David Mach

Amelia’s Magazine | Power of Making at the V&A: exhibition review

by

Power of Making V&A 2011-Elaine Colbert
A hyperrealistic baby doll created by Elaine Colbert for ‘adoption’.

Yesterday I went along to check out the new Power of Making exhibition at the V&A Porter Gallery in conjunction with the Crafts Council, treatment which opens today. Curator Daniel Charny was on hand to give us a personal introduction, explaining that when putting together the show he looked for the best demonstration of knowledge for each skill on display. He aims to challenge preconceptions of what arts and craft can be, because ‘making is an active way of thinking‘ that needs to be better valued. Many of the objects on display demonstrate a strong link between science, technology and craft and he would love this relationship to be more widely recognised and utilised.

Here are some of the most interesting things I discovered.

Power of Making V&A 2011-david mach
King Silver Gorilla: made entirely from wire coat hangers by David Mach, this stunning sculpture greets visitors at the entrance to the exhibition.

Power of Making V&A 2011-Peter Butcher embroidered implant
Embroidered surgical implant: this snowflake shaped machine embroidery by Peter Butcher at Ellis Developments is designed to lie just under the skin, providing the surgeon with attachment points for replacing lost tissue.

Power of Making V&A 2011-Mirlande Constant
Beaded Haitian Vodou Flag: having learnt the skills from her mother Mirlande Constant quit her job in a wedding dress factory to make traditional flags.

Power of Making V&A 2011-Kane Kwei lion coffin
Carved wooden lion coffin: the family workshop of Kane Kwei in Ghana has been making sculpted coffins since the 1950s. Designed to reflect an individual’s job and aspirations traditional imagery often merges with contemporary culture: you can now be buried in a car or a branded trainer.

Power of Making V&A 2011-maker bot
The MakerBot: first discovered at a recent Future Human event, this is a small 3D printer designed for home use that extrudes lengths of plastic to create 3D objects.

Power of Making V&A 2011-kideville
Kideville 3D printed game: Also in the realm of new technology, the Kide 3D package uses advanced tools to create a game that simultaneously teaches children rapid-prototyping skills. Over the course of Power of Making children will make their own buildings to complete the 3D printed city.

Power of Making V&A 2011-Thorunn Arnadottir QR CODE
QR code beaded clothing: first discovered at this years graduate Royal College of Art exhibition, Thorunn Arnadottir mixes high technology and art in his Swarovski crystal beaded garments, which can be read by a smartphone.

Power of Making V&A 2011-David Kaleta
Lego frog dissection: David Kaleta‘s frog is very accurate, despite its unusual material construction.

Power of Making V&A 2011-Kathyrn Hinton
Digitally hammered silver bowls: Kathyrn Hinton‘s beautiful bowls are created at a distance that technology affords: a hammer hits a pad and the force of each blow on metal is recorded onscreen.

Power of Making V&A 2011-Jacquy Pfeiffer
Sugar sculpture: Corn syrup, sugar, water and lemon juice were boiled in exact proportions to create a glass-like substance that pastry chef Jacquy Pfeiffer manipulated into a dramatic sculpture (just out of shot, a tiger’s head).

Power of Making V&A 2011-Manel Torres
Spray on dress: Manel Torres developed Fabrican whilst studying fashion at the Royal College of Art and has since moved to Imperial College to work with materials scientists. New applications that are being considered include upholstery, bandages, and even spray on nappies.

Power of Making V&A 2011-Heleen Klopper
Moth hole mender: I don’t quite understand how this works but I want to use this now!!! Heleen Klopper developed Woolfiller to mend much loved old clothes – the fibre is placed over the hole and grabs onto the surrounding wool.

Power of Making V&A 2011-Michelle Wibowo
Marzipan and sugar baby: in an amazing burst of cake based creativity this hyperrealistic infant was made by Michelle Wibowo from edible ingredients.

There were many other intriguing objects to discover at this exhibition, many with extremely clever applications that take them beyond the realm of mere aesthetic frippery. The Power of Making is a fabulous testament to thoughtful creativity and will no doubt encourage many people to learn a new skill. I dare you not to be inspired! For more information and recommended events see my listing.

Written by Amelia Gregory on Tuesday September 6th, 2011 12:48 pm

Categories ,3D Printing, ,Beaded Haitian Vodou Flag, ,Beading, ,Carved wooden lion coffin, ,Coffin, ,craft, ,Crafts Council, ,Daniel Charny, ,David Kaleta, ,David Mach, ,Digitally hammered silver bowls, ,Elaine Colbert, ,Ellies Babies, ,Ellis Developments, ,Embroidered surgical implant, ,Fabrican, ,Future Human, ,ghana, ,Heleen Klopper, ,Imperial College, ,Jacquy Pfeiffer, ,Kane Kwei, ,Kathyrn Hinton, ,Kide 3D, ,Kideville 3D printed game, ,King Silver Gorilla, ,Lego, ,Lego frog dissection, ,Maker Bot, ,MakerBot, ,Manel Torres, ,Marzipan and sugar baby, ,Michelle Wibowo, ,Mirlande Constant, ,Moth hole mender, ,Peter Butcher, ,Power of Making, ,QR code, ,rapid-prototyping, ,Robots, ,Royal College of Art, ,science, ,Smartphone, ,Spray on dress, ,Sugar sculpture, ,Sugarcraft, ,Swarovski, ,Technology, ,The Porter Gallery, ,Thorunn Arnadottir, ,va, ,Wooden, ,wool, ,Woolfiller

Similar Posts:






Amelia’s Magazine | Power of Making at the V&A: exhibition review

by

Power of Making V&A 2011-Elaine Colbert
A hyperrealistic baby doll created by Elaine Colbert for ‘adoption’.

Yesterday I went along to check out the new Power of Making exhibition at the V&A Porter Gallery in conjunction with the Crafts Council, which opens today. Curator Daniel Charny was on hand to give us a personal introduction, explaining that when putting together the show he looked for the best demonstration of knowledge for each skill on display. He aims to challenge preconceptions of what arts and craft can be, because ‘making is an active way of thinking‘ that needs to be better valued. Many of the objects on display demonstrate a strong link between science, technology and craft and he would love this relationship to be more widely recognised and utilised.

Here are some of the most interesting things I discovered.

Power of Making V&A 2011-david mach
King Silver Gorilla: made entirely from wire coat hangers by David Mach, this stunning sculpture greets visitors at the entrance to the exhibition.

Power of Making V&A 2011-Peter Butcher embroidered implant
Embroidered surgical implant: this snowflake shaped machine embroidery by Peter Butcher at Ellis Developments is designed to lie just under the skin, providing the surgeon with attachment points for replacing lost tissue.

Power of Making V&A 2011-Mirlande Constant
Beaded Haitian Vodou Flag: having learnt the skills from her mother Mirlande Constant quit her job in a wedding dress factory to make traditional flags.

Power of Making V&A 2011-Kane Kwei lion coffin
Carved wooden lion coffin: the family workshop of Kane Kwei in Ghana has been making sculpted coffins since the 1950s. Designed to reflect an individual’s job and aspirations traditional imagery often merges with contemporary culture: you can now be buried in a car or a branded trainer.

Power of Making V&A 2011-maker bot
The MakerBot: first discovered at a recent Future Human event, this is a small 3D printer designed for home use that extrudes lengths of plastic to create 3D objects.

Power of Making V&A 2011-kideville
Kideville 3D printed game: Also in the realm of new technology, the Kide 3D package uses advanced tools to create a game that simultaneously teaches children rapid-prototyping skills. Over the course of Power of Making children will make their own buildings to complete the 3D printed city.

Power of Making V&A 2011-Thorunn Arnadottir QR CODE
QR code beaded clothing: first discovered at this years graduate Royal College of Art exhibition, Thorunn Arnadottir mixes high technology and art in his Swarovski crystal beaded garments, which can be read by a smartphone.

Power of Making V&A 2011-David Kaleta
Lego frog dissection: David Kaleta’s frog is very accurate, despite its unusual material construction.

Power of Making V&A 2011-Kathyrn Hinton
Digitally hammered silver bowls: Kathyrn Hinton’s beautiful bowls are created at a distance that technology affords: a hammer hits a pad and the force of each blow on metal is recorded onscreen.

Power of Making V&A 2011-Jacquy Pfeiffer
Sugar sculpture: Corn syrup, sugar, water and lemon juice were boiled in exact proportions to create a glass-like substance that pastry chef Jacquy Pfeiffer manipulated into a dramatic sculpture (just out of shot, a tiger’s head).

Power of Making V&A 2011-Manel Torres
Spray on dress: Manel Torres developed Fabrican whilst studying fashion at the Royal College of Art and has since moved to Imperial College to work with materials scientists. New applications that are being considered include upholstery, bandages, and even spray on nappies.

Power of Making V&A 2011-Heleen Klopper
Moth hole mender: I don’t quite understand how this works but I want to use this now!!! Heleen Klopper developed Woolfiller to mend much loved old clothes – the fibre is placed over the hole and grabs onto the surrounding wool.

Power of Making V&A 2011-Michelle Wibowo
Marzipan and sugar baby: in an amazing burst of cake based creativity this hyperrealistic infant was made by Michelle Wibowo from edible ingredients.

There were many other intriguing objects to discover at this exhibition, many with extremely clever applications that take them beyond the realm of mere aesthetic frippery. The Power of Making is a fabulous testament to thoughtful creativity and will no doubt encourage many people to learn a new skill. I dare you not to be inspired! For more information and recommended events see my listing.

Written by Amelia Gregory on Tuesday September 6th, 2011 12:48 pm

Categories ,3D Printing, ,Beaded Haitian Vodou Flag, ,Beading, ,Carved wooden lion coffin, ,Coffin, ,craft, ,Crafts Council, ,Daniel Charny, ,David Kaleta, ,David Mach, ,Digitally hammered silver bowls, ,Elaine Colbert, ,Ellies Babies, ,Ellis Developments, ,Embroidered surgical implant, ,Fabrican, ,Future Human, ,ghana, ,Heleen Klopper, ,Imperial College, ,Jacquy Pfeiffer, ,Kane Kwei, ,Kathyrn Hinton, ,Kide 3D, ,Kideville 3D printed game, ,King Silver Gorilla, ,Lego, ,Lego frog dissection, ,Maker Bot, ,MakerBot, ,Manel Torres, ,Marzipan and sugar baby, ,Michelle Wibowo, ,Mirlande Constant, ,Moth hole mender, ,Peter Butcher, ,Power of Making, ,QR code, ,rapid-prototyping, ,Robots, ,Royal College of Art, ,science, ,Smartphone, ,Spray on dress, ,Sugar sculpture, ,Sugarcraft, ,Swarovski, ,Technology, ,The Porter Gallery, ,Thorunn Arnadottir, ,va, ,Wooden, ,wool, ,Woolfiller

Similar Posts:





Amelia’s Magazine | Royal Academy of Arts: Summer Exhibition

by

Thumbnail Kendal Calling

For a festival that is just five years old, rx Kendal Calling has already amassed a kudos rating that belies its youth; (Annie Nightingale remarked simply, “It’s how festivals should be”). Savvy enough to realise that it is all about keeping the punter happy; the organisers of Kendal have gone above and beyond the call of duty to provide an enjoyable and hassle free weekend for all attending 2010′s festivities. In a few aspects, they got lucky. Take the setting for example; situated in Lowther Deer Park inside the Lake District in Cumbria, Kendal gets to take advantage of the stunningly breathtaking and unspoilt location; nestled between the dramatic landscape of craggy mountains, Lowther Deer Park makes up 1,000 acres of lush greenery. But with everything else, Kendal has worked hard on its own volition to provide a sound weekend.

The eclectic and diverse line-up will mix up bigger acts such as Doves, The Coral, Calvin Harris and The Futureheads with indie darlings Wild Beasts (whom several of our contributors have professed undying love to recently), OKGo and Erland & the Carnival, while the Calling Out Stage – dedicated to cherry picking the most exciting new music – and the Kaylied Stage (featuring a blend of local and folk music) has the kind of line-up that makes our mouths water. Like some kind of Tom Robinson/BBC Radio 6 airplay fantasy, the buzz around First Aid Kit, The Parlotones, Goldheart Assembly, Good Shoes, These New Puritans and Kirsty Almeida will mean that anyone catching their sets will be a good six months ahead of the curve (which you all are anyway; but extra brownie points can never go amiss)

There are now only a few hundred tickets left for Kendal Calling. Tickets can be found on their website, along with details on additional Thursday night entertainment and camping.

Barry Flanagan’s Nijinski Hare, buy information pills illustrated by Naomi Law

I recently stepped out of London’s unusually baking sun to enjoy an afternoon visit to the Royal Academy Summer Exhibition. On reaching the courtyard, medical the whole place seemed to be in high spirits with Barry Flanagan’s bronze hares prancing around and the ordinarily stern permanent statue sporting a floral sash.


Photograph by Naomi Law

During the largest open exhibition in the UK, viagra the labyrinthine rooms of Burlington House play host to a swarm of artists, from the unknown to the infamous, waiting to surprise visitors around every corner. Everyone is welcome to submit work to the exhibition each year, resulting in a diverse collection ranging from painting to architecture, and sculpture to film. The majority of the works on display are for sale, and although the prices predictably reach the astronomical, there are several pieces accessible to those with more modest purse strings if you take a closer look.

This year’s theme is Raw, which according to David Chipperfield, co-ordinator of the architecture room, signifies ‘vitality, risk taking and a necessary sense of adventure.’ Stephen Chambers, the main co-ordinator of this year’s show, states that raw art is ‘fresh, new, visceral and affirmative. Some of it is fairly scary too’.

Perhaps one of the most talked about pieces in the show is David Mach’s Silver Streak, a ferocious larger-than-life gorilla made entirely from wire coat hangers. These are surprisingly effective in creating a sense of weight and movement – he’s an imposing figure!


David Mach’s Silver Streak, illustrated by Paul Shinn

Mach appears again just behind the gorilla with Babel Towers, a huge and complex collage of an outlandish seaside town with the mountainous ‘tower’ ascending into the clouds.

On entering many of the rooms, your eye is dutifully drawn to plenty of bold and large-scale works. Somehow the flamboyance of these pieces drew my attention to the smaller or less immediately-noticeable pieces, and this is what I have largely chosen to focus on.

My childhood fascination with anything miniature (and consequent hours spent creating minute little things from Fimo) was happily indulged by the collection of architects’ models and drawings in the Lecture Room.

Visitors are treated to views of buildings in their ‘raw’ forms, as seen through the eyes of the architect. The methods of construction and presentation of these models is as fascinating as the designs themselves.

It will come as no surprise that I spent the longest time in the Small Weston Room, which is filled with over two hundred smaller paintings, some no larger than a postcard.

Several otherwise everyday scenes are beautified in oils: Francis Matthews’ The Coombe depicts a Dublin street corner whilst Josephine Greenman uses the familiar blue and white of a traditional dinner service to render miniscule domestic settings in Silence I & II.

Amazing craftsmanship can also be seen in Claire Moynihan’s Moth Balls, 2010; dozens of moths are intricately embroidered onto their own Alpaca wool felt ball.

In the Large Weston Room, David Borrington predicts the state of the high street in 2020 if a certain supermarket is allowed to continue its invasion of our neighbourhoods. Globull Internashll Tescgoows 2020 is a stark reminder of the need to find an alternative.


David Borrington’s Globull Internashll Tescgoows, courtesy of the artist’s website

Just around the corner Oran O’Reilly’s beautifully comic Rizla, after Hokusai shows the famous Great Wave surging from a pack of cigarette papers. Maybe not such an odd pairing considering the prevalence of Hokusai’s wave in poster form in student accommodation up and down the country (admittedly including my own not so long ago).

Also currently on display at the Royal Academy, and well worth seeing, is a collection of work by academicians who have passed away over the last year. I was particularly taken with Michael Kidner’s painstakingly drawn geometric forms in No Thing Nothing.

If you can’t make it to the Royal Academy, you can see work from A-level students selected for the online exhibition here.

All photographs courtesy of the Royal Academy, unless otherwise stated.

Written by Naomi Law on Monday July 5th, 2010 2:39 pm

Categories ,architecture, ,Babel Towers, ,Barry Flanagan, ,Bronze hares, ,Burlington House, ,Claire Moynihan, ,David Borrington, ,David Chipperfield, ,David Mach, ,Dublin, ,film, ,Fimo, ,Francis Matthews, ,Globull Internashll Tescgoows 2020, ,Great Wave, ,Josephine Greenman, ,Large Weston Room, ,Lecture Room, ,london, ,Michael Kidner, ,Moth Balls 2010, ,Naomi Law, ,No Thing Nothing, ,Oran O’Reilly, ,painting, ,Paul Shinn, ,Raw, ,Rizla after Hokusai, ,Royal Academy, ,sculpture, ,Silence I & II, ,Silver Streak, ,Small Weston Room, ,Stephen Chambers, ,Student Bedrooms, ,Summer Exhibition, ,The Coombe

Similar Posts:






Amelia’s Magazine | Royal Academy of Arts: Summer Exhibition

by

Thumbnail Kendal Calling

For a festival that is just five years old, rx Kendal Calling has already amassed a kudos rating that belies its youth; (Annie Nightingale remarked simply, “It’s how festivals should be”). Savvy enough to realise that it is all about keeping the punter happy; the organisers of Kendal have gone above and beyond the call of duty to provide an enjoyable and hassle free weekend for all attending 2010′s festivities. In a few aspects, they got lucky. Take the setting for example; situated in Lowther Deer Park inside the Lake District in Cumbria, Kendal gets to take advantage of the stunningly breathtaking and unspoilt location; nestled between the dramatic landscape of craggy mountains, Lowther Deer Park makes up 1,000 acres of lush greenery. But with everything else, Kendal has worked hard on its own volition to provide a sound weekend.

The eclectic and diverse line-up will mix up bigger acts such as Doves, The Coral, Calvin Harris and The Futureheads with indie darlings Wild Beasts (whom several of our contributors have professed undying love to recently), OKGo and Erland & the Carnival, while the Calling Out Stage – dedicated to cherry picking the most exciting new music – and the Kaylied Stage (featuring a blend of local and folk music) has the kind of line-up that makes our mouths water. Like some kind of Tom Robinson/BBC Radio 6 airplay fantasy, the buzz around First Aid Kit, The Parlotones, Goldheart Assembly, Good Shoes, These New Puritans and Kirsty Almeida will mean that anyone catching their sets will be a good six months ahead of the curve (which you all are anyway; but extra brownie points can never go amiss)

There are now only a few hundred tickets left for Kendal Calling. Tickets can be found on their website, along with details on additional Thursday night entertainment and camping.

Barry Flanagan’s Nijinski Hare, buy information pills illustrated by Naomi Law

I recently stepped out of London’s unusually baking sun to enjoy an afternoon visit to the Royal Academy Summer Exhibition. On reaching the courtyard, medical the whole place seemed to be in high spirits with Barry Flanagan’s bronze hares prancing around and the ordinarily stern permanent statue sporting a floral sash.


Photograph by Naomi Law

During the largest open exhibition in the UK, viagra the labyrinthine rooms of Burlington House play host to a swarm of artists, from the unknown to the infamous, waiting to surprise visitors around every corner. Everyone is welcome to submit work to the exhibition each year, resulting in a diverse collection ranging from painting to architecture, and sculpture to film. The majority of the works on display are for sale, and although the prices predictably reach the astronomical, there are several pieces accessible to those with more modest purse strings if you take a closer look.

This year’s theme is Raw, which according to David Chipperfield, co-ordinator of the architecture room, signifies ‘vitality, risk taking and a necessary sense of adventure.’ Stephen Chambers, the main co-ordinator of this year’s show, states that raw art is ‘fresh, new, visceral and affirmative. Some of it is fairly scary too’.

Perhaps one of the most talked about pieces in the show is David Mach’s Silver Streak, a ferocious larger-than-life gorilla made entirely from wire coat hangers. These are surprisingly effective in creating a sense of weight and movement – he’s an imposing figure!


David Mach’s Silver Streak, illustrated by Paul Shinn

Mach appears again just behind the gorilla with Babel Towers, a huge and complex collage of an outlandish seaside town with the mountainous ‘tower’ ascending into the clouds.

On entering many of the rooms, your eye is dutifully drawn to plenty of bold and large-scale works. Somehow the flamboyance of these pieces drew my attention to the smaller or less immediately-noticeable pieces, and this is what I have largely chosen to focus on.

My childhood fascination with anything miniature (and consequent hours spent creating minute little things from Fimo) was happily indulged by the collection of architects’ models and drawings in the Lecture Room.

Visitors are treated to views of buildings in their ‘raw’ forms, as seen through the eyes of the architect. The methods of construction and presentation of these models is as fascinating as the designs themselves.

It will come as no surprise that I spent the longest time in the Small Weston Room, which is filled with over two hundred smaller paintings, some no larger than a postcard.

Several otherwise everyday scenes are beautified in oils: Francis Matthews’ The Coombe depicts a Dublin street corner whilst Josephine Greenman uses the familiar blue and white of a traditional dinner service to render miniscule domestic settings in Silence I & II.

Amazing craftsmanship can also be seen in Claire Moynihan’s Moth Balls, 2010; dozens of moths are intricately embroidered onto their own Alpaca wool felt ball.

In the Large Weston Room, David Borrington predicts the state of the high street in 2020 if a certain supermarket is allowed to continue its invasion of our neighbourhoods. Globull Internashll Tescgoows 2020 is a stark reminder of the need to find an alternative.


David Borrington’s Globull Internashll Tescgoows, courtesy of the artist’s website

Just around the corner Oran O’Reilly’s beautifully comic Rizla, after Hokusai shows the famous Great Wave surging from a pack of cigarette papers. Maybe not such an odd pairing considering the prevalence of Hokusai’s wave in poster form in student accommodation up and down the country (admittedly including my own not so long ago).

Also currently on display at the Royal Academy, and well worth seeing, is a collection of work by academicians who have passed away over the last year. I was particularly taken with Michael Kidner’s painstakingly drawn geometric forms in No Thing Nothing.

If you can’t make it to the Royal Academy, you can see work from A-level students selected for the online exhibition here.

All photographs courtesy of the Royal Academy, unless otherwise stated.

Written by Naomi Law on Monday July 5th, 2010 2:39 pm

Categories ,architecture, ,Babel Towers, ,Barry Flanagan, ,Bronze hares, ,Burlington House, ,Claire Moynihan, ,David Borrington, ,David Chipperfield, ,David Mach, ,Dublin, ,film, ,Fimo, ,Francis Matthews, ,Globull Internashll Tescgoows 2020, ,Great Wave, ,Josephine Greenman, ,Large Weston Room, ,Lecture Room, ,london, ,Michael Kidner, ,Moth Balls 2010, ,Naomi Law, ,No Thing Nothing, ,Oran O’Reilly, ,painting, ,Paul Shinn, ,Raw, ,Rizla after Hokusai, ,Royal Academy, ,sculpture, ,Silence I & II, ,Silver Streak, ,Small Weston Room, ,Stephen Chambers, ,Student Bedrooms, ,Summer Exhibition, ,The Coombe

Similar Posts: