The ExtInked project dreamt up by the Ultimate Holding Company to mark Charles Darwin’s bicentennial birthday is no doubt one of the most unique and amazing projects I’ve heard about in a long time. Along with an exhibition illustrating 100 of the most endangered animals in the British Isles, viagra 40mgsick the event came to an astounding conclusion with the tattooing of 100 volunteers who then became ambassadors for their animal. So as the exhibition closed yesterday, pilule what is to become of the ambassadors, now back in their natural habitats?
A friend of mine was lucky to be involved in the project and here he shares his experiences with me.
So why did you take part in the ExtInked Project?
Since getting involved with UHC sometime last winter, I’ve been a part of a number of really interesting projects with them. ExtInked was something they have been talking about for a long time and the idea always really appealed to me. I think it’s a really great thing to be a part of, people have learned so much about which animals are endangered and hopefully will think about why that is, and what can be done about it. For me, I try to make a lot of environmental decisions in my life and feel extremely passionate about the use of animals and our finite natural resources for human gain.
Wildlife conservation and the environment are extremely important, in our relatively short time on this earth we have managed to destroy so much. Positive and big things are happening from the ground up. There is a fast growing environmental movement, but the important decisions need to be made from the top, which, unfortunately is not happening nearly enough.
It seems easier for leaders of governments and corporations to pretend they are doing something, rather than making an important change, that could make a really big difference.
Ext Inked was a great way to be involved in one of the most creative bottom-up environmental actions I know of, I now have a species permanently on my body, which throughout my life no doubt, hundreds of people will ask about, and I will be able to tell them the information I learned about that particular species, the project, the movement, and, in my case, the RSPB and other organisations helping to protect birds in the UK.
Which animal did you get? Tell me about the tattoo!
I went for the Black Grouse; I love birds, so for me it had to be a bird. The black grouse is found in the north of England, much of Wales and Scotland. I think to me, it was important to get something that I would be likely to come into contact with, I love golden eagles and leatherback turtles, but I’ve never seen either unfortunately! I don’t think it really matters too much which species I had tattooed though, as it’s more about the project and the issues as a whole than one particular species.
Tell me about the experience! What happened when you went to Manchester?
We went along on the last day around lunch time, which was bit quieter than when I visited on the Thursday night. I was quite pleased about that as all the tattooing happened much like a tattoo convention. There were barriers up at the front, and a stage with the three tattooists from Ink vs. Steel in Leeds, tattooing live in front of whoever was there to watch. As it was my first tattoo, and I didn’t know how much it would hurt, I was a bit nervous about being watched!
I thought I was being tattooed at 1 o clock, but somebody was running late, and I was early, so they switched our places, I didn’t really have any time to feel too nervous, before I knew it I was laid face down, being tattooed. I’d be lying if I said it didn’t hurt, because it did, but the mix of the atmosphere, and the rush of adrenaline you get puts you in a really strange place. I just laid their trying to work out how much it hurt and which bit he was doing, it was actually a pretty good feeling! Having had the tattoo a couple of days now, the pain seems totally insignificant.
Your girlfriend was part of the project too wasn’t she?
My girlfriend Sally got involved too; she got the Rampion Bellflower on her inner arm. She has a lot of tattoos already, so I think she probably had a different experience to me, although she was still a bit nervous. She was really excited to be a part of the project and has already done some good work telling people about the project and spreading the word! Sally is a very creative person, but isn’t able to be too involved in art, so I think it’s great that she really connected with this project and was really receptive to the ideas artists had on conservation.
What about the future? How do you think you’ll feel about the tattoo in 20 years time?
In twenty years time I have no idea how I will feel about the tattoo, but the more I live, the more I learn, and the more I learn, the more passionate I become.
Climate change and human activity is affecting our wildlife, and that’s only going to get worse unless we act quickly and dramatically. If we act now, while we still have a bit of a chance, I will be able to look at my tattoo and think, I’m glad we did something, and If not, I don’t think anybody will see it because my leg will probably be under water!
All imagery throughout courtesy of Natalia Kneen.
The recent grand opening of Tatty Devine’s new Covent Garden boutique was an affair to remember. A mini marching band led an excited crowd from Tatty Devine’s Soho shop to the new boutique in Covent Garden’s Seven Dials. Wearing giant Tatty Devine jewellery pieces and holding banners, web balloons and streamers the crowd ascended on to the brand’s new central London home on Monmouth Street. Guests enjoyed mulled cider and cupcakes as they celebrated the momentous occasion for the ‘plastic fantastic’, rx cult jewellery brand. Everyone who attended was treated to a lovely gift bag containing, among other treats, a beautiful pendant necklace from the ‘Button Up’ range.
Tatty Devine founders Rosie and Harriet pictured in the new store.
Tatty Devine founders, Rosie Wolfenden and Harriet Vine will, next year, celebrate the 10th birthday of the company they started together way back in 2000. Since their humble beginning the brand has released well over 20 Collections and has collaborated with a wealth of creatives such as Rob Ryan, Ashish, Peter Jensen, Gilbert and George, Peaches, Bernstock Speirs and the V+A to name but a few. In addition to their stand alone stores Tatty Devine now have over 100 stockists worldwide including MOMA, Selfridges, Tate and Urban Outfitters. With such an established position within London’s fashion scene makes the brand an ideal addition to the exclusive Seven Dials location. “Monmouth Street has a tradition of independent British fashion boutiques, which suits us perfectly. We’re bringing the spirit of our Soho shop to a new space where we can celebrate our 10th birthday next year in style!”
The boutique will sell all the current collections, the Best of Tatty Devine range featuring the 50 most popular pieces, and of course their famous name necklaces. Also in stock will be; knitwear by KIND, sunglasses by Jeremy Scott and Alexander Wong, bags by Mimi, and excitingly they will be the exclusive UK stockist of Eley Kishimoto’s flash print purses.
The Autumn/Winter 2009 ‘Button Up’ collection, inspired by the classic iconography of London’s Pearly Kings and Queens brings out a sense of London pride (and when you buy the Pearly King Brooch or Necklace, £1 from every sale will be donated to charity through the Pearly Kings and Queens Association). For the Tatty Devine aficionados out there you can also see Tatty Devine at Bust’s Craftacular event on December 12th, from 12-7pm, at York Hall in Bethnal Green. Tatty Devine, 44 Monmouth Street, London WC2H 9EP.
Written by Ester Kneen on Wednesday December 2nd, 2009 6:39 pm
Remember UGG? that much derided maker of *comfortable* booties worn by many a D-list celeb? Well, slowly and quietly UGG has undertaken a design transformation and grown up… I had an inkling of this when I was gifted a pair of wonderful sheepskin clog booties a few years ago that rapidly became my favourite footwear of the season, but things have moved on rapidly since then.
UGG Australia Tawnie.
This season UGG Australia are really ramping things up a gear in the UK… what with the launch of the I Do wedding collection (pearlescent versions of the original boots) and the opening of a big new flagship store in Piccadilly, London. UGG Australia already has concept stores in Knightsbridge, Westfield London, Covent Garden and Manchester, and their new bridal collection will be available exclusively in these shops.
Whilst I find the I Do jeweled Bailey Button and sequinned Classic Sparkles boots to be of dubious taste I can imagine that a certain type of bride would absolutely love their combination of glitz and comfort in the run up to and aftermath of a big schmaltzy wedding. I will concede that the Fluff Flip Flop looks spectacularly cosy: UGG Australia pride themselves on using only the very best sheepskin and craft techniques for their products.
UGG Australia women’s Lucianna.
If you are still in any doubt as to the desirability of UGG shoes why not take a peek through this summer’s range: I’m particularly loving the Jolene and Lucianna styles. You can use the widget below to find the styles you like. Now, who’s taking me sailing?
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Written by Amelia Gregory on Thursday May 31st, 2012 2:09 pm
Nearing the end of fashion week, edstuff everyone begins to look forward to a little light relief and a break from running from venue to venue – maybe some music, a bit of dancing and a drink or two? The Tatty Devine party ticked all the boxes and added an abundance of their snazzy jewellery to oogle at.
Held in their Covent Garden store on Monmouth Street, there was a lively crowd from seven onwards mixing those who had turned up for the party, with the people spilling out from nearby pubs and bars. The Severed Limb were playing on and off with my favourite member playing something which when I asked, was told (in an its-matter-of-fact-way), that it was the wash board.
So…the dulcet tones of the washboard, the bass, and the accordion accompanied the Can Do dancers from Pineapple Studios. With their amazing ruffled, flared skirts and Tatty Devine jewellery, the party was literally jumping by 8 o’clock. Western themed jewellery matched the music with fringed necklaces, brooches, horseshoe earrings and cowboy boot charms.
I have always enjoyed the quirkiness of Tatty Devine jewellery and their new pieces do not let the brand down. The moustache and pipe rings are great, as are the famous name tag necklaces and the pom pom earrings Amelia spotted when she popped down later. Rifling through my goodie bag, I was delighted to find a pipe ring included – definite style win.
We’ve always been fans of Tatty Devine and I was pleased to see that they are still going strong with their collaborations. At the moment, Rob Ryan jewellery (who collaborated with us for our second issue) is available from their online store as well as in Covent Garden. Other designers they are working with include Mrs Jones and Gilbert & George.
All photography by Florence Massey
Written by Florence Massey on Tuesday September 28th, 2010 8:55 pm
Nearing the end of fashion week, edstuff everyone begins to look forward to a little light relief and a break from running from venue to venue – maybe some music, a bit of dancing and a drink or two? The Tatty Devine party ticked all the boxes and added an abundance of their snazzy jewellery to oogle at.
Held in their Covent Garden store on Monmouth Street, there was a lively crowd from seven onwards mixing those who had turned up for the party, with the people spilling out from nearby pubs and bars. The Severed Limb were playing on and off with my favourite member playing something which when I asked, was told (in an its-matter-of-fact-way), that it was the wash board.
So…the dulcet tones of the washboard, the bass, and the accordion accompanied the Can Do dancers from Pineapple Studios. With their amazing ruffled, flared skirts and Tatty Devine jewellery, the party was literally jumping by 8 o’clock. Western themed jewellery matched the music with fringed necklaces, brooches, horseshoe earrings and cowboy boot charms.
I have always enjoyed the quirkiness of Tatty Devine jewellery and their new pieces do not let the brand down. The moustache and pipe rings are great, as are the famous name tag necklaces and the pom pom earrings Amelia spotted when she popped down later. Rifling through my goodie bag, I was delighted to find a pipe ring included – definite style win.
We’ve always been fans of Tatty Devine and I was pleased to see that they are still going strong with their collaborations. At the moment, Rob Ryan jewellery (who collaborated with us for our second issue) is available from their online store as well as in Covent Garden. Other designers they are working with include Mrs Jones and Gilbert & George.
All photography by Florence Massey
Written by Florence Massey on Tuesday September 28th, 2010 8:55 pm
Eley Kishimoto-squirrel print
Eley Kishimoto by Celine Choo.
Eley Kishimoto have always been high on my list of must-see fashion shows, find but this season they were instead presenting a small exhibition on a side street in Covent Garden. I don’t know why they had chosen to do this but would speculate that perhaps Eley Kishimoto have been less than able to cope with the rapid expansion of their small company during the recession – in recent years they have produced collections for shoes, homewares and furnishings. A lot for a small team to cope with in tough times!
Eley Kishimoto Pattern Lab 2010.
So it was on Sunday that I took the trip along to their “Pattern Lab” showcase in a shopfront on Kingly Street, wherein they had installed some rotating print-covered hexagonal prisms surrounded by racks of what looked like exercise books. At first glance this seemed unusually reserved for such unabashedly decorative and playful designers, even as it detailed their supposed process of design: from simple question mark into squirrel, into 70s inspired psychedelic neon swirl. Is this really how they design their inimitable textiles? Or merely a clever idea to reveal how at ease they are with the process of producing designs which happily mash different graphic styles together? With my current predilection for all animals of the forest (foxes, mice and squirrels all live in close proximity to my house) I was particularly drawn to their preoccupation with squirrels, shown in both a bold graphic design and a more opulent arts and crafts based textile.
Eley Kishimoto squirrel prints.
Down a spiral staircase a small room was attended by a beautiful red-lipped woman, and featured two rails bulging full of the new collection. Too much really for me to take in so I picked up a copy of the simple foldout lookbook to peruse, with girls in fringes placed simply against a blank wall and holding up graphic posters, delightfully water coloured to resemble old photos.
On my way out I was given one of the enigmatic grey exercise books lining the walls, a beautiful limited edition example of the hands-on screen printing that has made the Eley Kishimoto brand such a success. Their Autumn/Winter collection suggests that for now they’ve decided to concentrate on what they do so very well – producing cute, bright, fun clothing. If only I could afford some for myself.
Eley Kishimoto limited edition book A/W 2010.
Written by Amelia Gregory on Monday March 8th, 2010 6:03 pm
I remember blogging about Eun Jeong eons ago, drugs enticed by her pretty minimalism with a crisp all-white palette one season. For me, web she most certainly stood out amongst even the top hot-ticketers of London Fashion Week and I had an inkling she wouldn’t be a one-seasoner. I was therefore thrilled and curious upon bagging an invitation to one of her two fashion shows in Covent Garden during fashion week.??
All photography by Georgia Takacs
I sat next to a lovely blogger named Hannah Newton of London Town’s a go go in another clever catwalk invention of a loop around the room, order with audience-members sitting on rows inside and outside of the square. We both shamelessly ruffled through our large goody bags with tiny goodies – cosmetics and a little heart-shaped purse by Kipling. And we didn’t bother with ‘acting the part of a fashionista’ all nonchalant and ‘oh! I get free overpriced make-up on a daily basis, sweetheart. It’s no biggie.’ We’re students and we were blooming happy with our freebies.??
We just knew that the intimate set-up would result in bagging some great up-close shots of the clothes and getting a good look at the detail and fabric. Then, after a long wait sitting by the runway (as is always the way with fashion shows), 1930s music was suddenly bouncing off the walls and the models took to the oddly-shaped catwalk.
It looked to me as if the collection had been inspired by Britain in war-time. Every model wore bronzed make-up with bronzed skin all over their body and the clothes themselves were British in many respects – pleats and wool and ruffles with lady-like cuts all over the joint. There were elegant camel-coloured coats and full-skirts that began at the waist and dropped to the floor in pressed pleats.
Bows and lace were everywhere. They both seem to be a common theme this season. Delicate bows were placed on skinny leather waist-belts and thick white lace acted as beautiful underskirts.
It wasn’t all classic tea-party tailoring, however. There were a fair few twists and turns along the way. Pleated skirts bore asymmetric ruffles and tails down one side and a certain set of dresses definitely seemed to stand-out amongst the thick fabrics and classic lady-wear – bright yellow numbers that screamed out an utterly architectural print, resembling the Golden Gate Bridge.
Jeong’s seemingly favourite design ethos of white white white reappeared this season with a fair few outfits almost entirely in creams and white that flowed down in thick luscious fabric – a pure and almost evangelical look that passed off beautifully.
I now know why I was taken with Eun Jeong right from her Fashion Fringe debut. Her clothes are beautiful, classic, unique and, most of all, wearable. I could, for example, most definitely see an strong office woman walking into work every day and turning heads in Eun Jeong’s statement-take on both the classical and the quintessentially British. I loved it.
Jena.Theo, drug made up of Jenny Holmes and Dimitris Theocharidis, viagra order who met at the London College of Fashion, this web clearly want to be rock-chic at heart, and the show was like a highly anticipated gig with fashion editors literally fighting for seats (I’m not kidding it was crazy). So a bit of a manic start then!
The models sashayed down the catwalk whilst the clothes beautifully draped and flowed behind them and nothing was structured; it was very much a free-loving collection. A possible clanger came from the denim bubble coat (not as horrific as it sounds but still bad) and the look was slightly undone; maybe even unfinished but then maybe that’s what was intended.
The venue itself was pretty hardcore for 11am too with flashing coloured lasers spraying from the ceiling and a giant board lit up behind the models leaving us in no doubt as to what show we were at. They might as well have told us to get our rave on whilst referencing Valkyrie as the collection was aptly known.
Something always gets me though at these shows and it’s when the designers decide that ‘normal’ make up isn’t enough for their show, they need something a little kooky. Jena Theo decided that each model needed a black ‘Michael Stipe’ esque stripe across their eyes and to me it just wasn’t needed. Not that it particularly distracted from the clothes but it didn’t necessarily add anything either.
I’ll give them their due, after all it is their first on-schedule show this year but maybe next year the theatrical make up needs to be left out. Surely there’s enough of that in fashion!
You can saw more of Gareth A Hopkins’ illustrations in Amelia’s Compendium of Fashion Illustration.
Written by Jemma Crow on Sunday February 20th, 2011 9:09 pm
David Koma blasted Hot Chip ‘do it do it do it now’ as the models strutted along the catwalk attired in the outcome of the Jetson family crossed with Barbarella. The tight body conscious dress hems (a trend still occurring on the majority of catwalks) were adorned with black tubular piping and Deep Space Nine style jewellery. This was fun fun party fashion.
The solar system number was a particular favourite of mine, as a careful balancing act was required in the wearing of the piece. The use of rainbow coloured jewels screamed –definitely a positive point- Fred Butler Fred Butler.
The second half of the collection was the interpretation of the designer’s inspiration, the painter and sculptor Niki de Saint Phalle.
These dramatic dresses covered in bold primary colour block certainly grabbed the attention. The variety of materials embellishing the garments added a sense of tactically, whilst retaining a definite Star Trek alien ‘babe’ theme.
The strapless pink nipple dress was an interpretation of Niki di Saint Phalle’s voluptuous abstract sculptures celebrating decadent femininity. A successful application of the artist’s bold lines and block colours presenting the viewer with an abstract version of the colour block trend reinterpreting the artist’s designs onto the shape of the 60’s (the cut of the dresses celebrating the cuts of Mary Quant and Biba).
The use of bright colours embellished hips and shoulders blocking and revealing parts of the body at the same time.
The entire collection continued Koma’s interest in the female silhouette with the tight-tight dresses exaggerating the (fairly non-existant) curves of the models. The show concluded with overt references to the designer’s A/W 09 collection with the exaggerated curving in the construction of the dresses.
All Photographs by Sabrina Morrison
Written by Sally Mumby-Croft on Wednesday September 23rd, 2009 4:38 pm
999 it’s time, sildenafilerectile is another green focused campaign. As the website notes “We are in a state of emergency – socially, store economically and ecologically. What do we do in an emergency? In the UK, viagra 100mg we dial 999…” Well that all sounds pretty heartening until you realise that the 999 campaigns reaction to this emergency hasn’t exactly been particularly speedy so far. I can’t help feeling that the climate emergency we are facing means groups should be advocating some real direct action rather than just planting a tree or joining the 10:10 movement. However the campaign has some great initiatives to get the ball rolling and hopefully get more people thinking about the global crisis.
Of course the campaign does have some credibility, it encourages people to get more environmentally friendly, and behind the celebrity endorsements 999 has some forward thinking ideas about how communities in particular can work together to create a more sustainable world. Transforming rural and urban spaces into shared land to grow food has been one of the most successful elements. Capital Growth is the place to start with a great run through of the process and steps and how to get involved. Land sharing empowers people by growing their own food and creating stronger links in communities as well as reducing the reliance on supermarkets. A definite step in the right direction.
I caught up with Hugh Fearnley-Whittingstall, the rural country celebrity chef, to talk about his part in the 999 campaign.
Can you outline what 999′s main priority is about and why you’re here today?
999 is about driving home the issue of climate change and what we ourselves can do to combat the emergency situation we have found ourselves in. I’ve come today because our aim ties in with the Climate Rush campaign, and its a great way to get talking with the local community, and of course it’s the 9th of the 9th 09.
How is the 999 campaign coming along? It doesn’t seemed to have gained as much prominence in the press such as campaigns like the recent 10:10?
It’s an on-going process, im specifically been looking at the food aspect, and as the ambassador I’m really interested in what small scale communities can do to combat the threat of climate change.
Can you please give some examples of the message your trying to get across in relation to the food aspect of the campaign?
With my books and TV series I’ve been highlighting the importance of locally grown produce and recently I’ve been pushing the idea of land sharing. The idea is to find land, whether in urban or rural spaces where people can grow their own food, there is so much land wasted around the UK that can be used. With over a thousand people on waiting lists for allotments especially in the south, it is vital we utilize all the land we can instead of relying on foreign markets for our vegetables. Food is a great way to create a cohesive community and bring people together.
How is the land sharing campaign going, have you had much success?
We’ve had over a thousand land plots given to us and up to 30,000 people signing up to the website, so it’s defiantly getting people interested. The campaign is also working with groups like the Church of England and a range of British NGOs. The National Trust for example has just given us 1000 plots of land, so although it’s quite a slow process, there’s been a real positive reaction across the country.
With your interest in climate change, have the facts about the meat industry’s huge carbon footprint persuaded you to become vegetarian yet?
No, not yet, I’m aware of the issues, and I keep by own pigs and livestock, and always advocate buying locally soured meat to keep the carbon footprint low.
So let’s hope this campaign can help to stop this emergency from escalating, with 1 day, 11 hours, 9 minutes since 999 Day, the pressure is on.
The Design Museum’s annual exhibition of young designers begins on September 18 with site-specific works from Marc Owens and Dave Bowker. Owens is inspired by virtual realities – his work Avatar Machine replicates video gaming via a headset (above), order designed to make the wearer see themselves as a virtual character in the real world. Bowker works in data visualisation and will be re-examining the way visitors move about the Museum.
Once a year thousands of London’s most interesting and historic buildings are opened to the public, sale some of which are locked up tight for the rest of the year. Although some of the most popular buildings in the centre of London have already been completely booked, drugs there are still plenty of places worth visiting.
If you haven’t got your eye on anything in your local area, consider visiting the house of Dr Samuel Johnson, of “the dictionary” fame. It’s free to visit on Friday (there will be free cake on this day) and Saturday, in honour of the great man’s birthday.
Radical Nature
This exhibition of works revolving around nature and inspired by environmentalism features pieces from architect Richard Buckminster Fuller and artists such as Joseph Beuys and Hans Haacke, as well as newer names such as Heath and Ivan Morrison and Simon Starling. Impactful and timely, there are lots of strong visual statements such as the Fallen Forest by Henrik Håkansson (above) and a visual record of the fields of wheat planted as an act of protest on a landfill site in Manhattan.
Thames Festival
Sunday
One of the few fireworks displays allowed along the Thames will occur on Sunday when the Thames Festival fireworks are set off in all their glory, fired from barges between Blackfriars and Waterloo Bridge so everyone can get a perfect view. There are also events all day, including fire-eaters, an outdoor ballroom (starting to become the South Bank’s speciality) and the annual Night Carnival, where 2,000 costumed revellers bearing lanterns and luminous costumes will welcome the pyrotechnics.
Another load of talks, healing workshops and activities to get stuck into, information pills don’t forget Co-Mutiny is still on all this week in Bristol, Climate Rush are still on tour, and also make sure you get down to protest against the closure of the Vestas Wind Turbine factory this Thursday. Good luck with fitting it all in, I’m certainly going to struggle!
An exciting event has been organised with international speakers and delegates involved in policy-making, business, and academia. Understanding the role of climate change policy is central to a business’s future success. Topics will include the political, economical, technological, and legal challenges and solutions for decarbonising electricity.
To register for a discounted ticket visit the website and enter ‘ge2009′ as the discount code.
A Global New Deal needs a Green New Protectionism
Wednesday 16 Sep 2009 ?
An evening to learn and discuss the ‘triple crunch’ that we face: climate change, energy insecurity, and financial and economic meltdown. Colin Hines, Author and convener of the Green New Deal Group will be leading the talks. Colin has worked in the environmental movement for over 30 years including 10 years at Greenpeace. His recent work focuses on the adverse environmental and social effects of international trade and the need to solve these problems by replacing globalisation with localisation. During the evening there will also be a tribute to ‘Teddy’ Goldsmith, founder of The Ecologist magazine.
Time: 6.30pm drinks and food, 7.30pm talk begins at Burgh House
Venue: Gaia House, 18 Well Walk, Hampstead
Contacts: To book email, book online or call 0207 428 0054.
Website: www.gaiafoundation.org
Protest against the closure of Vestas Wind Turbine Factory
Thursday 17 Sep 2009 ?
As well as the continuing protest against the closure of the Vestas Wind Turbine factory at the Isle of Wight, there will also be a chance for people to make their feelings known across the country. People are meeting at the Department of Energy and Climate Change in London to lobby against the government. There will also be speakers including John Mcdonnel, MP (Labour, Hayes and Harlington) and Tracy Edwards (Young Members Organiser for the Public and Commercial Services Union).
Couldn’t put it better than Phil Thornhill from the Campaign against Climate Change “Just when we need a huge expansion in renewable energy they are closing down the only significant wind turbine factory in the UK. The government has spent billions bailing out the banks, and £2.3 billion in loan guarantees to support the UK car industry – they can and should step in to save the infrastructure we are really going to need prevent a climate catastrophe.
Whilst the impact on employment on the Isle of Wight will be quite devastating, this is an issue not just about jobs or one factory but about whether the government is really going to match up its actions to its rhetoric on green jobs and the rapid decarbonisation of the British economy – whether its prepared to act with the kind of resolution and energy we need to cope with the Climate Emergency”.
Time: 5.30 to 6.30pm
Venue: Outside the Department of Energy and Climate Change, 3 Whitehall Place.
?Website: www.campaigncc.org
Out of the Ordinary Festival
Friday 18 Sep 2009 to Sunday 20 Sep 2009
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OOTO is a 3 day family friendly and eco friendly festival set in the beautiful Sussex countryside celebrating the Autumn Equinox. Featuring a variety of live music powered by solar panels and wind generators, fascinating talks and workshops, children’s activities, awesome performances, a green market place and many more out of the ordinary surprises. The festival is also offering Big Green Gathering ticket holders a discount for the event held over the weekend
Venue: Knockhatch Farm, Hailsham, East Sussex
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Website: www.outoftheordinaryfestival.com
Tree-Athlon
Saturday 19th September
Get fit and get your very own tree sapling to take home! Participants run a 5km race to raise money for Trees for Cities, an independent environmental charity working with local communities on tree planting projects. There is also music, entertainment, lots of tree-themed activities, whatever that may consist of, and plenty of other workshops to keep the whole family entertained.
The race is open to runners aged 14 and up and is ideal for beginners or experienced runners alike. Register now, to make sure you can raise as much sponsorship as possible before the day, and look forward to a grand day out.
?The Urban Green Fair is held in Brockwell Park in London this Sunday, Its a free event and with plenty to do and see, the fair is also powered by solar and wind energy.
The annual family event, has a range of films, talks, workshops, kids activities, stalls, sunshine as well as some unusual bicycles. Unfortunatly no bars or big stages but this keeps the emphasis on education and communication. A chance to share ideas, meet familiar faces and make new friends. With little government action on peak oil and climate change there is plenty to discuss and lots we can do as individuals. ?
Leytonstone Town Centre will car free day this Sunday. As well as having no vehicles hurtling around there will also be entertainment, stalls, live music, dancing, public art and childrens’ play areas. Simon Webbe from Blue and Aswad will be headlining! Get yourself down, and make sure you leave the car(if you’ve got one) at home.
Time: 1pm-7pm
Venue: Outside Leyonstone tube station
Website: www.walthamforest.gov.uk
Co-mutiny
Saturday 12th of September until Monday 21st September
A coming together of activists, eco-warriors gardeners, artists, community/political groups, cooks, builders etc. to demonstrate our creative power to build a city/world we would like to see. Co-Mutineers have taken an old cathedral (of the holy apostles) near the Triangle in the Clifton/Hotwells area, it’s a space to converge, eat, sleep meet and discuss, plan and skill-share!
There will be over a week of different activities, direct actions, workshops, film screenings, public demonstrations and parties. It’s happening all across Bristol and the wider South West.
During the week there will be actions happening all across the city, which will climax in a fancy dress carnival through the financial district of Bristol on the Friday.
Venue: Bristol Pro Cathedral, Park Place, BS8 1JW
Website: http://comutiny.wordpress.com/ Monday 14th September
William Elliott Whitmore The Garage, order London
We can’t get enough of this distilled, medications gravelly bluesman. With Whitmore, it’s almost like you’re listening from inside a huge bottle of JD.
Having supported folk heavy weights, Tunng, Bon Iver, and King Creosote, this ballsy 19 year old manages to blend the vocal lustre of Nico and Laura Marling whilst having an edgy stage presence more like Gwen Stefani. Beguiling.
A traditional folk night in a scuzzy South-East London boozer. You want more reason that that? Well living legend, Tom Paley who played with Woodie Guthrie back in the day and enchantingly odd, Birdengine are two big ones.
It’s the last chance to see Rankin’s retrospective in Brick Lane this week. The exhibition moves through Rankin at university exploring the well worn art student quest to find a sense of self to portraying the plight of the Congo. After this introduction the exhibition opens onto his best know fashion, website erotic and beauty editorials. Featuring Kate, Hedi, Tilda Swinton and the Dame of British Fashion, Vivienne Westwood to name a few. Rankin’s strongest work comes through in the portraits where he has assumed a sense of a relationship with the sitter, tweaking out their quirks through the movement of an eyebrow, eye or twitch of the lips or neck. Throughout the exhibition Rankin moved his studio into the space to continue photographing the public portraits. A portion of everyone’s fee goes to support Oxfam’s to work in the Congo.
Until the 18th September.
The Museum of London is staging a three day fashion diversity event during London Fashion Week. On Thursday the museum hosts a range of workshops from a discussion of the development of sustainable fashion by CHOOLIPS, to a Moving Passion to Profit workshop in association with the MOORDESIGN salon finishing with the importance of branding. Colour Production, addressing how companies interact with their audience visually. Finally 7-16 year olds are giving the opportunity to unlock their creativity in a fashion drawing workshop teaching concentration, communication and dexterity.
Friday and Saturday host the fashion diversity catwalks: Emerging, Established and Honorary designers at 1pm or 3pm Friday and 1pm on Saturday, places are free. Honorary designers Junky Styling and Nico Didonna also present pieces for the runway.
To conclude Saturday’s event, at 3pm student and graduate designers from schools and colleges across London showcase designs inspired by 18th century pleasure gardens and related costumes from from the Museum of London’s archives.
Unable to go to Fashion Week? Fear not! As mentioned last week, the Fashion Revolution exhibition opens at Somerset House. The exhibition curated by Showstudio celebrates nine years of Showstudio.com. The website established by Nick Knight has pushed and developed the idea of communicating fashion ‘live’ through films, online live interviews and streamed performances involving photographers, models, stylists graphic designers and cultural figures to create ethereal fashion portraiture and communication through body and style. New fashion films have been commissioned to accompany the exhibition, alongside a live photographic studio that gives the viewer the opportunity to see the whimsical world of fashion in play.
Saturday 19th
GIANT VINTAGE SALE
This just dropped into the inbox – The East End thrift store are inviting all budding clothing DIY’ers to come down to the store and fill a bag with all that you can for ten or twenty pounds. Open Saturday to Sunday from 10-7pm.
The National Portrait Gallery celebrates the icon of 60′s British Fashion photography, Twiggy. Dedicating a room to the most iconic images created with her image by a range of photographers from Richard Avedon to Solve Sundsbo. The exhibition coincides with a publication of a new book: Twiggy : A life in photography. This exhibition is a must for anyone interested in the relationship between sitter and photography in fashion portraiture.
Pull the fashion rope, roll around in dressing up boxes courtesy of Costume Boutique. Jump up and Down for the tombola, be styled by Super Super Magazine, scouted by models 1 or preview some of the hottest new design talent with the Fashion and Textiles museum.
Moreover TRAID are holding a stitching workshop on how to transform old clothes into new designs as demonstrated by their remade range.
Written by Sally Mumby-Croft on Monday September 14th, 2009 11:35 am
When did you last hear an amazing story? A tale of derring-do, helpmedical or grand ambition, shop heights scaled, ambulance depths plumbed – simple stand-up human decency or quiet unassuming endurance or some quirky ingenuity fit to inspire generations to come. The kind of stuff they used to sing songs about, and still do.
Sat around their dining table one evening, David and Clare Hieatt pondered. They were rubbing their chins over what they could really do about the things they cared about. They’d started howies back in 1995, something of an awesome inspirational-type clothes company in itself, but this was clearly not enough. From that evening of reflection, they figured that the world’s Doers are the best people to inspire people to go Do something. In David’s words, ‘They show us what is possible. They leave a trail that we can follow. Knowing how they did it helps us to connect the dots about how we can do it. They give us the inspiration, the final push we need to go and do our thing. Whatever that might be. From starting a new business, to inventing something that hasn’t been done before to fighting for your cause, doers seek.’
And so the Do Lectures were born – a series of talks by people who have Done stuff, and might well Do more, if we let them up and at it – a few days gathering each year to share ideas and stories, to meet other fantastic Doers, and thereby get these stories out and about in the world. Here are a few Qs – the As courtesy of David Hieatt – that might give you more of an idea.
Why do people get involved with the Do Lectures?
There isn’t a set of talks like it in Britain. The talks have sustainability at its heart. Their reason to exist is to make a positive change. The speakers do not get paid but we do cover their expenses. Speakers come from all over the world to tell their story. They want to share their learning, they want to share their new ideas, they want to share their journey. They want to tell the world about the change they have made or are seeking to make. It might be a small tent but there are some big ideas being shared. They have a story to tell. People remember stories. They forget facts.
How do you choose your speakers for the Do Lectures?
We spend the year researching the speakers. We find out who has written the most interesting books, written the most thought provoking articles, who is doing the bravest thinking in their field, and then we pull from that research and start to compile a short list. We already have some of the speakers booked for next year. We also have a number of Do mentors throughout the world. They report back to us from time to time. They tell us who their doers are in their part of the world. They we literally get on the phone to the people we are going to invite. Even in the second year, an invite is starting to carry some kudos.
What is the most unusual topic for this year’s Do Lectures?
Maybe, Mount Everests binman. Or a school that aims to create chaos and not order. Maybe the man wants to change how concrete is made. Or maybe the man who’s doodles have ended up on the big screen for what could be the biggest film of the year: Where the Wild Things Are.
Where do you see the Do lectures in 5, 10, 20 years’ time?
In 5 years – There will be a series of How to Do books. That cover the subjects that the talks cover from clean tech to inventing to climate change. Global talks. The talks will take place all over the world. From Sydney, to Bangalore, to Stockholm, to Tokyo, to San Francisco, to Beijing. The talks will over time become an important set of talks, respected throughout the world. In 10 years – The aim for the Do Lectures over the next decade is to build a world resource for Doers and to supply that knowledge for Free for the world to use. To make a positive change. In 20 years – To build A Do school. There will be a physical and a virtual library available free to the world.
So here’s a gathering with a difference. At one thousand pounds a place, you’re less buying a ticket, more contributing to the speakers’ expenses and the future free distribution of the lectures. David and Clare are thinking big – what is fast becoming a respected annual event should attract over a million people across the world this time around to get inspired for free. If you can go, I most humbly and slightly jealously urge you, go. And if a back seat is the order of the day – well, don’t make a habit of sitting there. Once this year’s stories are out and available, I think there’ll be more than enough get-up to go. Yes, I surely Do.
One of Amelia’s Magazine‘s favourite graduates from the Central St Martins MA back in March was knitwear designer Morgan Allen- Oliver, treatment with a selection of horse jockey- meet- Soviet minimalist graphic patterned jumpers. We caught up with him to find out how the last few months have been treating a designer with very British sensibilities.
Hi there! How are you doing? You have nice hair.
Hello, approved thank you. I think both my hair and I are feeling the effects of a rather busy couple of weeks!
What have you been up to?
Well I’ve had my brothers wedding in Somerset, diagnosis where I was making waistcoats for the wedding party, and then I’ve been at the Avalon Camp, the charity I work with (a week in a very rainy, muddy field with 32 children, trying to give them a summer holiday!!) then straight back to London to reacclimatise to city life!
You graduated in March – what have you been up to since then?
I needed a break. It was 18 months of near hell, I loved almost every minute of it but it was emotionally, physically and financially draining – I loved it! Then after a couple of weeks lying in a darkened room, I went back to my old uni, Ravensbourne, to help some very talented young designers pull their collections together ready for Graduate Fashion Week. It was fun but strange at the same time – working so hard only to see someone else get the glory! I have not done that before but I suppose it gets you ready for the real world! Then I started doing some work for Christopher Shannon and Natascha Stolle, sort of knitwear consultancy I guess you could call it? This has actually been very beneficial and given me a lot of creative freedom.
Describe your design aesthetic in three words.
British. Elegant. Me.
Who do you see wearing your clothes?
It is odd, but I always have my friend Ed in the back of my head when I design – I think, “would he wear it?” Then I go with it. I also see my clothes as really easy-to wear, and could work on anybody who wants to wear them – as long as they are happy, I am happy. I think that as long as people are confident in their clothes, they will look good! Man that sounds cheesy!
Who do you admire within the industry? Any other heroes?
A strange choice but I am always really excited to see the new Miu Miu shows when they come out. I know it is mainly womenswear and not my forte, but there is always something fun and new that really gets me. Every now again Burberry come out with some beautiful knitwear that makes me wish I had designed it!
Why knitwear?
As stupid and as lazy as it sounds, when I was in my last year at Ravensbourne, no one was doing it so I thought it would be a good way to stand out, and it was. You need to stand out in fashion, however possible! But as I got more into it, I actually started to like it and really enjoyed the process, designing as I knitted and being so much freer than when I was working with wovens. I must have enjoyed it I guess as I went on to specialise in it at St Martins!
As a knitwear specialist, are you pleased to see a lot of recent students showing an interest in knitting?
I really am. It was amazing that only two years after I left Ravensbourne as the only only pure knitter, there were six or seven people doing it when I went back, all of whom were doing some of the best and most beautiful work I have seen. I was also really pleased to see so much on show at GFW. I sat through nearly all the shows and the knitwear was definitely the highlight in most shows.
Morgan’s BA collection from Ravensbourne
Now for the important question…you inherit 5 million dollars the same day aliens land and say they’re going to blow up the world in two days… what do you do?(Editor’s note: definitely not lifted from anywhere)
Well I don’t believe in aliens. But if I inherited 5 million pounds (we are in England!) and then the world ended that night, I would probably be too panicked to come up with a coherent plan, so would no doubt waste my time thinking about what to do!
Who or what is your greatest enemy?
Time. There is never enough and I waste it terribly.
Who would you ideally like to work for, and what’s the future for Morgan Allen-Oliver?
I want to work for one of the classic British houses. I feel that is where my style sits best. Then who knows, one day go out on my own? When I was younger, and still finding my style, I always thought New York was the place for me, and actually in the past week, two opportunities have come up over there, but we will wait and see!
To get in touch with Morgan (and maybe get yourself one of those jolly nice jumpers) pop him over an e-mail by clicking here.
Like trojan horses in thrift store suits, edAndy Bichlbaum and Mike Bonanno are the corporate world’s bêtes noires, find causing mayhem and creating chaos in the buttoned up business sector. Seeing that they describe their favourite hobby as posing as the heads of corporations that they hate, this the results of which have caused losses of millions of dollars on the stock market, you can see why these men strike fear in the otherwise impenetrable world of big business.
The exploits of Andy and Mike, otherwise known as The Yes Men, make up “The Yes Men Fix The World”, the optimistically titled documentary which details their journey into some of the biggest, baddest corporations in the world. Before you think that these two are merely time-wasting pranksters, bare in mind that they only go after the organisations which have blood on their hands, and their ultimate mission is to “expose the corporate greed which is destroying the planet”. Their tried and tested manner of political activism is done by ” criticizing those in power with a smile and a middle finger”, a disarmingly effective method which always delivers. The film details one of their most infamous and audacious hoaxes yet – impersonating a Dow Chemical spokesperson on the BBC. A little back history to put this in the correct context; in 1984 a chemical plant in India which was owned by Union Carbide (since purchased by Dow Chemical) leaked 27 tons of the deadly gas methyl isocyanate which spread into the city of Bhopal. Called the worst industrial disaster in human history, the effects were far reaching and horrific. Over 500,000 people were exposed to the gas, and 20,000 have died as a result. It is estimated that 120,000 people still suffer from ailments caused by the leakage, which include blindness, extreme difficulty in breathing and gynecological disorders. Babies born since have been blighted with disfigurements. Since Dow Chemical purchased Union Carbide in 2001, they have refused to clean up the side, provide safe drinking water or compensate the victims, saying that the settlement reached by Union Carbide had fulfilled the financial and moral responsibilities of the victims.
With this in mind, the dogged determination of The Yes Men to focus in the spotlight on Dow by any means possible is quite understandable. In 2004, Andy Bichlbaum appeared on the BBC as Jude Finisterra, a Dow Chemical representative, accepting responsibility for their actions, pledging to clean up the site and compensate the victims.
The fallout was fast and unexpected – Dow’s share price fell 4.2% in 23 minutes, causing a loss of $2 billion in market value. This leads to a Yes Men realisation. As they explain; “we have created a market system that makes doing the right thing impossible, and the people who appear to be leading are actually following its pathological dictates. If we keep putting the market in the driver’s seat, it could happily drive the whole planet off a cliff.”
The film follows Andy and Mike around conferences as they try to explain the ramifications of this situation. Of course, the methods which they employ to do so are not always legit (but funny for us). For example, pitching the concept of a ‘golden skeleton’- which represents lucrative skeletons in the closet, to a London Dow Conference. Surprisingly, those attended loved the concept and afterwards scrabbled to be given skeleton key chains and memorabilia.
The documentary also unveils SurvivaBalls, (which can best be described with photographic examples) on a unsuspecting audience. While they may suspiciously look like fat suits, they in fact “Save managers from abrupt climate change – an advanced new technology will keep corporate managers safe even when climate change makes life as we know it impossible”. As long as the heads of the corporations are alright, eh?
The Yes Men press have this to say about the films release:
COME SEE THE YES MEN GET SERVED?
If you happen to live in the U.K., the Yes Men will be attending the London
preview screenings August 7-10 and will appear live at the nationwide simulcast on
August 11. These are great opportunities to serve the Yes Men legal papers should
you or anyone you know wish to sue them. Please get tickets early to reserve a
seat for these potentially lively events! Note as well that the Yes Men will give
a free “Special Edition” New York Times to anyone who comes to any daytime
screening, or to one of the Monday-Wednesday evening screenings at the Odeon
Panton Street London between August 7-13.
There will also be the chance, a la The Age Of Stupid, to organise screenings in schools and public work places. For full screening dates and times, and to buy advance
tickets, please visit http://www.theyesmenfixtheworld.com/scre
Antwerp has a lot to answer for. It has for the last decade been a fertile hotbed for not only cooler than thou talent emerging from the Fashion Academy but a steady stream of artists, about it photographers, see illustrators and graphic designers. One man who has his fingers in all the fore mentioned creative pies is Frederik Heyman, hospital an Antwerper born and bred, who has been artistically active since the tender age of 7. With not one but two master degrees, one in graphic and illustration design and one in photography, Heyman is more than a hobbyist with a passion.
His portfolio is extensive yet he remains clearly selective about working with people he resonates with; local folk such as Bruno Pieters and Christian Wijnants, as well as red hot publications such as Zoo Magazine (the trendy Berlin based one, not the British poor man’s playboy) Delvaux Magazine, and Mode Depesche.
When I asked him about his most admired artists he explains that while admiration can have negative connotations for him which in turn can kill creativity once you strive for emulation, he has a lot of respect for certain artists and thinks the prospect of collaboration is tricky when you contend with “egos bumping”.
As someone who explores more than one avenue of expression, I wondered whether he had a preference between creating illustrations and shooting photographs. “I believe for me one is inseparable from the other; there is a lot of crossover. I illustrate my images and the atmosphere by putting it on film and vice versa. I believe I’m more of an illustrator who uses a wide range of media, including photography.” Perhaps the attraction of dealing with a range of medias is that it keeps one’s mind and occupied; Frederik claims that if he wasn’t an artist his life would probably be a lot more structured.
One theme that struck me immediately in Heyman’s work is his use of the human form. I was curious where his fascination with bodies came from, especially when he is in turn quite shy of his own. “It’s not a fascination; it’s more the endless possibilities you have with the tool called ‘a body’. It’s more of an automatic feature that sneaks in rather than a present subject in my work. With the body you can sculpt your image, it can be subtle, or it can support the action from the background. Every little movement or gesture can reroute the atmosphere in an opposite direction.”
When the conversation matured into more of a chit chat, I discover that Frederik is lost without his mobile phone, “I can’t stand the silence of not hearing people in a day passing by”, that he can’t deny the musical presence of the Pet Shop Boys in his life “they are permanently in my top 25 listened to tracks!”, and that his only real nemesis is sleep, “I suffer the physical weakness of body and time. I find the days run too short for all the possibilities.”
His work has received widespread interest from a number of blogs and websites; the diversity of his appeal is to his credit, and I’m sure will mean his success can only continue to flourish. Collina Strada designs some very nice bags. And like most things fashion-related around here at Amelia’s Magazine, physician they have a heart and soul, viagra 40mg with a passionate concern for environmentally friendly fashion. Made from organic canvas and using vegetable dyed leathers, medications these new ‘It’ bags truly deserve the label; they really are so much more than just a bag (if such a thing even exists!)
The genius behind the designs is LA based Hillary Taymour, who has brought her vast fashion and business education from the Fashion Institute of Design and Merchandising to her business; covering all aspects of initial design work, production and marketing. Hillary is Collina Strada! Combining her Californian education with her Egyptian background, Hillary’s bags showcase the modernity of American fashionistas mixed with ethnic prints and ethical fabrics no doubt inspired by her African roots. Think zebra stripes meeting modern shapes, expect tribal diamonds printed on envelope bags.
The collection is made with the fashion-forward woman in mind, no surprise considering Hillary’s location. Already celebrated on inspirational fashion blog, rackk and ruin, it’s definitely correct to say that once you have the blogosphere’s support, good things are on their way. Something that makes the bags stand out is their individuality; each bag is different, nothing matches, yet the excellent tailoring and construction hold the designs together.
Inspired by bag-making-legends ranging from Prada, to Balenciaga, to Hermes, Hillary certainly knows her handbag royalty. Alongside her education and background, these formative influences can truly be spotted in the ‘It’ factor to her designs, making functional and modern bags that at the same time stand out as somehow timeless, vintage-look pieces. Look at the effortless draped shape of the Ferra bag, or the dramatic rouching of the Zeba bag, and you’ll see what I mean. Can’t you picture the photos of Sienna, Alexa and the gang parading around London town with these beauties on their shoulders already?
Collina Strada – Where does the name come from?
The name for the collection derived from my name Hillary people call me Hill, in Italian Collina means Hill and Strada means Street.
What was the inspiration behind the collection?
The inspiration for the line was to create a beautiful silhouette with buttery leathers and eco-conscious materials, I wanted to create something beautiful that could allow every woman to show off their individual style.
What do you think makes your bags stand out?
The bags stand out through their unique silhouette with a clean aesthetic, the bags speak for themselves without any added hardware.
What’s in store for the future of Collina Strada?
The future of Collina Strada is expanding, I will be creating functional abstract leather pieces that are not necessarily handbags, I would love to see Collina Strada move forward into a head to toe contemporary women’s collection.
Hillary states on her website that she strives to provide bags that “break free from the rest”. Looking at her 09 collection, they certainly do that.
Written by Becky Cope on Thursday August 13th, 2009 3:48 pm
All imagery throughout courtesy of Natalia Kneen.
Tatty Devine founders Rosie and Harriet pictured in the new store.
