Amelia’s Magazine | Diamond Mine by Jon Hopkins and King Creosote. A review and interview with Jon Hopkins.

Jon Hopkins King Creosote cover
Diamond Mine was released in the UK a few months ago and came out in the US only recently, for sale so I hope that some of my readers will already have heard it for it is without doubt one of the most wonderful pieces of music I have heard in many years. And I don’t say that lightly. The album is a collaboration between Fife based folk singer songwriter King Creosote and Royal College of Music graduate Jon Hopkins, viagra approved who specialises in electronica.

Jon Hopkins and King Creosote by Gareth A Hopkins
Jon Hopkins and King Creosote by Gareth A Hopkins.

King Creosote is the driving force behind the fabulous Fence Records collective and runs HomeGame Festival in Fife, viagra buy a cult destination for many a muso. Jon Hopkins collaborates with the likes of Coldplay and Brian Eno. Together they really have made something exceptionally special, a sprawling re-imagining of King Creosote songs from across the years, bittersweet lyrics offset with a lushly atmospheric backdrop that includes the sounds of real life. I caught up with both Kenny ‘King Creosote’ Anderson and Jon Hopkins to find out how this unique partnership came about, and what the process of making Diamond Mine was like. First up here’s Jon:

When and where did you first hear King Creosote’s music? Did you fall in love immediately or was it a slow gradual thing?
A friend of mine kept putting Kenny And Beth’s Musakal Boat Rides on at parties and stuff. It took me a while to get into, it had such a different sound to the more polished things I was used to. It grew on me quickly but it was when I first heard his much harder-to-find album Psalm Clerk that I became a massive fan.

King Creosote and Jon Hopkins by Felice
King Creosote and Jon Hopkins by Felice Perkins.

This album was produced over a number of years… how has that process worked in reality? How many times have you managed to meet up, and are there any memorable moments from those meetings?
The album probably took about 6 or 7 weeks in total, but hugely spread out. We recorded most of the vocals in one go, then collected sounds from all over the place to build up the backdrops. We’re friends predominantly so we meet a fair few times a year, sometimes we record, sometimes we sit around talking nonsense and consuming fruit beers. 

You talk about the songs tapping into the “sweet sadness” of everyday life, and I think this is the first album in so long that has made me almost want to cry. Why do you think that Kenny’s voice is so evocative? And how have you done your best to encourage those emotions he defines so well?
For me it’s something in the accent, the phrasing, the lyrics, and the fact that there aren’t any singers that sound like him. On this record I wanted to kind of build these sonic worlds for that voice to live in, if you can forgive the pretentiousness of that sentence. The crucial thing was never to add any parts that would detract from the voice.

Jon Hopkins. Photo by Steve Gullick
Jon Hopkins. Photo by Steve Gullick.

Where does your female choir come from?
It is just one voice layered many times, that of Lisa Elle, who harmonises with Kenny throughout the record. I liked the idea of making her sound like a choir of sirens, in keeping with the whole seafaring thing – that is what the end section of John Taylor’s Month Away is supposed to be.

Some of the tracks feature a backdrop of normal daytime noises against which Kenny’s vocals are overlaid. Why did you decide to do this? And where were these recorded?
I liked the idea of dropping the listener into the reality of the world that these songs come from. All the field recordings are from the fishing villages in Fife around the place Kenny has spent his life. It’s a big part of the record, and is a technique I’ve been using on my own stuff for a while too.

Jon Hopkins and King Creosote by Lorna Scobie
Jon Hopkins and King Creosote by Lorna Scobie.

What was the best part of visiting Kenny in Fife?
I’ve been visiting that part of the world regularly for 7 years now; Kenny and his friends organise an incredible music festival there every year, which attracts some amazing artists. Too many amazing memories to list, plus most are unprintable.

Will you and Kenny be working again, and if so what have you got planned?
We have been thinking about a follow-up, yes. No definite ideas or plans yet though. This is not a project we tend to move quickly on.

Listen to a taster of the album here:

Next up, my interview with the equally fabulous King Creosote

Categories ,album, ,brian eno, ,Coldplay, ,Diamond Mine, ,electronica, ,Felice Perkins, ,Fence Records, ,festival, ,Fife, ,folk, ,Gareth A Hopkins, ,HomeGame, ,interview, ,Jon Hopkins, ,Kenny And Beth’s Musakal Boat Rides, ,Kenny Anderson, ,King Creosote, ,Lorna Scobie, ,Psalm Clerk, ,review, ,Royal College of Music, ,scotland, ,Sirens, ,Steve Gullick

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Amelia’s Magazine | An interview with James Levy and review of Pray To Be Free by James Levy and the Blood Red Rose

James Levy by Natalia Nazimek (Nhtlee)
James Levy & Allison Pierce by Natalia Nazimek aka Nhtlee.

James Levy may need something of an introduction, but his cohort Allison Pierce has already risen to fame as one half of The Pierces (read my welcome back interview here). Not that James Levy hasn’t paid his dues… after touring extensively in the mid 2000s with his previous band Levy he almost kicked it all in before deciding to make one last ditch attempt with his music. Picking over an extensive songwriting back catalogue he chose the best tracks and enlisted Allison to duet with him. The result is a richly satisfying album of songs that reek of infidelity and betrayal: James Levy‘s throaty growl is perfectly complemented by Allison’s honeyed vocals on tunes which whisper of folk, old school romance, big band and country influences.

James Levy & The Blood Red Rose by James Grover
James Levy & The Blood Red Rose by James Grover.

Firstly, how did you two hook up?
I’ve known Allison for about 7 years or so, we were good friends at times, and at other times the currents blew us in different directions. I knew her from around, but ultimately she heard my music on myspace. We tried to sing together over the years, but it never seemed like the right moment until now.

James Levy & Allison Pierce
Why is Allison known as the Blood Red Rose? (it does refer to her right?)
Yes, it refers to her. I suppose the Blood Red Rose is the muse, the angel hovering above.

James Levy and the Blood Red Rose
How would you describe the style of music on Pray to be Free?
I would like to think that it has the swoony arrangements of great crooner records, but I hope it’s modern too. We all tried to keep the spirits of the gentle bedroom demos, and tried not to add melodies or sounds that weren’t intended from the beginning. The strings and horns are a big part of the songs.

James Levy & Allison Pierce by Elizabeth Hudson
James Levy & Allison Pierce by Elizabeth Hudson.

What inspired the lyrics?
Death, love, relationships, and the death of relationships.

What was it like to work with Guy Berryman of Coldplay fame?
Having Guy produce our album was a great experience. He knows what he wants and how to get it, and truly does it for the love of it. He’s a kind soul and a good friend.

James Levy and the Blood Red Rose By Abi Stevens
James Levy and the Blood Red Rose by Abi Stevens.

You’ve been on the alternative gig circuit for some time, what have you learnt over the years?
Don’t try too hard. Nothing good can come from it. Though, maybe I didn’t try hard enough! Oh, and be nice to people.

YouTube Preview ImageSneak Into My Room

Any anecdotes you can tell us from your days touring with the Maccabees?
Orlando and I gave turns giving each other sponge baths each night, as Hugo read to us. (er, really?!) That’s all I’ve got.

James Levy Allison Pierce
What next for James, and will you be collaborating with Allison again?
It seems to be in the cards, but I try not to think about it too much. Maybe a record on my own, maybe with Allison. There are always lots of ideas spinning, but one can’t control the wind 

James Levy Allison Pierce
Pray To Be Free by JAMES LEVY & THE BLOOD RED ROSE featuring Allison Pierce is released on Heavenly Recordings on February 6th 2012.

Categories ,Abi Stevens, ,album, ,Allison Pierce, ,Coldplay, ,Elizabeth Hudson, ,Guy Berryman, ,Heavenly Recordings, ,interview, ,James Grover, ,James Levy, ,James Levy and the Blood Red Rose, ,LEVY, ,Natalia Nazimek, ,Nhtlee, ,Pray To Be Free, ,review, ,Sneak Into My Room, ,The Maccabees, ,The PIerces

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Amelia’s Magazine | The High Wire – The Sleep Tape – Album Review

high wire sleep tape feedback dreamy album review cover

Is it really such a curse to receive the praise of Chris Martin? Does supporting one of the world’s biggest bands on an arena tour constitute something to be embarrassed about? Is success off the back of somebody else’s recommendation, visit this especially when that person is about as cool as blue rinse, clinic to be played down or avoided? If you answer in the affirmative to any of these questions then chances are you’re part of that group who chose to emphasise this part of the High Wire‘s back story over more trivial things like, say, their music. I will not be doing that, because it’s asinine; anyone who thinks that success this way should only be talked about as being of questionable worth is, as far as can be determined, an ass.

What we have here in The Sleep Tape, the band’s debut album, is an assured group of songs that melds droopy acoustic harmonies with a milder form of feedback than found with bands like My Bloody Valentine (but we’re talking *really* mild here – this stuff won’t ever cause anyone to aurally hallucinate). This is not really shoegaze as I’m used to it, though it’s a record that dreams like Slowdive, or hazy-pop group Galaxie 500, or even like psych-rockers Mercury Rev in places – it’s not cruel of me, whatsoever, to say that it’s called a ‘sleep tape’ for a reason.

This is narcolepsy, this is fatigue, this is a yawn and a stretch. It is deliberately designed to be so very sleepy. It is not boring, because those things aren’t synonymous with boredom. They are synonymous with, of any single word, ‘contentment’. This record feels very content. If this summer turns out to be a hot one (and I damn well hope that it is) then I want to spend at least one night falling asleep on a beach with these songs wrapped around me.

Their opening gambit, ‘The Midnight Bell’, is a slow 4/4 drumbeat accompanied by chimes, harmonies borrowed from the Byrds and what sounds like an acoustic guitar plugged into a reverb pedal. This is the format for pretty much every song here, but it’s to the High Wire’s credit that this doesn’t tire or bore, mostly because every few songs there’s something of a change in the air and along comes a thumping tune like ‘Odds & Evens’ to break the spell. It’s the highlight track, that one, and it’s obvious why it was chosen as the lead single – whilst this is hardly radical music to terrify and alarm most listeners, it is still slightly odd by many usual standards, and ‘Odds & Evens’ is exactly the way to lure in the punters.

It’s the closest thing to rockin’ out on The Sleep Tape, but there are other highlights – like ‘It’s No Secret’, where the male/female vocal overlap really comes into its own. The refrain, “yesterday/yes, I was kissing somebody new/but my baby/I wish I was kissing you,” loops around a country-tinged ballad where it’s not sure who’s been wronged, or who wishes for a second chance. That gender ambiguity drives the dreaming, the sense of sleep – everything’s a whisper in the ear from someplace just out of sight.

As the ‘Bodyclocks’ comes around and ends the album with that same refracted nursery chime that opened it, I can safely surmise that, if the High Wire have gone from three friends to this within two years, then their next record must be eagerly anticipated. It’s just so accomplished, so pretty! I commend Chris Martin, and I recommend listening to this woozy summer package, but please – pay attention. It’s worth not falling asleep listening to this.

Categories ,album, ,album review, ,Coldplay, ,debut, ,Dream-pop, ,dreamy, ,feedback, ,high wire, ,ian steadman, ,indie my bloody valentine, ,london, ,sleep tape, ,The High Wire, ,the sleep tape

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Amelia’s Magazine | Icelandic Music Artist, Eliza Newman: Interview

Eliza Newman by Jenny Lloyd
Eliza Newman by Jenny Lloyd

Eyjafjallajokull. How did you say that it your head? The impressive word refers to the glacier on top of the volcanic mountain (remember the ash cloud?) in Iceland. Understanding the perils of uninformed pronunciation, order visit this Icelandic native Eliza Newman, viagra approved wrote a little song on how to actually pronounce the word. It featured on the Al Jazeera News channel and has since become one of Al Jazeera’s most popular news pieces ever.

Ta daa:

But there is far more to Eliza (Geirsdóttir) Newman than chuckling at our pronunciation shortcomings. She plays violin, ukelele and piano, and is also a trained opera singer. Her song; ‘Ukelele Song for You’ was one of the most popular in Iceland in 2009. The tune is about ‘attracting trouble’, ‘broken promises’ and forgiveness. With ukelele strumming and high pitched notes, it’s lighthearted in its sound, contrasting with the seriousness of the topic. This is refreshing and conjures up thoughts for me, of Blue Valentine, and the heartbreak within the love and jovial moments. The uke can be (in a touching folky way) deep! It’s a pleasure to listen to:

Previously Eliza was the lead singer of girl group, Bellatrix and the rock band, Skandinavia. Through Bellatrix, Eliza and Co. released four albums on Björk’s Bad Taste label, signing to Fierce Panda for their fourth album release. They also headlined the Carling Stage at the Reading Festival and co-headlined a tour with Coldplay. These days Eliza is a solo artist and promotes Icelandic female artists by being part of the Trubatrix movement, which encourages gigs and album releases around Iceland.

Eliza-Newman-by-Mina-Bach

Illustration by Mina Bach

Eliza’s second album, Pie In The Sky, is out on April 4, on Lavaland Records . Watch out for my review. For now here’s a little interview with Eliza:

Could you describe your music? Its beyond words, like touching heaven with your inner ear! Or just a kind of quirky pop style sweet on top but dark underneath muhahaha!….

Do you write your own music? Yes I write all my stuff and have always done , that’s the only way to go.

What is your inspiration?
Cats.

How do you feel about having one of the most popular songs in Iceland, ‘Ukulele Song For You’?
It feels great , very unexpected and a pleasant surprise. Icelandic people have good taste in music!

You play many instruments and are a trained opera singer, when did you start playing music and singing? 
I started playing the violin at seven and studied that until I was 15 then I started a band and didn’t feel like practising violin any more. I started singing the day I started my first band. Never sung a note before then! Later I went on to study opera and I learned the piano, guitar and ukulele on the way.

Eliza Newman 1 Chloe Cook
Illustration by Chloe Cook

What’s you favourite instrument, musical style?
My favourite musical instrument is the harpsichord and the hurdy-gurdy, I really would like to get my hands on those two instruments to play! My favourite musical style is kind of pop rock indie opera classical hip hop and easy listening : )

Could you tell us about your former band, Bellatrix?
Bellatrix was my first band, we were an all girl band and started quite young, got signed and released five albums both in Iceland on Björk‘s Bad Taste Label and later with Fierce Panda in the UK. The music developed from a punk rock sound to electro pop and we did loads of cool stuff like tour the world, headline Reading and do a tour with Coldplay. Fun and games!

Eliza Newman by Avril kelly
Illustration by Avril Kelly

What were the highlights of being in the band?
Headlining the Carling stage at Reading and Leeds Festival and travelling the world.

What about Skandinavia?
Skandinavia was my venture into heavy rock! Loads of fun. I was studying opera at the time in London and wanted to do some epic rock music inspired by opera. We recorded an album and did a UK tour and it satisfied my longing to do a heavy rock album, so that box is ticked now!

How does being a solo artist differ from being in a band?
It’s very different because as a solo artist you have to take all the responsibility which is both good and bad. You have no one to blame but yourself haha! You get more freedom to do your own thing as a solo artist but in a band you get more feedback and have to compromise sometimes, both things have their advantages. Having said that, I am very much a band person and enjoy working with others, so I would not rule out joining another band at some point.

Eliza Newman 2 Chloe Cook
Illustration by Chloe Cook

And how is your own music different?
My music is more relaxed then the band stuff I did, I have calmed down quite a bit!

How is the new album in comparison to your last album, Empire Fall (Series 8 Records)?
The new album is more hopeful and has a lighter tone to it with ukuleles, synths and various fun instruments mixing it up. Empire fall was more minimalist and had a darker undertone.

eliz 2

Where do you want to go now in your career?
I would like to go to Japan and play, also keep writing and finding new interesting ways of expressing myself through music, yeah and learn the hurdy-gurdy!

END. Thank you so much Eliza. Helen x

Categories ,al-jazeera, ,album, ,Avril Kelly, ,Bad Taste Records, ,Bellatrix, ,bjork, ,Blue Valentine, ,Carling Stage, ,Chloe Cook, ,Coldplay, ,Eliza (Geirsdóttir) Newman, ,Eliza Newman, ,Fierce Panda, ,folk, ,Helen Martin, ,iceland, ,interview, ,Jenny Lloyd, ,Lavaland Records, ,Leeds Festival, ,london, ,Mina Bach., ,music, ,pop, ,Reading Festival, ,Series 8 Records, ,ukelele

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Amelia’s Magazine | The High Wire : An Interview

emmahamshare instudio2All images throughout courtesy of Emma Hamshare

Emma Hamshare is a designer and textile artist who graduated from London College of Fashion with a first and a scholarship to create her debut collection. After winning a place on the Creative Crafts programme at Cockpit Arts in Deptford she has begun to set up her label äelska from her studio space.

aelska shirt emma hamshareImage styled by Lorraine Bailey

Her inspiration, decease pills she explains, purchase comes from phonetic units such as text or musical notation. “I spent a lot of time in libraries researching my graduate collection, remedy and developed an interest in the theory of how we read words, and the interconnecting nature of all these symbols to form words or music.”

emmahamshareneck-lace

The resulting graduate collection was a mix of simultaneously delicate and strong lace collars, trousers and dresses. Emma explains she was interested in trying to manipulate a delicate material like lace to behave in a stiff nature. To achieve this strong yet fragile effect Emma uses lost of interfacing to create a thick, durable material. She then uses laser cutting technology to create the intricate lace like patterns. During this process the edges of the fabric become slightly singed with the heat, which adds a lovely, antique effect to the lace.

Lasercut dress Emma Hamshare

Her biggest selling items are the collars. “One woman came in and gasped, she said it reminded her of her childhood school collar.” Resembling Victorian items of this nature, the collars make a perfect addition to a plain top and come in either a rounded or pointed variety.

Emma hamshare toile

However the pièce de résistance is a pair of spectacularly huge trousers. These trousers were inspired by Emma’s research into perspective drawings, and the Bauhaus dances, in which the dancers wore large geometrically shaped costumes and as they twirl they resemble wooden tops spinning.

emma hamshare neck lace

Emma also designs T shirts complete with a black pointed collar printed onto the neck. She explains that she wanted to stick with the motif of the collar to gauge whether people would respond well to her aesthetic. “My mind works on a very grand scale, and my plans are huge” Emma admits, “so I have to be disciplined and start small.” However she is keen to experiment on a much larger scale in the future, and would like to move into public artwork. “I love the idea of the juxtaposition of minute and huge, minute intricate lace but in a huge sculpture.”

Emma’s collection of abstract yet pretty pieces strike a harmonious note, and a breath of fresh air in an industry saturated with middle of the road, safe clothing. I would wager äelska is a name to watch out for in 2010.
hw1

The Guardian and The Sunday Times have both given them glowing reports and that one from Coldplay that’s quite famous is a fan. I’m not sure how to continue this introduction… since all I have in my head is “avoid the words shoegazery/dreamy/mellow” because I don’t want to anger The High Wire lot…”Ecstasy Pop” is something I have read, visit this site let’s go with that? I met Tim, here Stuart and Alexia. I’ll just let them introduce themselves…

L: Me first? I love how convenient the ladies first thing is! When it serves the right purpose! My name is Alexia, but everybody calls me Lex, so it’s always funny seeing my full name in articles. And I am from Vancouver Island, an Island an hour and a half west of Vancouver and its full of surfers and hippies and pot smokers.
S: My name is Stuart, I play guitar in The High Wire and sing… I can’t think of a fun fact….
T: Do we have fun facts?
L: We are a fun band!! Come on guys!

What was your first pet called?!
S: It was Cindy
L: Cindy with an “I” or a “Y”
S: Cindy with a “Y”, With that you can do your porn name can’t you..
L: What is your porn name?!

You take your first pets name and your mums maiden name…
S: Cindy Bound. I’d be blonde and busty and… stuff.
T: Im Tim and my porn name is Goldie Weaver!

How long have you guys been together?
L: February, Valentines day, 2008, so a year and a half.
T: Before that there was a brief bit where I was on my own and then Stu joined, We also have a drummer and a bassist who play with us. But for a while it was just the three of us, kind of acoustic.

hw

How did you come together? You have been across here a while Lexi?
L: I have been here for 5 years, So I have been here a little while now. How we met was pretty random…
T: So, I met Stu through the guy who was producing the first album we did. And Lex we met because she was in another band who knew and we went to see and we kinda…

Stole her?! That atrocious!
S: It’s the best way to get band members!
L: It’s like auditioning without knowing it!

So, you guys have provided support for Coldplay, is that correct?
All: Yeah

Is that something that you get annoyed about being asked about?
S: No, not at all!
L: It was an amazing experience!
T: A guy called Richard who helped mix an earlier single of ours and actually helped us finish of the album, he does work with Coldplay aswell and he heard a bit of us and the connection was there they said “We think you should do some dates with us”

That must have been scary…
T: We said no at first because we thought it would be too scary, but they came back and said “We don’t think that you are going to be doing anything more interesting”
L: We agreed!
T: So we caved!
L: Dam, I missed that pub quiz on Tuesday!
T: It became less scary than the normal gig, you can’t see anyone, and it was exciting!
S: It was far easier than any smaller show, – you’re almost in a bubble that you get moved around and plonked on a massive stage
T: And its black in front of you and you don’t see anything…
L: The only time I ever realised just the immensity of it- was when, you get on stage and you can see a face- and your standing up there and suddenly you see a flash of a camera that seems to be coming from 5 miles away, then you think “OK… this seems a bit big”
S: When we were doing our sound check at the 02, Tim and I walked up to the the back of the venue, looking down…
T: Yeah, sound checks are more nerve wracking than the gig because you can see how big it actually is!
S: Once you get on stage and start playing the songs apart from the exit signs and a few rows you can see anything.
T: Also I think that our egos needed that sort of space.

hw2

Did you do the whole of the UK?
T: We did half the UK tour, up in Manchester and across in Ireland.

Where were the best crowds?
All: Dublin
T: Everyone was really up for it and got into our set.
S: It was quite lucky, all the dates were pushed back until the date before Christmas Eve, So the whole Irish spirit with Christmas was great fun, It was really good to be over there and playing these shows.

What’s the dream destination for your music to take you?
T: Well, we have been over to New York for CMJ last year and it was so cool, we didn’t realise that people had heard of us over there and we turned up and we were playing to a packed venue and the whole reaction over there seemed so good- kinda desperate to get back, it feels like they aren’t so cynical compared to London as well – I think it’s the same if you’re a New York band and you come over here, we get really excited if a NY band comes over here…
L: Makes it seem exotic!

Your sound is pretty chilled laid back, but I want to know what annoys you guys…
T: Now, that annoys me!
S: Being called “mellow”!
T: We try to make it heavy on record, and there are some songs on the album, that for some reason we will turn everything up, it never comes across heavy – We are a lot heavier live!
S: I think that if people hear something and if its got lots of echo on it or stuff, you kinda immediately think of it being a chilled out record, a quiet, or a slower record , where as if you listen to The Libertines –it sounds like its live, its quite an intimate, brash, harsh record..
T: I think Lex makes it sounds mellower!
L: Yeah, Blame it on me!

The new album is called “The Sleep Tape”
S: Yeah, its out in March. We finished it a long time ago!
T: We finished it in the summer, and we have been going over the track listing.

But its all set now, Everybody pleased?
All: Yeah.
S: There there were more songs in that period of recording than obviously can go on the album, we tried to ram all these songs on the album, but we couldn’t do it. Its difficult that when you are in the middle of recording it is so personal to you, you have this big opinion about it and the further away it goes and the more people hear it you loose attachment to it and becomes something else and you cant really have a personal attachment to it
T: In a way, it’s like if you are dropping that song it feels like what it is about or if its about a person, it is like your dissing it. That became a difficult thing- trying to edit ourselves.

hw3

So what should we expect from “The Sleep Tape”…
T: Really heavy!!
S: Not mellow!
T: I think because of the last record and this last single we do often get this shoegazing lable which we are not gonna argue against but we think that wen people hear the whole record there are a lot of different styles and it is really varied.

Are you guys goin to tour to support it?
T: Yeah, We are planning it now, but we don’t have any details yet.

So whats in store for Christmas?
L: I’m flying back home to Vancouver Island, which I’m excited about! For a couple of weeks. So just relaxing. Reading loads of books, drinking wine…
S: Will it be snowing?
L: You think that because its Canada, but we rarely get snow on Vancouver Island, just rain. Lots of it. Kinda like here!
T: Mine is just going to sound really boring. I’ll be in London. I might go out to the country for a day. Not quite the other side of the world
S: Pretty much the same. Go back to the folks. Hang out there, and when I get there wanna come back again. I didn’t say that..
L: Your mums gonna read this!
S: You know, its like when we came off tour last year, and we went direct into Christmas, We had been quite busy and just really wanted to have a rest and the day after you just want to be out on tour again!
T: You’ll be 2 days out of London and after dreaming of getting out your like “Gotta get back, Gotta get back!”.

So until they get back to touring in the new year with “The Sleep Tape”, the first single from the album “Odds and Evens” available now!

Categories ,album, ,CMJ, ,Coldplay, ,live, ,london, ,music, ,new york, ,The High Wire, ,The Libertines

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Amelia’s Magazine | Icelandic Music Artist, Eliza Newman: Interview

Eliza Newman by Jenny Lloyd
Eliza Newman by Jenny Lloyd

Eyjafjallajokull. How did you say that it your head? The impressive word refers to the glacier on top of the volcanic mountain (remember the ash cloud?) in Iceland. Understanding the perils of uninformed pronunciation, order visit this Icelandic native Eliza Newman, viagra approved wrote a little song on how to actually pronounce the word. It featured on the Al Jazeera News channel and has since become one of Al Jazeera’s most popular news pieces ever.

Ta daa:

But there is far more to Eliza (Geirsdóttir) Newman than chuckling at our pronunciation shortcomings. She plays violin, ukelele and piano, and is also a trained opera singer. Her song; ‘Ukelele Song for You’ was one of the most popular in Iceland in 2009. The tune is about ‘attracting trouble’, ‘broken promises’ and forgiveness. With ukelele strumming and high pitched notes, it’s lighthearted in its sound, contrasting with the seriousness of the topic. This is refreshing and conjures up thoughts for me, of Blue Valentine, and the heartbreak within the love and jovial moments. The uke can be (in a touching folky way) deep! It’s a pleasure to listen to:

Previously Eliza was the lead singer of girl group, Bellatrix and the rock band, Skandinavia. Through Bellatrix, Eliza and Co. released four albums on Björk’s Bad Taste label, signing to Fierce Panda for their fourth album release. They also headlined the Carling Stage at the Reading Festival and co-headlined a tour with Coldplay. These days Eliza is a solo artist and promotes Icelandic female artists by being part of the Trubatrix movement, which encourages gigs and album releases around Iceland.

Eliza-Newman-by-Mina-Bach

Illustration by Mina Bach

Eliza’s second album, Pie In The Sky, is out on April 4, on Lavaland Records . Watch out for my review. For now here’s a little interview with Eliza:

Could you describe your music? Its beyond words, like touching heaven with your inner ear! Or just a kind of quirky pop style sweet on top but dark underneath muhahaha!….

Do you write your own music? Yes I write all my stuff and have always done , that’s the only way to go.

What is your inspiration?
Cats.

How do you feel about having one of the most popular songs in Iceland, ‘Ukulele Song For You’?
It feels great , very unexpected and a pleasant surprise. Icelandic people have good taste in music!

You play many instruments and are a trained opera singer, when did you start playing music and singing? 
I started playing the violin at seven and studied that until I was 15 then I started a band and didn’t feel like practising violin any more. I started singing the day I started my first band. Never sung a note before then! Later I went on to study opera and I learned the piano, guitar and ukulele on the way.

Eliza Newman 1 Chloe Cook
Illustration by Chloe Cook

What’s you favourite instrument, musical style?
My favourite musical instrument is the harpsichord and the hurdy-gurdy, I really would like to get my hands on those two instruments to play! My favourite musical style is kind of pop rock indie opera classical hip hop and easy listening : )

Could you tell us about your former band, Bellatrix?
Bellatrix was my first band, we were an all girl band and started quite young, got signed and released five albums both in Iceland on Björk‘s Bad Taste Label and later with Fierce Panda in the UK. The music developed from a punk rock sound to electro pop and we did loads of cool stuff like tour the world, headline Reading and do a tour with Coldplay. Fun and games!

Eliza Newman by Avril kelly
Illustration by Avril Kelly

What were the highlights of being in the band?
Headlining the Carling stage at Reading and Leeds Festival and travelling the world.

What about Skandinavia?
Skandinavia was my venture into heavy rock! Loads of fun. I was studying opera at the time in London and wanted to do some epic rock music inspired by opera. We recorded an album and did a UK tour and it satisfied my longing to do a heavy rock album, so that box is ticked now!

How does being a solo artist differ from being in a band?
It’s very different because as a solo artist you have to take all the responsibility which is both good and bad. You have no one to blame but yourself haha! You get more freedom to do your own thing as a solo artist but in a band you get more feedback and have to compromise sometimes, both things have their advantages. Having said that, I am very much a band person and enjoy working with others, so I would not rule out joining another band at some point.

Eliza Newman 2 Chloe Cook
Illustration by Chloe Cook

And how is your own music different?
My music is more relaxed then the band stuff I did, I have calmed down quite a bit!

How is the new album in comparison to your last album, Empire Fall (Series 8 Records)?
The new album is more hopeful and has a lighter tone to it with ukuleles, synths and various fun instruments mixing it up. Empire fall was more minimalist and had a darker undertone.

eliz 2

Where do you want to go now in your career?
I would like to go to Japan and play, also keep writing and finding new interesting ways of expressing myself through music, yeah and learn the hurdy-gurdy!

END. Thank you so much Eliza. Helen x

Categories ,al-jazeera, ,album, ,Avril Kelly, ,Bad Taste Records, ,Bellatrix, ,bjork, ,Blue Valentine, ,Carling Stage, ,Chloe Cook, ,Coldplay, ,Eliza (Geirsdóttir) Newman, ,Eliza Newman, ,Fierce Panda, ,folk, ,Helen Martin, ,iceland, ,interview, ,Jenny Lloyd, ,Lavaland Records, ,Leeds Festival, ,london, ,Mina Bach., ,music, ,pop, ,Reading Festival, ,Series 8 Records, ,ukelele

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Amelia’s Magazine | Album Review – The Travelling Band: Screaming Is Something

The Travelling Band album front cover

The brand new album from The Travelling Band features all the trademarks of a good folk pop album, site including introspective lyrics, fantastic harmonies and, as no self-respecting nu-folk band would be without, banjos a-plenty.

Natasha-Thompson-Travelling-Band
The Travelling Band by Natasha Thompson.

The Travelling Band hail from Manchester, so the group are joining the ranks of some pretty impressive acts including Oasis, Elbow and Doves – although they much more closely resemble the latter two of that particular group. The first single from the record, Fairweather Friends could well have been inspired by their fellow Mancunians, the layering of instruments, shimmering guitars and affecting harmonies create a ‘big’ sound a la Elbow, perhaps even X&Y era Coldplay.

Screaming is Something by Sarah Douglas
Screaming is Something by Sarah Douglas.

You’re reminded of their heritage every now and then too, when a Manc accent sneaks in, such as on Horizon Me And You. This is a fantastic folk pop song and shows real promise in their ability to create a catchy tune and yet make it their own.

It’s Sundial that claims the prize for best track on the album though, and it’s a real highlight – anthemic but all the while remaining sweet, “If I had a home to call my own/ then I wouldn’t need a sun dial/ to stop me roaming around” – it’s calling out for a sunny afternoon at a music festival one day this summer, and it stayed on repeat for a long while before my housemates and neighbours tired of it. Just give it a listen and see how long you can go without humming the chorus.

YouTube Preview Image

Indeed the band are no strangers to music festivals and actually got their break by winning the Glastonbury Emerging Talent Competition in 2008 where they then performed – I for one, am sorry to have missed them. A homemade video shows the boys hanging out, enjoying the sunshine, and performing Horizon Me and You at The Park at Glastonbury last year. And what an idyllic scene, boys performing their pretty music in the pretty countryside, makes you proud to be British.

Fairweather Friends by Libby Grace Freshwater
Fairweather Friends by Libby Grace Freshwater.

Tracks Under the Pavement and Hindsight are perhaps a bit confused – the folksier sound definitely suits this band more than rocking out to guitars, but perhaps live this would actually work better. All-in-all this album passes in a hazy stream of sunny guitars and lilting harmonies, the slower songs are perhaps slightly less successful than the more upbeat tunes, which is where the band appear to really flourish, but if you’re looking for a soundtrack to kick off your summer then The Travelling Band’s new album Screaming Is Something could very well be the record you’re looking for.

Traveling_Band_by_Melissa_Dow
Traveling Band by Melissa Dow.

The album is released on the 30th May 2011 on Cooking Vinyl. The band kicked off a UK wide tour this summer with a gig last night at The Nest in London. Details of further dates can be found here.

Categories ,album review, ,Coldplay, ,Cooking Vinyl, ,doves, ,Elbow, ,Emerging Talent, ,folk, ,glastonbury, ,Indie, ,Libby Grace Freshwater, ,manchester, ,Melissa Dow, ,Natasha Thompson, ,Oasis, ,pop, ,Sarah Douglas, ,Screaming is Something, ,The Nest, ,The Travelling Band

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Amelia’s Magazine | Welsh singer Lydia Baylis introduces her new single Life Without You

Lydia Baylis by Daria Hlazatova
Lydia Baylis by Daria Hlazatova.

Having completed a history degree at Oxford University Welsh singer songwriter Lydia Baylis has made a major career change and is set to release her debut album inspired by the literature of the suitably high brow Bronte Sisters and Virginia Woolf. Here she describes the making of her new single Life Without You:

YouTube Preview Image
‘My new single Life Without You is from my debut album, A Darker Trace, which will be released in 2014. It is a song about coming to terms with the end of a relationship with the first person you fall in love with but overall it is a hopeful message about living a fuller life alone – even if at first it feels like you can’t. With the video I wanted the viewers to feel close, because it is a deeply personal song. Intruding, almost by watching someone crying in the bath – but then, as the song goes on, becoming more hopeful and joyous. We shot it in my Grandmother’s house, somewhere I have a lot of fond memories from. I felt very safe there, so it was easier than I had thought letting go and sharing the song… ‘

Lydia Baylis by Novemto Komo
Lydia Baylis by Novemto Komo.

Lydia Baylis by Antonia Parker
Lydia Baylis by Antonia Parker.

Lydia Baylis by Claire Kearns
Lydia Baylis by Claire Kearns.

Get your free download of Happy Man by Lydia Baylis here.

Categories ,A Darker Trace, ,Antonia Parker, ,Bronte Sisters, ,Claire Kearns, ,Daria Hlazatova, ,Happy Man, ,interview, ,Life Without You, ,Lydia Baylis, ,Novemto Komo, ,Oxford University, ,video, ,Virginia Woolf, ,Welsh

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Amelia’s Magazine | Album Review – The Travelling Band: Screaming Is Something

The Travelling Band album front cover

The brand new album from The Travelling Band features all the trademarks of a good folk pop album, including introspective lyrics, fantastic harmonies and, as no self-respecting nu-folk band would be without, banjos a-plenty.

Natasha-Thompson-Travelling-Band
The Travelling Band by Natasha Thompson.

The Travelling Band hail from Manchester, so the group are joining the ranks of some pretty impressive acts including Oasis, Elbow and Doves – although they much more closely resemble the latter two of that particular group. The first single from the record, Fairweather Friends could well have been inspired by their fellow Mancunians, the layering of instruments, shimmering guitars and affecting harmonies create a ‘big’ sound a la Elbow, perhaps even X&Y era Coldplay.

Screaming is Something by Sarah Douglas
Screaming is Something by Sarah Douglas.

You’re reminded of their heritage every now and then too, when a Manc accent sneaks in, such as on Horizon Me And You. This is a fantastic folk pop song and shows real promise in their ability to create a catchy tune and yet make it their own.

It’s Sundial that claims the prize for best track on the album though, and it’s a real highlight – anthemic but all the while remaining sweet, “If I had a home to call my own/ then I wouldn’t need a sun dial/ to stop me roaming around” – it’s calling out for a sunny afternoon at a music festival one day this summer, and it stayed on repeat for a long while before my housemates and neighbours tired of it. Just give it a listen and see how long you can go without humming the chorus.

YouTube Preview Image

Indeed the band are no strangers to music festivals and actually got their break by winning the Glastonbury Emerging Talent Competition in 2008 where they then performed – I for one, am sorry to have missed them. A homemade video shows the boys hanging out, enjoying the sunshine, and performing Horizon Me and You at The Park at Glastonbury last year. And what an idyllic scene, boys performing their pretty music in the pretty countryside, makes you proud to be British.

Fairweather Friends by Libby Grace Freshwater
Fairweather Friends by Libby Grace Freshwater.

Tracks Under the Pavement and Hindsight are perhaps a bit confused – the folksier sound definitely suits this band more than rocking out to guitars, but perhaps live this would actually work better. All-in-all this album passes in a hazy stream of sunny guitars and lilting harmonies, the slower songs are perhaps slightly less successful than the more upbeat tunes, which is where the band appear to really flourish, but if you’re looking for a soundtrack to kick off your summer then The Travelling Band’s new album Screaming Is Something could very well be the record you’re looking for.

Traveling_Band_by_Melissa_Dow
Traveling Band by Melissa Dow.

The album is released on the 30th May 2011 on Cooking Vinyl. The band kicked off a UK wide tour this summer with a gig last night at The Nest in London. Details of further dates can be found here.

Categories ,album review, ,Coldplay, ,Cooking Vinyl, ,doves, ,Elbow, ,Emerging Talent, ,folk, ,glastonbury, ,Indie, ,Libby Grace Freshwater, ,manchester, ,Melissa Dow, ,Natasha Thompson, ,Oasis, ,pop, ,Sarah Douglas, ,Screaming is Something, ,The Nest, ,The Travelling Band

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