourful and abundant. I don’t think I’d have the patience to make anything as extravagant as this garland without one of the special pom pom making machines you can buy, but if you fancy turning your hand to something simple then these big wool beauties from Creativity and Chocolate would be perfect.

Christmas pompom wreath, photo by Danielle Thompson

Once you’ve got your pom pom mojo on you might venture further into the land of woolly balls: how about this wreath as found on Design Sponge, for a cheery look on a winter’s door?

Pom-Pom-Wreath for Christmas by Nest of Posies

Over on Nest of Posies this pretty pom pom wreath features the addition of pompom ricrac and flowers.

Wooden clothes pegs stars for Christmas from Shirley Goode

Wooden Clothes Pegs
I have fond memories of making a rocking chair pincushion with wooden pegs at infant school: in fact I bet my mother still has it somewhere. On my hunt for Christmassy things to do with pegs (the ones with the springs, since they are cheap and easily available) I have found that very chair on a blog by Shirley Goode, where she reminisces about crafting with clothespins. I love her scanned photographs, which were obviously taken a good few decades ago; wouldn’t these wooden clothes pegs stars be a great place to start?

Lilla a Design clothespeg christmas tree decorations

Elsewhere I have yet to discover anything which comes close to these little brightly painted wooden men, complete with squiggly faces. Aren’t these just the best? You can discover how to make these on Lilla a Design: definitely something to knock up in the future with Snarfle.

corrugated-cardboard-reindeer-craft-lgn

Cardboard Reindeer Head
If we did not already have so many cut out reindeer heads in the house (my partner Tim simply cannot resist, apparently) then I would be very tempted to give this little chap a go: all made out of recycled cardboard, and with a cheery red nose. You can find a template for Recycling Meets Rudolph on the Good Housekeeping website.

Wooden Stick Christmas Trees by Michele Made Me

Christmas Tree Decorations for the Tree
There are many different versions of tiered Christmas tree decorations, but I like these ones in wood by Michele Made Me. I am in awe of anyone who thinks about Christmas in July, though, well, come to think of it, the PRs are always plugging it my way at that time of year so maybe I could get into it in summer too? I will just have to remember to collect interesting sticks when we are out in the woods.

paper roll and bead Christmas tree shaped decoration by Crafts by Jen

This version, using rolled paper and beads, is also very cute. Pinned from Crafts by Jen.

Recycled paper and bead christmas tree ornaments by Thrifty Fun

This one from Thrifty Fun piles scrap paper into appealing staggered tiers, and is splashed with glitter for a festive touch.

Heart House Ornament matrix by Michele Made Me

Folded Cut Out Paper Decorations
I also love Michele Made Me‘s Heart House, a simple cut, fold and glue paper ornament, inspired by her feelings of love for her home and family. It’s a little house with a heart running through the middle, and can be made out of recycled Christmas cards, or in fact any oddments of pretty paper you have lying around the house. Yup, I’ve got plenty of that.

Recycled Christmas Card Garland by Freshy Hatched Studio

Another way to reuse old Christmas cards would be to turn them into this garland from Freshly Hatched Studio, which uses a simpler version of the technique above with a piece of brown string run through… I can already see this being pimped up with some glittery tinsel thread. I find it hard to stay too tasteful for long.

Felt Folk Christmas Decorations by McCalls

Felt Tree Ornaments
These pretty felt folk ornaments come in fab bright colours and are made by following a pattern from McCall’s, but I’m all for heading out on your own with things like this if you can.

Imagine Our Life polar bear felt christmas ornament

Stephanie from Imagine Our Life makes the best things out of felt, including these cute animal ornaments for Christmas – visit her blog for a free pattern if you like to have help in making your own felt designs. As well as an impressive creative output she home schools her little fella as well as continuing to freelance as a graphic designer. She’s an inspiration.

Felt heart cut out ornaments for Christmas

These stylish patterned felt hearts were found on the Better Homes and Gardens website: another thing to aspire to in future years, I feel.

Polymer clay fimo christmas ornament snowflake millefiori

Polymer clay ornaments
Finally, I don’t think I’ve touched polymer clay since the early 90s, but it turns out that things have come on in the world of Fimo since then, and I’ve suddenly discovered what fun ‘canes‘ are. Not that I have the patience to produce anything too complex and perfect, so mine are fairly chaotic. When I started reading about canes I discovered this tutorial on how to create snowflake canes: which I combined in a messy millefiori design to get the above results. I have realised that it is slightly hard to get a slick effect when you have a toddler crawling all over you but I kind of like it anyway.

Polymer Clay christmas ornament heart tutorial from The Crafty Network

Instead the image above is closest to what I was hoping to achieve, although this version employs the services of an extruder. The result is totally psychedelic, but the tutorial on The Crafty Network is very clear and you could definitely adapt it into something a bit more low key.

White clay embossed heart christmas tree ornament

Having introduced you to the most complex of polymer clay work I have to add that I think simple works best for most polymer clay ornaments. I need to buy some paper doilies so I can try embossing cut out shapes such as hearts, which can easily be made using cookie cutters.

Reindeer antler clay christmas ornaments from thistinder

These stylish reindeer antler white clay ornaments could easily be made out of polymer clay, coloured thread and wire. The photograph comes from This Tinder, but the original blog has vanished.

Christmas snowflake ornament polymer clay cane

Anyway, I could go on and on hunting down fun things to make, but now I want to go and do actual creative stuff myself. It’s unlikely I will get many of these ideas done this year, but maybe by Christmas 2014 I will have figured out a proper schedule like all those organised stay at home working and making mums (hmm, I fear this may go the way of my plans to get my taxes done well in advance). But I do really believe that a better balance between work and creativity is what makes us happy; that’s why we’re all rediscovering craft and baking with a vengeance – it’s the way we’ve always been. Using our hands to do so much more than just type.

You can follow me on Pinterest here, if you like that kind of thing.

Categories ,Better Homes and Gardens, ,Cardboard Reindeer Head, ,Christmas biscuits, ,Christmas Tree Decorations, ,Crafts by Jen, ,Creativity and Chocolate, ,Cut Out, ,Dala horses, ,Design Sponge, ,Felt Tree Ornaments, ,Fimo, ,Folded, ,Freshly Hatched Studio, ,Garland, ,Good Housekeeping, ,Heart House, ,Hello Lucky, ,House Revivals, ,Imagine Our Life, ,Lilla a Design, ,McCall’s, ,Michele Made Me, ,millefiori, ,Nest of Posies, ,Paper Decorations, ,Paper Stars, ,Pinterest, ,Polymer Clay, ,pom-poms, ,recycled, ,Recycling Meets Rudolph, ,Scandinavian, ,Shirley Goode, ,Snarfle, ,Snowflake canes, ,sweden, ,Swedish Christmas, ,The Crafty Network, ,This Tinder, ,Thrifty Fun, ,Whimsy Lane, ,Wooden Clothes Pegs, ,Wreath

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