Martina Spetlova S/S 2013 by Sharon Farrow.
Innovative fashion designer Martina Spetlova introduces her new S/S 2013 collection and explains why you should help fund the movie to showcase her upcoming season on Kickstarter.
Marina Spetlova ‘The Print & The Jacket‘ by Dom&Ink.
You are a textile innovator – what is it about different textures that you find so appealing?
Texture is like print for me, juxtaposing diferent textures together gives my designs the power I like to achieve in my collections. I tend to experiment with contrasting colours and opposing textures. I am always trying to find ways to treat standard fabrics to give them different structural properties – for instance by bonding, pleating and weaving satin through leathers – which helps me create a point of difference. That is how I can make my designs stand out but I also have lots of fun creating new collections. I am minimalist in shapes but maximalist in texture.
Your colour palette is also always very distinctive – what inspired this current season’s colour range?
My selection of colours is always little bit random. I usually start with 3 or 4 colours I like and are available and add more of them while working on my fabric samples.
Where did the graphic patterns come from?
From a photograph of my mum in the 70s.
Martina Spetlova by Alexandria Coe.
How do you source your fabrics?
This season I mainly worked with leather. My supplier in London has certain sustainable policies: I am concern about environment and I try to be as eco friendly as possible with my label.
Who creates your pieces?
All the knitwear is created in my studio in London, which does all samples and production at the moment. We work on domestic knitting machines.
What was the inspiration for the abstractions in your S/S 2013 film?
I wanted to create a land of Martina Spetlova. Shooting the collection froma microscopic view, showing the collection as a diverse landscape of bold colour and glistening mountains of fabric. It captures the detailed focus of this collection.
Martina Spetlova by Ashley Fauguel.
Looking forward, what can we expect from the new collection?
The new collection is entirely leather and knitwear and features lots of textures and colours again… My simple twisted yarn knitted dresses and neckpieces accompany every look of 15 silhouettes and are a great compliment to raw edged, un-lined leather jackets, tops, skirts, shorts and trousers. Collars are created by patch-working fish skin leathers and off-cuts of sheep skin and no piece in the collection is flat. Amongst the techniques used are the playful exploration of accordion pleats on leather, cuts punched through soft leathers to create grids on the surface and my satin tape hand-woven technique from last season combined with graphic pattern (seen also on knits). I’m using softly twisted stretchy yarns for knitted neckpieces and dresses in black, light grey and graphic patterns. A/W 2013 uses soft colours of pale blue, moth green, mustard orange, white and black together with acid yellow and orange. I use a high quality of craftsmanship, making pieces by hand in the studio.
Martina Spetlova S/S 2013 by Isher Dhiman.
You are currently seeking funding on Kickstarter – what will these funds go towards and what can contributors expect in return?
I have set up Kickstarter to help me fund my film presentation in Somerset House during London Fashion Week, which will pay for the space to showcase my film in the Portico Rooms. Everyone who sponsors this event will be invited to Somerset House, and pieces from my collections will be gifted to generous backers. Of course there will also be a BIG THANK YOU to everyone who supports me!
There are six days left to help Martina Spetlova raise £1000 for her film presentation at the LFW – help out on Kickstarter here.
- Martina Spetlova: New S/S 2012 Season Interview
- Marina Spetlova: creating fabulous upcycled fashion garments from zips
- London Fashion Week S/S 2011 Esthetica Review
- Ming Pin Tien: London Fashion Week S/S 2013 Catwalk Review
- London Fashion Week A/W 2011 Catwalk Review: Osman (by Naomi)