Amelia’s Magazine | Space Beads: Ancient Egyptian Artefacts Made From An Iron Meteorite

Egyptian-Meteor-by-Kit-Wags
Space Beads by Kit Wags.

It’s been awhile since I last had the opportunity to attend a lecture, but last weekend I went to the Royal Observatory in Greenwich for a talk about Space Beads – the title alone being enough to tickle my fancy.

Sarah-Gillett-I-think-I-am-an-ominous-decoration-2014
Tapestry by Sarah Gillett.

egyptian-meteroite-jewelry-space beads
The space beads in question are ancient Egyptian beads dug up from the graves in Gerzeh in 1911, the same year that a large and notable meteorite fell to the earth in the same area of Egypt. The Gerzeh beads have long fascinated archaeologists and scientists as the are made of iron, yet date from the Pre-Dynastic period some 5,000 years ago, long before the earliest example of iron work in Egypt. It has recently been confirmed that these curious beads were made from thin sheets or iron taken from just such a meteorite.

Leonid Meteor Shower over Niagara Falls, 1833
Leonid Meteor Shower over Niagara Falls, 1833.

Meteorite shower engraving, 1848
Meteorite shower engraving, 1848.

Meteor_Crater_Near_Winslow_Arizona
The afternoon opened with a wonderful talk about meteorites given by Marek Kukula, public astronomer at the Royal Observatory. I was chuffed to discover that I was the only one in the room who has visited the giagantic Meteor Crater in Arizona, on a road trip with my parents in the 80s when I lived in the USA. Our visit was notable for our idiocy – we decided to walk the enormous rim in the midday sun, not a good idea in a desert. The most exciting thing I learnt from Marek was that on very rare occasions the tail of a comet will shed a glorious meteorite shower across the entire sky as it grazes the earth’s atmosphere, as happened in 1860, and have since discovered the wood cuts to prove it (great inspiration for my open brief, That Which We Do Not Understand) Apparently we can never know when this will happen again until the occasion is upon us. I am now hoping and praying to see such a wondrous sight in my lifetime! I can only imagine how other worldly it must have appeared to more ancient peoples.

Meteoriten 1838-Keller
egpytian_museum_cairo_Bat-goddess
Which brings me back to our Space Beads. Our next speaker was Alice Stevenson, who has a PhD in the study of the graveyard where the beads were found. She talked about what life was like during the Pre-dynastic era, and the possible meaning and use of the beads, which were obviously worn by someone of some repute. They were found alongside a depiction of the horned cow god Bat with stars above her head: pure speculation could lead us to believe that the beads themselves a very special representation of the heavens.

pallasite meteor
Glorieta-Pallasite Meteor
During a break we were invited to hold sections of different meteorites, some of them older than the planets themselves (gulp, how does one even process such information?) Some of these lumps of rock were exceptionally heavy – I particularly marvelled at the sample of Pallasite Meteor, which contains fragments of Olivine gems (otherwise known as Peridot).

Engraving of the Ochansk meteorite over Perm
Engraving of the Ochansk meteorite over Perm.

Diane Johnson experimental archaeology predynastic space beads
Diane Johnson’s experimental archaeology, making predynastic space beads.

Thirdly we were introduced to planetary scientist Diane Johnson of the Open University, who has combined her love of meteorites and Egypt in an intensive study of the beads. Experimental archaeology has led her to conclude that the beads were made using thin slices of iron that were banged out of the meteorite and then rolled into tubes, rather than forged in a furnace (which shatters the delicate meteorite structure). Her modern day space bead, worn on a simple cord, was beautiful and unusual.

Matthew Luck Galpin meteorite-space beads
Lastly artist Matthew Luck Galpin talked about the use of meteorites in his series of Anvilled Stars. He agreed with Diane that the process of banging them into flattened shapes was a highly therapeutic process that was as important as the final outcome, a highly tactile object reminiscent of an astrolabe, some of which are scattered without explanation around the observatory galleries.

Meteor over Shetland Isles
Meteor over Shetland Isles.

At the end of the chat we had a chance to visit the galleries to view some amazing examples of meteorite. It was great to hear an expert talk about treasures such as the Nakhla Meteorite, which is actually a piece of Mars. The space beads themselves are housed in the Petrie Museum, which I have never even heard of. This is an Egyptian museum attached to UCL, with a super interesting roster of events. I wonder when I can get away to my next lecture…

Categories ,#TWWDNU, ,1860, ,Alice Stevenson, ,Anvilled Stars, ,Arizona, ,Astrolabe, ,Bat, ,Diane Johnson, ,Egypt, ,egyptian, ,Experimental Archaeology, ,Gerzeh, ,Kit Wags, ,Lecture, ,Marek Kukula, ,Mars, ,Matthew Luck Galpin, ,Meteor Crater, ,Meterorites, ,Nakhla Meteorite, ,Ochansk meteorite, ,Olivine, ,Open University, ,Pallasite Meteor, ,Peridot, ,Petrie Museum, ,Pre-Dynastic, ,Royal Observatory, ,Sarah Gillett, ,Shooting Stars, ,Space Beads, ,That Which We Do Not Understand, ,UCL, ,Year of Meteors

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Amelia’s Magazine | Illustrator interview: Alice Stevenson creates artwork for Amy’s Mobile Kitchen

Amys Mobile Kitchen 1
During February 2016 the vegetarian and organic food experts of Amy’s Kitchen bring you Amy’s Mobile Kitchen – a vintage van that serves delicious Amy’s soups and chillis across London, Manchester and Glasgow, free to those who make a donation to local charitable organisations. The delicious & warming soups & chillis are accompanied by outstandingly good bread from local artisan bakeries.

Joining this project is artist Alice Stevenson, who has previously created illustrations for fashion designer Marc Jacobs. Alice has created a bespoke logo for Amy’s Mobile Kitchen as well as designing the bright illustrations that adorn the van, making it impossible to miss as it travels the UK streets. She is a London based illustrator, artist and writer whose creative output is informed by her observations of the world around her, using striking colour palettes, playful compositions and decorative forms to communicate ideas and narratives. Below, Alice Stevenson kindly tells us more about this lovely project.

Amy kitchen van
How were you commissioned to do the artwork?
Margaret (creative agency) found me through the power of Google and thought I’d be perfect for the project.

Amy's Mobile Kitchen person
What was the brief and how much artistic leeway were you given to do as you wished?
The brief was quite open: to create an intricate and playful pattern covering the van which featured Amy’s ingredients and worked around the Amy’s logo. I came up with some initial approaches and the version featuring “ingredients inside ingredients” were unanimously considered the most successful and visually engaging, so I developed this approach to fit around the structure of the truck. When developing ideas for the illustration for the Amy’s Kitchen Food Truck, I wanted to capture the joy of eating food created from organic vegetables and natural ingredients. As a keen cook and lover of organic food, this is a subject very close to my heart. I’ve always been inspired by the shapes and colours of vegetables and natural produce, So the illustration ended up being a playful celebration of this. I wanted to give the illustration an energy and a sense of movement and also explore the way the shapes of vegetables can combine to create something beautiful and decorative. By putting smaller ingredients inside larger ones, I encourage the viewer to really look into the imagery and engage with it.

Amy kitchen logo
How did you create the artwork?
Initially I create pencil sketches of compositions and ideas. When developing the illustration I scan black & white drawings of the shapes used in the image, I fill them to create block colour elements on photoshop and then arrange them on layers, this gives me the freedom to experiment with composition. Once the illustration had been approved I converted the different elements to vectors so that they could be printed on a large scale.

alice stevenson prawn_illustration
Pineapple and Prawn personal work

What is your favourite vegetable to eat (and why)?
I love vegetables so much, there isn’t a vegetable I won’t eat, so this is a near impossible question! I think one of the best vegetable experiences I’ve ever had was a side dish of purple sprouting broccoli, steamed with garlic and mustard in Jojo’s: a wonderful restaurant in Tankerton, Kent. The broccoli had the most complex and rich flavour. My boyfriend and I still reminisce about it years later. Nothing beats simply prepared, organic or home-grown veg for deliciousness.

Alice Stevenson LePan
Alice Stevenson, Le Pan magazine

What is your favourite vegetable to draw (and why)?
Halved red cabbage is extremely satisfying to draw due to it’s intricate texture and pattern, I’ve done some lovely watercolour and ink studies of those over the years. I think any vegetable cut in half is fun to draw as the interplay between its form and shape and then the seeds inside it are very rewarding to explore.

Alice stevenson i saw three ships
alice stevenson partridge_christmascard
Christmas card designs.

Make sure you track down Amy’s Mobile Kitchen if it passes your way! Keep track of the van’s location by following @amyskitchenuk on Twitter and following the hashtag #amysmobilekitchen. And look out for the elegantly painted sides of the truck, thanks to Alice Stevenson.

Categories ,#amysmobilekitchen, ,@amyskitchenuk, ,Alice Stevenson, ,Amy’s Kitchen, ,Amy’s Mobile Kitchen, ,Food, ,illustration, ,Marc Jacobs, ,Margaret, ,organic, ,vegetarian, ,Veggie

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